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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA5D06 it is the complementary color #05A2F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA5D06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA5D06 shade: #FF5D01, #FF6F14, #FF8127, #FF933A and #FFA54D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA5D06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA5D06 shade: #FA5D06, #E94B00, #D83900, #C72700 and #B61500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA5D06 shade: #FA5C05, #FA1A05 and #FA0505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA5D06 shade: #FA5C05, #FA9E05, #FAE005, #D1FA05 and #8FFA05

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA5D06 shade matches the following richer shades: #FA5C05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA5D06 shade: #FA5C05, #E5621A, #D1682E, #BC6E43 and #A77458

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA5D06 shade: #FA0532, #FA1A05, #FA5B05, #FA9C05 and #FADD05

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA5D06 shade: #A93E03, #D14D04, #FA5C05, #FB772E and #FC9156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA5D06 shade: #FA5D06, #73FA05 and #0511FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA5D06 shade: #FA5D06, #05FA5B and #5B05FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA5D06 shade: #FA5D06, #73FA05, #05A4FA and #8C05FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA5D06 shade: #FA5D06, #2AFA05, #05A4FA and #D505FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 98 / 2

HEX #FA5D06

RGB 250 93 6

HSL 21.39, 0.96%, 0.5%

LAB 60.04, 57.19, 68.6

 

Complementary color

CMYK 98 / 35 / 0 / 2

HEX #05A2F9

RGB 5 162 249

HSL 201.39, 0.96%, 0.5%

LAB 63.93, -3.77, -52.87

 

CMYK 0 / 64 / 100 / 0

HEX #FF5D01

RGB 255 93 1

HSL 21.73, 1%, 0.5%

LAB 60.86, 58.86, 70.39

 

CMYK 0 / 56 / 92 / 0

HEX #FF6F14

RGB 255 111 20

HSL 23.23, 1%, 0.54%

LAB 63.9, 51.13, 68.66

 

CMYK 0 / 49 / 85 / 0

HEX #FF8127

RGB 255 129 39

HSL 25, 1%, 0.58%

LAB 67.36, 42.86, 65.65

 

CMYK 0 / 42 / 77 / 0

HEX #FF933A

RGB 255 147 58

HSL 27.11, 1%, 0.61%

LAB 71.17, 34.36, 61.8

 

CMYK 0 / 35 / 70 / 0

HEX #FFA54D

RGB 255 165 77

HSL 29.66, 1%, 0.65%

LAB 75.27, 25.86, 57.71

 

CMYK 0 / 63 / 98 / 2

HEX #FA5D06

RGB 250 93 6

HSL 21.39, 0.96%, 0.5%

LAB 60.04, 57.19, 68.6

 

CMYK 0 / 68 / 100 / 9

HEX #E94B00

RGB 233 75 0

HSL 19.31, 1%, 0.46%

LAB 54.4, 58.71, 65.22

 

CMYK 0 / 74 / 100 / 15

HEX #D83900

RGB 216 57 0

HSL 15.83, 1%, 0.42%

LAB 48.92, 59.8, 60.85

 

CMYK 0 / 80 / 100 / 22

HEX #C72700

RGB 199 39 0

HSL 11.76, 1%, 0.39%

LAB 43.64, 60.16, 56.61

 

CMYK 0 / 88 / 100 / 29

HEX #B61500

RGB 182 21 0

HSL 6.92, 1%, 0.36%

LAB 38.69, 59.45, 52.52

 

CMYK 0 / 63 / 98 / 2

HEX #FA5C05

RGB 250 92 5

HSL 21.31, 0.96%, 0.5%

LAB 59.88, 57.6, 68.69

 

CMYK 0 / 90 / 98 / 2

HEX #FA1A05

RGB 250 26 5

HSL 5.14, 0.96%, 0.5%

LAB 53.03, 76.59, 65.28

 

CMYK 0 / 98 / 98 / 2

HEX #FA0505

RGB 250 5 5

HSL 0, 0.96%, 0.5%

LAB 52.33, 78.6, 64.98

 

