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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA7ED2CE it is the complementary color #05812DCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA7ED2CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA7ED2CE shade: #FF7ECDCE, #FF90E0CE, #FFA2F3CE, #FFB4FFCE and #FFC6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA7ED2CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA7ED2CE shade: #FA7ED2CE, #E96CBFCE, #D85AACCE, #C74899CE and #B63686CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA7ED2CE shade: #FA7FD3, #FA7FB1, #FA7F90 and #FA7F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA7ED2CE shade: #FA7FD3, #FA7FF4, #E07FFA, #BE7FFA and #9D7FFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA7ED2CE shade matches the following richer shades: #FA7FD3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA7ED2CE shade: #FA7FD3, #F08ACF, #E594CB, #DA9FC7 and #CFAAC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA7ED2CE shade: #E07FFA, #FA7FF4, #FA7FD3, #FA7FB2 and #FA7F92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA7ED2CE shade: #F72FB7, #F957C5, #FA7FD3, #FCA7E0 and #FDCFEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA7ED2CE shade: #FA7ED2, #FABF7F and #7FFAF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA7ED2CE shade: #FA7ED2, #D3FA7F and #7FD3FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA7ED2CE shade: #FA7ED2, #FABF7F, #7FFAA6 and #7FBBFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA7ED2CE shade: #FA7ED2, #FAE47F, #7FFAA6 and #7F96FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 13 / 2

HEX #FA7ED2CE

RGBA 250 126 210 0.81

HSLA 319.35, 0.93%, 0.74%, 0.81

LABA 69.4, 57.26, -21.67, 0.81

 

Complementary color

CMYK 78 / 0 / 53 / 40

HEX #05812DCE

RGBA 5 129 45 0.81

HSLA 139.35, 0.93%, 0.26%, 0.81

LABA 46.87, -48.41, 36.24, 0.81

 

CMYK 0 / 41 / 16 / 0

HEX #FF7ECDCE

RGBA 255 126 205 0.81

HSLA 323.26, 1%, 0.75%, 0.81

LABA 69.89, 58.05, -18.08, 0.81

 

CMYK 0 / 35 / 10 / 0

HEX #FF90E0CE

RGBA 255 144 224 0.81

HSLA 316.76, 1%, 0.78%, 0.81

LABA 73.93, 52.15, -22.45, 0.81

 

CMYK 0 / 30 / 4 / 0

HEX #FFA2F3CE

RGBA 255 162 243 0.81

HSLA 307.74, 1%, 0.82%, 0.81

LABA 78.21, 46.18, -26.25, 0.81

 

CMYK 0 / 24 / 0 / 0

HEX #FFB4FFCE

RGBA 255 180 255 0.81

HSLA 300, 1%, 0.85%, 0.81

LABA 82.44, 38.96, -26.23, 0.81

 

CMYK 0 / 18 / 0 / 0

HEX #FFC6FFCE

RGBA 255 198 255 0.81

HSLA 300, 1%, 0.89%, 0.81

LABA 86.44, 29.52, -20.16, 0.81

 

CMYK 0 / 40 / 13 / 2

HEX #FA7ED2CE

RGBA 250 126 210 0.81

HSLA 319.35, 0.93%, 0.74%, 0.81

LABA 69.4, 57.26, -21.67, 0.81

 

CMYK 0 / 43 / 15 / 7

HEX #E96CBFCE

RGBA 233 108 191 0.81

HSLA 320.16, 0.74%, 0.67%, 0.81

LABA 63.19, 57.88, -20.68, 0.81

 

CMYK 0 / 47 / 17 / 12

HEX #D85AACCE

RGBA 216 90 172 0.81

HSLA 320.95, 0.62%, 0.6%, 0.81

LABA 56.97, 58.36, -19.5, 0.81

 

CMYK 0 / 52 / 19 / 18

HEX #C74899CE

RGBA 199 72 153 0.81

HSLA 321.73, 0.53%, 0.53%, 0.81

LABA 50.78, 58.62, -18.05, 0.81

 

