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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FADF33 it is the complementary color #0520CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FADF33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FADF33 shade: #FFDF2E, #FFF141, #FFFF54, #FFFF67 and #FFFF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FADF33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FADF33 shade: #FADF33, #E9CD20, #D8BB0D, #C7A900 and #B69700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FADF33 shade: #FADF33, #FAA933, #FA7433, #FA3E33 and #FA3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FADF33 shade: #FADF33, #DFFA33, #AAFA33, #74FA33 and #3EFA33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FADF33 shade matches the following richer shades: #FADF33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FADF33 shade: #FADF33, #E9D244, #D8C655, #C7BA66 and #B6AE77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FADF33 shade: #FA7233, #FAA733, #FADC33, #E3FA33 and #AEFA33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FADF33 shade: #D5B905, #F9D80B, #FADF33, #FBE55B and #FCEC84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FADF33 shade: #FADF33, #33FA3D and #8D33FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FADF33 shade: #FADF33, #33FADC and #DC33FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FADF33 shade: #FADF33, #33FA3D, #3351FA and #FA33F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FADF33 shade: #FADF33, #33FA79, #3351FA and #FA33B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 80 / 2

HEX #FADF33

RGB 250 223 51

HSL 51.86, 0.95%, 0.59%

LAB 88.61, -7.22, 79.93

 

Complementary color

CMYK 98 / 84 / 0 / 20

HEX #0520CC

RGB 5 32 204

HSL 231.86, 0.95%, 0.41%

LAB 27.91, 57.86, -86.01

 

CMYK 0 / 13 / 82 / 0

HEX #FFDF2E

RGB 255 223 46

HSL 50.81, 1%, 0.59%

LAB 89.03, -5.27, 81.8

 

CMYK 0 / 5 / 75 / 0

HEX #FFF141

RGB 255 241 65

HSL 55.58, 1%, 0.63%

LAB 93.69, -13.55, 80.51

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF54

RGB 255 255 84

HSL 60, 1%, 0.66%

LAB 97.4, -19.47, 77.66

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF67

RGB 255 255 103

HSL 60, 1%, 0.7%

LAB 97.53, -18.38, 70.5

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7A

RGB 255 255 122

HSL 60, 1%, 0.74%

LAB 97.71, -17.02, 62.59

 

CMYK 0 / 11 / 80 / 2

HEX #FADF33

RGB 250 223 51

HSL 51.86, 0.95%, 0.59%

LAB 88.61, -7.22, 79.93

 

CMYK 0 / 12 / 86 / 9

HEX #E9CD20

RGB 233 205 32

HSL 51.64, 0.82%, 0.52%

LAB 82.43, -5.85, 78.8

 

CMYK 0 / 13 / 94 / 15

HEX #D8BB0D

RGB 216 187 13

HSL 51.43, 0.89%, 0.45%

LAB 76.17, -4.27, 76.46

 

CMYK 0 / 15 / 100 / 22

HEX #C7A900

RGB 199 169 0

HSL 50.95, 1%, 0.39%

LAB 69.84, -2.48, 72.61

 

CMYK 0 / 17 / 100 / 29

HEX #B69700

RGB 182 151 0

HSL 49.78, 1%, 0.36%

LAB 63.41, -0.49, 67.29

 

CMYK 0 / 11 / 80 / 2

HEX #FADF33

RGB 250 223 51

HSL 51.86, 0.95%, 0.59%

LAB 88.61, -7.22, 79.93

 

CMYK 0 / 32 / 80 / 2

HEX #FAA933

RGB 250 169 51

HSL 35.58, 0.95%, 0.59%

LAB 75.41, 20.63, 68.22

 

CMYK 0 / 54 / 80 / 2

HEX #FA7433

RGB 250 116 51

HSL 19.6, 0.95%, 0.59%

LAB 64.2, 47.61, 57.88

 

CMYK 0 / 75 / 80 / 2

HEX #FA3E33

RGB 250 62 51

HSL 3.32, 0.95%, 0.59%

LAB 56.1, 69.31, 50.08

 

CMYK 0 / 80 / 80 / 2

HEX #FA3333

RGB 250 51 51

HSL 0, 0.95%, 0.59%

LAB 55, 72.38, 49

 

CMYK 0 / 11 / 80 / 2

HEX #FADF33

RGB 250 223 51

HSL 51.86, 0.95%, 0.59%

LAB 88.61, -7.22, 79.93

 

CMYK 11 / 0 / 80 / 2

HEX #DFFA33

RGB 223 250 51

HSL 68.14, 0.95%, 0.59%

LAB 93.58, -31.33, 83.47

 

CMYK 32 / 0 / 80 / 2

HEX #AAFA33

RGB 170 250 51

HSL 84.12, 0.95%, 0.59%

LAB 90.39, -51.34, 79.42

 

CMYK 54 / 0 / 80 / 2

HEX #74FA33

RGB 116 250 51

HSL 100.4, 0.95%, 0.59%

LAB 88.12, -68.02, 76.51

 

CMYK 75 / 0 / 80 / 2

HEX #3EFA33

RGB 62 250 51

HSL 116.68, 0.95%, 0.59%

LAB 86.82, -78.85, 74.82

 

CMYK 0 / 11 / 80 / 2

HEX #FADF33

RGB 250 223 51

HSL 51.86, 0.95%, 0.59%

LAB 88.61, -7.22, 79.93

 

CMYK 0 / 11 / 80 / 2

HEX #FADF33

RGB 250 223 51

HSL 51.86, 0.95%, 0.59%

LAB 88.61, -7.22, 79.93

 

