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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 9 / 64 / 2 it is the complementary color CMYK 97 / 83 / 0 / 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 9 / 64 / 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 9 / 64 / 2: CMYK 0 / 11 / 67 / 0, CMYK 0 / 4 / 59 / 0, CMYK 0 / 0 / 52 / 0, CMYK 0 / 0 / 44 / 0 and CMYK 0 / 0 / 37 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 9 / 64 / 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 9 / 64 / 2: CMYK 0 / 9 / 64 / 2, CMYK 0 / 10 / 70 / 9, CMYK 0 / 12 / 76 / 15, CMYK 0 / 13 / 83 / 22 and CMYK 0 / 15 / 92 / 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 64 / 2

HEX #FAE35A

RGB 250 227 90

HSL 51.38, 0.94%, 0.67%

LAB 89.86, -7.49, 67.48

 

Complementary color

CMYK 97 / 83 / 0 / 35

HEX #051CA5

RGB 5 28 165

HSL 231.38, 0.94%, 0.33%

LAB 22.23, 47.46, -72.26

 

CMYK 0 / 11 / 67 / 0

HEX #FFE355

RGB 255 227 85

HSL 50.12, 1%, 0.67%

LAB 90.25, -5.71, 70.04

 

CMYK 0 / 4 / 59 / 0

HEX #FFF568

RGB 255 245 104

HSL 56.03, 1%, 0.7%

LAB 94.98, -13.47, 67.3

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7B

RGB 255 255 123

HSL 60, 1%, 0.74%

LAB 97.72, -16.94, 62.16

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8E

RGB 255 255 142

HSL 60, 1%, 0.78%

LAB 97.93, -15.3, 53.71

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 9 / 64 / 2

HEX #FAE35A

RGB 250 227 90

HSL 51.38, 0.94%, 0.67%

LAB 89.86, -7.49, 67.48

 

CMYK 0 / 10 / 70 / 9

HEX #E9D147

RGB 233 209 71

HSL 51.11, 0.79%, 0.6%

LAB 83.64, -6.51, 68.13

 

CMYK 0 / 12 / 76 / 15

HEX #D8BF34

RGB 216 191 52

HSL 50.85, 0.68%, 0.53%

LAB 77.35, -5.37, 68.36

 

CMYK 0 / 13 / 83 / 22

HEX #C7AD21

RGB 199 173 33

HSL 50.6, 0.72%, 0.45%

LAB 70.97, -4.04, 67.85

 

CMYK 0 / 15 / 92 / 29

HEX #B69B0E

RGB 182 155 14

HSL 50.36, 0.86%, 0.38%

LAB 64.5, -2.47, 66.1

 

CMYK 0 / 9 / 64 / 2

HEX #FAE35A

RGB 250 227 90

HSL 51.38, 0.94%, 0.67%

LAB 89.86, -7.49, 67.48

 

CMYK 1 / 0 / 63 / 2

HEX #F7F95B

RGB 247 249 91

HSL 60.76, 0.93%, 0.67%

LAB 95.28, -19.42, 72.7

 

CMYK 12 / 0 / 63 / 2

HEX #DCF95B

RGB 220 249 91

HSL 71.01, 0.93%, 0.67%

LAB 93.33, -30.1, 70.05

 

CMYK 22 / 0 / 63 / 2

HEX #C2F95B

RGB 194 249 91

HSL 80.89, 0.93%, 0.67%

LAB 91.67, -39.98, 67.8

 

CMYK 33 / 0 / 63 / 2

HEX #A8F95B

RGB 168 249 91

HSL 90.76, 0.93%, 0.67%

LAB 90.24, -49.24, 65.84

 

CMYK 0 / 9 / 64 / 2

HEX #FAE35A

RGB 250 227 90

HSL 51.38, 0.94%, 0.67%

LAB 89.86, -7.49, 67.48

 

CMYK 0 / 9 / 63 / 82

HEX #2E2A11

RGB 46 42 17

HSL 51.72, 0.46%, 0.12%

LAB 16.88, -2.41, 16.78

 

CMYK 0 / 9 / 64 / 62

HEX #615823

RGB 97 88 35

HSL 51.29, 0.47%, 0.26%

LAB 37.19, -3.74, 31.36

 

CMYK 0 / 9 / 64 / 42

HEX #948635

RGB 148 134 53

HSL 51.16, 0.47%, 0.39%

LAB 55.69, -4.92, 44.26

 

CMYK 0 / 9 / 64 / 22

HEX #C7B548

RGB 199 181 72

HSL 51.5, 0.53%, 0.53%

LAB 73.32, -6.46, 56.11

 

CMYK 0 / 9 / 64 / 2

HEX #FAE35A

RGB 250 227 90

HSL 51.38, 0.94%, 0.67%

LAB 89.86, -7.49, 67.48

 

CMYK 63 / 0 / 60 / 2

HEX #5BF963

RGB 91 249 99

HSL 123.04, 0.93%, 0.67%

LAB 87.42, -69.73, 58.6

 

CMYK 35 / 63 / 0 / 2

HEX #A25BF9

RGB 162 91 249

HSL 266.96, 0.93%, 0.67%

LAB 54.03, 59.04, -68.33

 

CMYK 0 / 9 / 64 / 2

HEX #FAE35A

RGB 250 227 90

HSL 51.38, 0.94%, 0.67%

LAB 89.86, -7.49, 67.48

 

CMYK 63 / 0 / 9 / 2

HEX #5BF9E2

RGB 91 249 226

HSL 171.27, 0.93%, 0.67%

LAB 89.61, -46.5, -1.18

 

CMYK 9 / 63 / 0 / 2

HEX #E25BF9

RGB 226 91 249

HSL 291.27, 0.93%, 0.67%

LAB 62.08, 72.94, -54.98

 

CMYK 0 / 9 / 64 / 2

HEX #FAE35A

RGB 250 227 90

HSL 51.38, 0.94%, 0.67%

LAB 89.86, -7.49, 67.48

 

CMYK 63 / 0 / 60 / 2

HEX #5BF963

RGB 91 249 99

HSL 123.04, 0.93%, 0.67%

LAB 87.42, -69.73, 58.6

 

CMYK 63 / 54 / 0 / 2

HEX #5B73F9

RGB 91 115 249

HSL 230.89, 0.93%, 0.67%

LAB 53.3, 32.15, -69.78

 

CMYK 0 / 63 / 3 / 2

HEX #F95BF2

RGB 249 91 242

HSL 302.66, 0.93%, 0.67%

LAB 64.99, 77.04, -46.29

 

CMYK 0 / 9 / 64 / 2

HEX #FAE35A

RGB 250 227 90

HSL 51.38, 0.94%, 0.67%

LAB 89.86, -7.49, 67.48

 

CMYK 63 / 0 / 41 / 2

HEX #5BF993

RGB 91 249 147

HSL 141.27, 0.93%, 0.67%

LAB 88.01, -63.12, 37.01

 

CMYK 63 / 54 / 0 / 2

HEX #5B73F9

RGB 91 115 249

HSL 230.89, 0.93%, 0.67%

LAB 53.3, 32.15, -69.78

 

CMYK 0 / 63 / 22 / 2

HEX #F95BC2

RGB 249 91 194

HSL 320.89, 0.93%, 0.67%

LAB 62.94, 70.1, -22.55

 

Description

Color code: CMYK 0 / 9 / 64 / 2 | qconv.com Color code: CMYK 0 / 9 / 64 / 2 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 227 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 227 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 64 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 64% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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