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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAABCA it is the complementary color #055435. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAABCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FAABCA: #FFABC5, #FFBDD8, #FFCFEB, #FFE1FE and #FFF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAABCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FAABCA: #FAABCA, #E999B7, #D887A4, #C77591 and #B6637E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 19 / 2

HEX #FAABCA

RGB 250 171 202

HSL 336.46, 0.89%, 0.83%

LAB 78.29, 33.28, -3.94

 

Complementary color

CMYK 94 / 0 / 37 / 67

HEX #055435

RGB 5 84 53

HSL 156.46, 0.89%, 0.17%

LAB 30.95, -30.27, 12.09

 

CMYK 0 / 33 / 23 / 0

HEX #FFABC5

RGB 255 171 197

HSL 341.43, 1%, 0.84%

LAB 78.7, 34.29, -0.55

 

CMYK 0 / 26 / 15 / 0

HEX #FFBDD8

RGB 255 189 216

HSL 335.45, 1%, 0.87%

LAB 83.24, 27.69, -4.16

 

CMYK 0 / 19 / 8 / 0

HEX #FFCFEB

RGB 255 207 235

HSL 325, 1%, 0.91%

LAB 87.91, 21.31, -7.37

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FE

RGB 255 225 254

HSL 302, 1%, 0.94%

LAB 92.69, 15.21, -10.26

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 0 / 32 / 19 / 2

HEX #FAABCA

RGB 250 171 202

HSL 336.46, 0.89%, 0.83%

LAB 78.29, 33.28, -3.94

 

CMYK 0 / 34 / 21 / 9

HEX #E999B7

RGB 233 153 183

HSL 337.5, 0.65%, 0.76%

LAB 71.91, 34.02, -3.12

 

CMYK 0 / 38 / 24 / 15

HEX #D887A4

RGB 216 135 164

HSL 338.52, 0.51%, 0.69%

LAB 65.44, 34.82, -2.22

 

CMYK 0 / 41 / 27 / 22

HEX #C77591

RGB 199 117 145

HSL 339.51, 0.42%, 0.62%

LAB 58.89, 35.67, -1.22

 

CMYK 0 / 46 / 31 / 29

HEX #B6637E

RGB 182 99 126

HSL 340.48, 0.36%, 0.55%

LAB 52.26, 36.56, -0.06

 

CMYK 0 / 32 / 19 / 2

HEX #FAABCA

RGB 250 171 202

HSL 336.46, 0.89%, 0.83%

LAB 78.29, 33.28, -3.94

 

CMYK 0 / 31 / 24 / 2

HEX #FAADBF

RGB 250 173 191

HSL 345.97, 0.89%, 0.83%

LAB 78.45, 30.63, 2.27

 

CMYK 0 / 31 / 29 / 2

HEX #FAADB2

RGB 250 173 178

HSL 356.1, 0.89%, 0.83%

LAB 78.13, 28.86, 8.87

 

CMYK 0 / 28 / 31 / 2

HEX #FAB4AD

RGB 250 180 173

HSL 5.45, 0.89%, 0.83%

LAB 79.6, 24.53, 13.68

 

CMYK 0 / 23 / 31 / 2

HEX #FAC1AD

RGB 250 193 173

HSL 15.58, 0.89%, 0.83%

LAB 82.64, 17.69, 17.93

 

CMYK 0 / 32 / 19 / 2

HEX #FAABCA

RGB 250 171 202

HSL 336.46, 0.89%, 0.83%

LAB 78.29, 33.28, -3.94

 

CMYK 0 / 33 / 20 / 82

HEX #2E1F25

RGB 46 31 37

HSL 336, 0.19%, 0.15%

LAB 13.79, 8.47, -1.18

 

CMYK 0 / 32 / 20 / 62

HEX #61424E

RGB 97 66 78

HSL 336.77, 0.19%, 0.32%

LAB 31.78, 15.46, -1.81

 

CMYK 0 / 32 / 19 / 42

HEX #946578

RGB 148 101 120

HSL 335.74, 0.19%, 0.49%

LAB 48.21, 21.9, -2.94

 

CMYK 0 / 32 / 19 / 22

HEX #C788A1

RGB 199 136 161

HSL 336.19, 0.36%, 0.66%

LAB 63.61, 27.73, -3.45

 

CMYK 0 / 32 / 19 / 2

HEX #FAABCA

RGB 250 171 202

HSL 336.46, 0.89%, 0.83%

LAB 78.29, 33.28, -3.94

 

CMYK 0 / 6 / 31 / 2

HEX #FAEAAD

RGB 250 234 173

HSL 47.53, 0.89%, 0.83%

LAB 92.66, -3.48, 31.64

 

CMYK 31 / 6 / 0 / 2

HEX #ADEAFA

RGB 173 234 250

HSL 192.47, 0.89%, 0.83%

LAB 89.22, -15.49, -13.95

 

CMYK 0 / 32 / 19 / 2

HEX #FAABCA

RGB 250 171 202

HSL 336.46, 0.89%, 0.83%

LAB 78.29, 33.28, -3.94

 

CMYK 19 / 0 / 31 / 2

HEX #CBFAAD

RGB 203 250 173

HSL 96.62, 0.89%, 0.83%

LAB 93.49, -28.37, 32.17

 

CMYK 31 / 19 / 0 / 2

HEX #ADCBFA

RGB 173 203 250

HSL 216.62, 0.89%, 0.83%

LAB 81.02, 0.61, -26.35

 

CMYK 0 / 32 / 19 / 2

HEX #FAABCA

RGB 250 171 202

HSL 336.46, 0.89%, 0.83%

LAB 78.29, 33.28, -3.94

 

CMYK 0 / 6 / 31 / 2

HEX #FAEAAD

RGB 250 234 173

HSL 47.53, 0.89%, 0.83%

LAB 92.66, -3.48, 31.64

 

CMYK 31 / 0 / 12 / 2

HEX #ADFADB

RGB 173 250 219

HSL 155.84, 0.89%, 0.83%

LAB 92.74, -29.98, 7.36

 

CMYK 31 / 25 / 0 / 2

HEX #ADBCFA

RGB 173 188 250

HSL 228.31, 0.89%, 0.83%

LAB 77.13, 8.74, -32.31

 

CMYK 0 / 32 / 19 / 2

HEX #FAABCA

RGB 250 171 202

HSL 336.46, 0.89%, 0.83%

LAB 78.29, 33.28, -3.94

 

CMYK 3 / 0 / 31 / 2

HEX #F2FAAD

RGB 242 250 173

HSL 66.23, 0.89%, 0.83%

LAB 96.11, -14.41, 36.13

 

CMYK 31 / 0 / 12 / 2

HEX #ADFADB

RGB 173 250 219

HSL 155.84, 0.89%, 0.83%

LAB 92.74, -29.98, 7.36

 

CMYK 28 / 31 / 0 / 2

HEX #B4ADFA

RGB 180 173 250

HSL 245.45, 0.89%, 0.83%

LAB 73.86, 19.01, -37.32

 

Description

Color code: HEX #FAABCA | qconv.com Color code: HEX #FAABCA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 171 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 171 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 19 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 19% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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