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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8BF46 it is the complementary color #2740B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8BF46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8BF46 shade: #DDBF41, #EED154, #FFE367, #FFF57A and #FFFF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8BF46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8BF46 shade: #D8BF46, #C7AD33, #B69B20, #A5890D and #947700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8BF46 shade: #D8BF46, #D89746, #D87046, #D84946 and #D84646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8BF46 shade: #D8BF46, #C9D846, #A2D846, #7BD846 and #53D846

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8BF46 shade matches the following richer shades: #D8BF46, #EACB34 and #FCD722

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8BF46 shade: #D8BF46, #C6B358, #B3A76A, #A19B7C and #8F8F8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8BF46 shade: #D86F46, #D89646, #D8BD46, #CCD846 and #A5D846

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8BF46 shade: #A89124, #CAAE2B, #D8BF46, #DFCB68 and #E6D68A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8BF46 shade: #D8BF46, #46D848 and #8346D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8BF46 shade: #D8BF46, #46D8BD and #BD46D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8BF46 shade: #D8BF46, #46D848, #4661D8 and #D846D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8BF46 shade: #D8BF46, #46D874, #4661D8 and #D846AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 68 / 15

HEX #D8BF46

RGB 216 191 70

HSL 49.73, 0.65%, 0.56%

LAB 77.46, -4.53, 61.76

 

Complementary color

CMYK 79 / 65 / 0 / 27

HEX #2740B9

RGB 39 64 185

HSL 229.73, 0.65%, 0.44%

LAB 33.14, 34.98, -66.18

 

CMYK 0 / 14 / 71 / 13

HEX #DDBF41

RGB 221 191 65

HSL 48.46, 0.7%, 0.56%

LAB 77.88, -2.66, 64.33

 

CMYK 0 / 12 / 65 / 7

HEX #EED154

RGB 238 209 84

HSL 48.7, 0.82%, 0.63%

LAB 84.18, -3.72, 63.62

 

CMYK 0 / 11 / 60 / 0

HEX #FFE367

RGB 255 227 103

HSL 48.95, 1%, 0.7%

LAB 90.4, -4.63, 62.68

 

CMYK 0 / 4 / 52 / 0

HEX #FFF57A

RGB 255 245 122

HSL 55.49, 1%, 0.74%

LAB 95.15, -12.16, 59.62

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 0 / 12 / 68 / 15

HEX #D8BF46

RGB 216 191 70

HSL 49.73, 0.65%, 0.56%

LAB 77.46, -4.53, 61.76

 

CMYK 0 / 13 / 74 / 22

HEX #C7AD33

RGB 199 173 51

HSL 49.46, 0.59%, 0.49%

LAB 71.06, -3.39, 62.24

 

CMYK 0 / 15 / 82 / 29

HEX #B69B20

RGB 182 155 32

HSL 49.2, 0.7%, 0.42%

LAB 64.56, -2.05, 62.02

 

CMYK 0 / 17 / 92 / 35

HEX #A5890D

RGB 165 137 13

HSL 48.95, 0.85%, 0.35%

LAB 57.96, -0.43, 60.53

 

CMYK 0 / 20 / 100 / 42

HEX #947700

RGB 148 119 0

HSL 48.24, 1%, 0.29%

LAB 51.26, 1.48, 57.13

 

CMYK 0 / 12 / 68 / 15

HEX #D8BF46

RGB 216 191 70

HSL 49.73, 0.65%, 0.56%

LAB 77.46, -4.53, 61.76

 

CMYK 0 / 30 / 68 / 15

HEX #D89746

RGB 216 151 70

HSL 33.29, 0.65%, 0.56%

LAB 67.41, 16.71, 51.12

 

CMYK 0 / 48 / 68 / 15

HEX #D87046

RGB 216 112 70

HSL 17.26, 0.65%, 0.56%

LAB 58.63, 37.45, 41.3

 