CMYK 0 / 57 / 21 / 23

HEX #B63686CE

RGBA 182 54 134 0.81

HSLA 322.5, 0.54%, 0.46%, 0.81

LABA 44.67, 58.5, -16.22, 0.81

 

CMYK 0 / 49 / 16 / 2

HEX #FA7FD3

RGB 250 127 211

HSL 319.02, 0.92%, 0.74%

LAB 69.62, 56.94, -21.9

 

CMYK 0 / 49 / 29 / 2

HEX #FA7FB1

RGB 250 127 177

HSL 335.61, 0.92%, 0.74%

LAB 68.52, 52.23, -4.53

 

CMYK 0 / 49 / 42 / 2

HEX #FA7F90

RGB 250 127 144

HSL 351.71, 0.92%, 0.74%

LAB 67.66, 48.45, 12.84

 

CMYK 0 / 49 / 49 / 2

HEX #FA7F7F

RGB 250 127 127

HSL 0, 0.92%, 0.74%

LAB 67.3, 46.82, 21.9

 

CMYK 0 / 49 / 16 / 2

HEX #FA7FD3

RGB 250 127 211

HSL 319.02, 0.92%, 0.74%

LAB 69.62, 56.94, -21.9

 

CMYK 0 / 49 / 2 / 2

HEX #FA7FF4

RGB 250 127 244

HSL 302.93, 0.92%, 0.74%

LAB 70.89, 62.19, -38.13

 

CMYK 10 / 49 / 0 / 2

HEX #E07FFA

RGB 224 127 250

HSL 287.32, 0.92%, 0.74%

LAB 67.97, 56.2, -46.23

 

CMYK 24 / 49 / 0 / 2

HEX #BE7FFA

RGB 190 127 250

HSL 270.73, 0.92%, 0.74%

LAB 64.18, 47.17, -52.45

 

CMYK 37 / 49 / 0 / 2

HEX #9D7FFA

RGB 157 127 250

HSL 254.63, 0.92%, 0.74%

LAB 61, 38.85, -57.71

 

CMYK 0 / 49 / 16 / 2

HEX #FA7FD3

RGB 250 127 211

HSL 319.02, 0.92%, 0.74%

LAB 69.62, 56.94, -21.9

 

CMYK 0 / 49 / 16 / 2

HEX #FA7FD3

RGB 250 127 211

HSL 319.02, 0.92%, 0.74%

LAB 69.62, 56.94, -21.9

 

CMYK 0 / 43 / 14 / 6

HEX #F08ACF

RGB 240 138 207

HSL 319.41, 0.77%, 0.74%

LAB 70.32, 47.81, -18.72

 

CMYK 0 / 35 / 11 / 10

HEX #E594CB

RGB 229 148 203

HSL 319.26, 0.61%, 0.74%

LAB 70.97, 38.41, -15.64

 

CMYK 0 / 27 / 9 / 15

HEX #DA9FC7

RGB 218 159 199

HSL 319.32, 0.44%, 0.74%

LAB 72.11, 28.15, -11.84

 

CMYK 0 / 18 / 6 / 19

HEX #CFAAC3

RGB 207 170 195

HSL 319.46, 0.28%, 0.74%

LAB 73.52, 17.67, -7.66

 

CMYK 10 / 49 / 0 / 2

HEX #E07FFA

RGB 224 127 250

HSL 287.32, 0.92%, 0.74%

LAB 67.97, 56.2, -46.23

 

CMYK 0 / 49 / 2 / 2

HEX #FA7FF4

RGB 250 127 244

HSL 302.93, 0.92%, 0.74%

LAB 70.89, 62.19, -38.13

 

CMYK 0 / 49 / 16 / 2

HEX #FA7FD3

RGB 250 127 211

HSL 319.02, 0.92%, 0.74%

LAB 69.62, 56.94, -21.9

 

CMYK 0 / 49 / 29 / 2

HEX #FA7FB2

RGB 250 127 178

HSL 335.12, 0.92%, 0.74%

LAB 68.55, 52.36, -5.05

 