CMYK 0 / 10 / 71 / 9

HEX #E9D244

RGB 233 210 68

HSL 51.64, 0.79%, 0.59%

LAB 83.88, -7.16, 69.49

 

CMYK 0 / 8 / 61 / 15

HEX #D8C655

RGB 216 198 85

HSL 51.76, 0.63%, 0.59%

LAB 79.41, -7.21, 57.46

 

CMYK 0 / 7 / 49 / 22

HEX #C7BA66

RGB 199 186 102

HSL 51.96, 0.46%, 0.59%

LAB 74.96, -6.73, 43.94

 

CMYK 0 / 4 / 35 / 29

HEX #B6AE77

RGB 182 174 119

HSL 52.38, 0.3%, 0.59%

LAB 70.56, -5.54, 29.3

 

CMYK 0 / 54 / 80 / 2

HEX #FA7233

RGB 250 114 51

HSL 18.99, 0.95%, 0.59%

LAB 63.83, 48.56, 57.53

 

CMYK 0 / 33 / 80 / 2

HEX #FAA733

RGB 250 167 51

HSL 34.97, 0.95%, 0.59%

LAB 74.95, 21.68, 67.8

 

CMYK 0 / 12 / 80 / 2

HEX #FADC33

RGB 250 220 51

HSL 50.95, 0.95%, 0.59%

LAB 87.85, -5.72, 79.26

 

CMYK 9 / 0 / 80 / 2

HEX #E3FA33

RGB 227 250 51

HSL 66.93, 0.95%, 0.59%

LAB 93.86, -29.73, 83.82

 

CMYK 30 / 0 / 80 / 2

HEX #AEFA33

RGB 174 250 51

HSL 82.91, 0.95%, 0.59%

LAB 90.6, -49.92, 79.68

 

CMYK 0 / 13 / 98 / 16

HEX #D5B905

RGB 213 185 5

HSL 51.92, 0.95%, 0.43%

LAB 75.36, -4.63, 76.6

 

CMYK 0 / 13 / 96 / 2

HEX #F9D80B

RGB 249 216 11

HSL 51.68, 0.95%, 0.51%

LAB 86.64, -4.89, 85.74

 

CMYK 0 / 11 / 80 / 2

HEX #FADF33

RGB 250 223 51

HSL 51.86, 0.95%, 0.59%

LAB 88.61, -7.22, 79.93

 

CMYK 0 / 9 / 64 / 2

HEX #FBE55B

RGB 251 229 91

HSL 51.75, 0.95%, 0.67%

LAB 90.46, -8.01, 67.73

 

CMYK 0 / 6 / 48 / 1

HEX #FCEC84

RGB 252 236 132

HSL 52, 0.95%, 0.75%

LAB 92.73, -8.06, 52.03

 

CMYK 0 / 11 / 80 / 2

HEX #FADF33

RGB 250 223 51

HSL 51.86, 0.95%, 0.59%

LAB 88.61, -7.22, 79.93

 

CMYK 80 / 0 / 76 / 2

HEX #33FA3D

RGB 51 250 61

HSL 123.02, 0.95%, 0.59%

LAB 86.71, -79.63, 71.77

 

CMYK 44 / 80 / 0 / 2

HEX #8D33FA

RGB 141 51 250

HSL 267.14, 0.95%, 0.59%

LAB 45.54, 72.97, -82.82

 

CMYK 0 / 11 / 80 / 2

HEX #FADF33

RGB 250 223 51

HSL 51.86, 0.95%, 0.59%

LAB 88.61, -7.22, 79.93

 

CMYK 80 / 0 / 12 / 2

HEX #33FADC

RGB 51 250 220

HSL 170.95, 0.95%, 0.59%

LAB 89.04, -53.28, 1.01

 

CMYK 12 / 80 / 0 / 2

HEX #DC33FA

RGB 220 51 250

HSL 290.95, 0.95%, 0.59%

LAB 56.57, 85.24, -64.39

 

CMYK 0 / 11 / 80 / 2

HEX #FADF33

RGB 250 223 51

HSL 51.86, 0.95%, 0.59%

LAB 88.61, -7.22, 79.93

 

CMYK 80 / 0 / 76 / 2

HEX #33FA3D

RGB 51 250 61

HSL 123.02, 0.95%, 0.59%

LAB 86.71, -79.63, 71.77

 

CMYK 80 / 68 / 0 / 2

HEX #3351FA

RGB 51 81 250

HSL 230.95, 0.95%, 0.59%

LAB 43.49, 48.51, -86.44

 

CMYK 0 / 80 / 4 / 2

HEX #FA33F0

RGB 250 51 240

HSL 303.02, 0.95%, 0.59%

LAB 60.77, 89.11, -51.84

 

CMYK 0 / 11 / 80 / 2

HEX #FADF33

RGB 250 223 51

HSL 51.86, 0.95%, 0.59%

LAB 88.61, -7.22, 79.93

 

CMYK 80 / 0 / 52 / 2

HEX #33FA79

RGB 51 250 121

HSL 141.11, 0.95%, 0.59%

LAB 87.22, -73.36, 48.36

 

CMYK 80 / 68 / 0 / 2

HEX #3351FA

RGB 51 81 250

HSL 230.95, 0.95%, 0.59%

LAB 43.49, 48.51, -86.44

 

CMYK 0 / 80 / 28 / 2

HEX #FA33B4

RGB 250 51 180

HSL 321.11, 0.95%, 0.59%

LAB 58.02, 81.43, -22.03

 

Description

Color code: HEX #FADF33 | qconv.com Color code: HEX #FADF33 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 223 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 223 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 80 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 80% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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