CMYK 0 / 66 / 68 / 15

HEX #D84946

RGB 216 73 70

HSL 1.23, 0.65%, 0.56%

LAB 51.62, 55.68, 33.02

 

CMYK 0 / 68 / 68 / 15

HEX #D84646

RGB 216 70 70

HSL 0, 0.65%, 0.56%

LAB 51.18, 56.88, 32.49

 

CMYK 0 / 12 / 68 / 15

HEX #D8BF46

RGB 216 191 70

HSL 49.73, 0.65%, 0.56%

LAB 77.46, -4.53, 61.76

 

CMYK 7 / 0 / 68 / 15

HEX #C9D846

RGB 201 216 70

HSL 66.16, 0.65%, 0.56%

LAB 82.9, -23.34, 66.91

 

CMYK 25 / 0 / 68 / 15

HEX #A2D846

RGB 162 216 70

HSL 82.19, 0.65%, 0.56%

LAB 80.31, -38.7, 63.44

 

CMYK 43 / 0 / 68 / 15

HEX #7BD846

RGB 123 216 70

HSL 98.22, 0.65%, 0.56%

LAB 78.32, -52.23, 60.76

 

CMYK 62 / 0 / 68 / 15

HEX #53D846

RGB 83 216 70

HSL 114.66, 0.65%, 0.56%

LAB 76.92, -63.01, 58.84

 

CMYK 0 / 12 / 68 / 15

HEX #D8BF46

RGB 216 191 70

HSL 49.73, 0.65%, 0.56%

LAB 77.46, -4.53, 61.76

 

CMYK 0 / 13 / 78 / 8

HEX #EACB34

RGB 234 203 52

HSL 49.78, 0.81%, 0.56%

LAB 82.08, -3.84, 73.3

 

CMYK 0 / 15 / 87 / 1

HEX #FCD722

RGB 252 215 34

HSL 49.82, 0.97%, 0.56%

LAB 86.71, -2.79, 82.55

 

CMYK 0 / 12 / 68 / 15

HEX #D8BF46

RGB 216 191 70

HSL 49.73, 0.65%, 0.56%

LAB 77.46, -4.53, 61.76

 

CMYK 0 / 10 / 56 / 22

HEX #C6B358

RGB 198 179 88

HSL 49.64, 0.49%, 0.56%

LAB 72.86, -4.7, 48.24

 

CMYK 0 / 7 / 41 / 30

HEX #B3A76A

RGB 179 167 106

HSL 50.14, 0.32%, 0.56%

LAB 68.21, -4.57, 33.09

 

CMYK 0 / 4 / 23 / 37

HEX #A19B7C

RGB 161 155 124

HSL 50.27, 0.16%, 0.56%

LAB 63.73, -3.03, 17.07

 

CMYK 0 / 0 / 1 / 44

HEX #8F8F8E

RGB 143 143 142

HSL 60, 0%, 0.56%

LAB 59.38, -0.19, 0.52

 

CMYK 0 / 49 / 68 / 15

HEX #D86F46

RGB 216 111 70

HSL 16.85, 0.65%, 0.56%

LAB 58.42, 37.96, 41.06

 

CMYK 0 / 31 / 68 / 15

HEX #D89646

RGB 216 150 70

HSL 32.88, 0.65%, 0.56%

LAB 67.17, 17.24, 50.86

 

CMYK 0 / 13 / 68 / 15

HEX #D8BD46

RGB 216 189 70

HSL 48.9, 0.65%, 0.56%

LAB 76.94, -3.49, 61.23

 

CMYK 6 / 0 / 68 / 15

HEX #CCD846

RGB 204 216 70

HSL 64.93, 0.65%, 0.56%

LAB 83.12, -22.11, 67.21

 

CMYK 24 / 0 / 68 / 15

HEX #A5D846

RGB 165 216 70

HSL 80.96, 0.65%, 0.56%

LAB 80.49, -37.57, 63.68

 