CMYK 0 / 49 / 42 / 2

HEX #FA7F92

RGB 250 127 146

HSL 350.73, 0.92%, 0.74%

LAB 67.71, 48.66, 11.78

 

CMYK 0 / 81 / 26 / 3

HEX #F72FB7

RGB 247 47 183

HSL 319.2, 0.93%, 0.58%

LAB 57.3, 82.03, -24.93

 

CMYK 0 / 65 / 21 / 2

HEX #F957C5

RGB 249 87 197

HSL 319.26, 0.93%, 0.66%

LAB 62.5, 72.03, -24.93

 

CMYK 0 / 49 / 16 / 2

HEX #FA7FD3

RGB 250 127 211

HSL 319.02, 0.92%, 0.74%

LAB 69.62, 56.94, -21.9

 

CMYK 0 / 34 / 11 / 1

HEX #FCA7E0

RGB 252 167 224

HSL 319.76, 0.93%, 0.82%

LAB 78.3, 39.47, -15.87

 

CMYK 0 / 18 / 6 / 1

HEX #FDCFEE

RGB 253 207 238

HSL 319.57, 0.92%, 0.9%

LAB 87.81, 21.15, -9.12

 

CMYK 0 / 50 / 16 / 2

HEX #FA7ED2

RGB 250 126 210

HSL 319.35, 0.93%, 0.74%

LAB 69.4, 57.26, -21.67

 

CMYK 0 / 24 / 49 / 2

HEX #FABF7F

RGB 250 191 127

HSL 31.22, 0.92%, 0.74%

LAB 81.36, 13.73, 40.33

 

CMYK 49 / 0 / 4 / 2

HEX #7FFAF0

RGB 127 250 240

HSL 175.12, 0.92%, 0.74%

LAB 91.31, -36.84, -5.84

 

CMYK 0 / 50 / 16 / 2

HEX #FA7ED2

RGB 250 126 210

HSL 319.35, 0.93%, 0.74%

LAB 69.4, 57.26, -21.67

 

CMYK 16 / 0 / 49 / 2

HEX #D3FA7F

RGB 211 250 127

HSL 79.02, 0.92%, 0.74%

LAB 93.34, -31.06, 54.42

 

CMYK 49 / 16 / 0 / 2

HEX #7FD3FA

RGB 127 211 250

HSL 199.02, 0.92%, 0.74%

LAB 80.74, -15.24, -26.99

 

CMYK 0 / 50 / 16 / 2

HEX #FA7ED2

RGB 250 126 210

HSL 319.35, 0.93%, 0.74%

LAB 69.4, 57.26, -21.67

 

CMYK 0 / 24 / 49 / 2

HEX #FABF7F

RGB 250 191 127

HSL 31.22, 0.92%, 0.74%

LAB 81.36, 13.73, 40.33

 

CMYK 49 / 0 / 34 / 2

HEX #7FFAA6

RGB 127 250 166

HSL 139.02, 0.92%, 0.74%

LAB 89.69, -52.42, 29.96

 

CMYK 49 / 25 / 0 / 2

HEX #7FBBFA

RGB 127 187 250

HSL 210.73, 0.92%, 0.74%

LAB 74.16, -2.49, -37.12

 

CMYK 0 / 50 / 16 / 2

HEX #FA7ED2

RGB 250 126 210

HSL 319.35, 0.93%, 0.74%

LAB 69.4, 57.26, -21.67

 

CMYK 0 / 9 / 49 / 2

HEX #FAE47F

RGB 250 228 127

HSL 49.27, 0.92%, 0.74%

LAB 90.48, -5.29, 51.64

 

CMYK 49 / 0 / 34 / 2

HEX #7FFAA6

RGB 127 250 166

HSL 139.02, 0.92%, 0.74%

LAB 89.69, -52.42, 29.96

 

CMYK 49 / 40 / 0 / 2

HEX #7F96FA

RGB 127 150 250

HSL 228.78, 0.92%, 0.74%

LAB 64.34, 18.49, -52.53

 

Description

Color code: HEX #FA7ED2CE | qconv.com Color code: HEX #FA7ED2CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 126 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 126 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 13 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 13% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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