CMYK 0 / 14 / 79 / 34

HEX #A89124

RGB 168 145 36

HSL 49.55, 0.65%, 0.4%

LAB 60.52, -2.8, 56.64

 

CMYK 0 / 14 / 79 / 21

HEX #CAAE2B

RGB 202 174 43

HSL 49.43, 0.65%, 0.48%

LAB 71.56, -2.93, 65.55

 

CMYK 0 / 12 / 68 / 15

HEX #D8BF46

RGB 216 191 70

HSL 49.73, 0.65%, 0.56%

LAB 77.46, -4.53, 61.76

 

CMYK 0 / 9 / 53 / 13

HEX #DFCB68

RGB 223 203 104

HSL 49.92, 0.65%, 0.64%

LAB 81.51, -5.46, 51.3

 

CMYK 0 / 7 / 40 / 10

HEX #E6D68A

RGB 230 214 138

HSL 49.57, 0.65%, 0.72%

LAB 85.38, -5.06, 39.5

 

CMYK 0 / 12 / 68 / 15

HEX #D8BF46

RGB 216 191 70

HSL 49.73, 0.65%, 0.56%

LAB 77.46, -4.53, 61.76

 

CMYK 68 / 0 / 67 / 15

HEX #46D848

RGB 70 216 72

HSL 120.82, 0.65%, 0.56%

LAB 76.61, -65.48, 57.62

 

CMYK 39 / 68 / 0 / 15

HEX #8346D8

RGB 131 70 216

HSL 265.07, 0.65%, 0.56%

LAB 44.47, 55.16, -65.38

 

CMYK 0 / 12 / 68 / 15

HEX #D8BF46

RGB 216 191 70

HSL 49.73, 0.65%, 0.56%

LAB 77.46, -4.53, 61.76

 

CMYK 68 / 0 / 13 / 15

HEX #46D8BD

RGB 70 216 189

HSL 168.9, 0.65%, 0.56%

LAB 78.51, -44.73, 2.07

 

CMYK 13 / 68 / 0 / 15

HEX #BD46D8

RGB 189 70 216

HSL 288.9, 0.65%, 0.56%

LAB 52.01, 67.16, -52.83

 

CMYK 0 / 12 / 68 / 15

HEX #D8BF46

RGB 216 191 70

HSL 49.73, 0.65%, 0.56%

LAB 77.46, -4.53, 61.76

 

CMYK 68 / 0 / 67 / 15

HEX #46D848

RGB 70 216 72

HSL 120.82, 0.65%, 0.56%

LAB 76.61, -65.48, 57.62

 

CMYK 68 / 55 / 0 / 15

HEX #4661D8

RGB 70 97 216

HSL 228.9, 0.65%, 0.56%

LAB 45.37, 28.82, -64.14

 

CMYK 0 / 68 / 1 / 15

HEX #D846D5

RGB 216 70 213

HSL 301.23, 0.65%, 0.56%

LAB 55.87, 72.62, -44.75

 

CMYK 0 / 12 / 68 / 15

HEX #D8BF46

RGB 216 191 70

HSL 49.73, 0.65%, 0.56%

LAB 77.46, -4.53, 61.76

 

CMYK 68 / 0 / 46 / 15

HEX #46D874

RGB 70 216 116

HSL 138.9, 0.65%, 0.56%

LAB 77.09, -59.92, 38.18

 

CMYK 68 / 55 / 0 / 15

HEX #4661D8

RGB 70 97 216

HSL 228.9, 0.65%, 0.56%

LAB 45.37, 28.82, -64.14

 

CMYK 0 / 68 / 21 / 15

HEX #D846AA

RGB 216 70 170

HSL 318.9, 0.65%, 0.56%

LAB 53.9, 66.28, -23.03

 

Description

Color code: HEX #D8BF46 | qconv.com Color code: HEX #D8BF46 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 191 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 191 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 68 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 68% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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