CMYK 0 / 63 / 98 / 2

HEX #FA5C05

RGB 250 92 5

HSL 21.31, 0.96%, 0.5%

LAB 59.88, 57.6, 68.69

 

CMYK 0 / 37 / 98 / 2

HEX #FA9E05

RGB 250 158 5

HSL 37.47, 0.96%, 0.5%

LAB 72.75, 25.54, 76.64

 

CMYK 0 / 10 / 98 / 2

HEX #FAE005

RGB 250 224 5

HSL 53.63, 0.96%, 0.5%

LAB 88.76, -8.53, 87.82

 

CMYK 16 / 0 / 98 / 2

HEX #D1FA05

RGB 209 250 5

HSL 70.04, 0.96%, 0.5%

LAB 92.55, -37.75, 89.25

 

CMYK 43 / 0 / 98 / 2

HEX #8FFA05

RGB 143 250 5

HSL 86.2, 0.96%, 0.5%

LAB 89.03, -61.45, 85.01

 

CMYK 0 / 63 / 98 / 2

HEX #FA5C05

RGB 250 92 5

HSL 21.31, 0.96%, 0.5%

LAB 59.88, 57.6, 68.69

 

CMYK 0 / 63 / 98 / 2

HEX #FA5C05

RGB 250 92 5

HSL 21.31, 0.96%, 0.5%

LAB 59.88, 57.6, 68.69

 

CMYK 0 / 57 / 89 / 10

HEX #E5621A

RGB 229 98 26

HSL 21.28, 0.8%, 0.5%

LAB 57.53, 47.71, 60.57

 

CMYK 0 / 50 / 78 / 18

HEX #D1682E

RGB 209 104 46

HSL 21.35, 0.64%, 0.5%

LAB 55.74, 37.66, 49.86

 

CMYK 0 / 41 / 64 / 26

HEX #BC6E43

RGB 188 110 67

HSL 21.32, 0.47%, 0.5%

LAB 54.29, 27.04, 36.85

 

CMYK 0 / 31 / 47 / 35

HEX #A77458

RGB 167 116 88

HSL 21.27, 0.31%, 0.5%

LAB 53.4, 16.66, 23.49

 

CMYK 0 / 98 / 80 / 2

HEX #FA0532

RGB 250 5 50

HSL 348.98, 0.96%, 0.5%

LAB 52.58, 79.27, 47.12

 

CMYK 0 / 90 / 98 / 2

HEX #FA1A05

RGB 250 26 5

HSL 5.14, 0.96%, 0.5%

LAB 53.03, 76.59, 65.28

 

CMYK 0 / 64 / 98 / 2

HEX #FA5B05

RGB 250 91 5

HSL 21.06, 0.96%, 0.5%

LAB 59.72, 58.02, 68.6

 

CMYK 0 / 38 / 98 / 2

HEX #FA9C05

RGB 250 156 5

HSL 36.98, 0.96%, 0.5%

LAB 72.3, 26.58, 76.34

 

CMYK 0 / 12 / 98 / 2

HEX #FADD05

RGB 250 221 5

HSL 52.9, 0.96%, 0.5%

LAB 87.99, -7.03, 87.27

 

CMYK 0 / 63 / 98 / 34

HEX #A93E03

RGB 169 62 3

HSL 21.33, 0.97%, 0.34%

LAB 41.04, 41.83, 51.19

 

CMYK 0 / 63 / 98 / 18

HEX #D14D04

RGB 209 77 4

HSL 21.37, 0.96%, 0.42%

LAB 50.54, 49.69, 59.99

 

CMYK 0 / 63 / 98 / 2

HEX #FA5C05

RGB 250 92 5

HSL 21.31, 0.96%, 0.5%

LAB 59.88, 57.6, 68.69

 

CMYK 0 / 53 / 82 / 2

HEX #FB772E

RGB 251 119 46

HSL 21.37, 0.96%, 0.58%

LAB 64.88, 46.4, 60.66

 

CMYK 0 / 42 / 66 / 1

HEX #FC9156

RGB 252 145 86

HSL 21.33, 0.97%, 0.66%

LAB 70.61, 35.5, 48.14

 

CMYK 0 / 63 / 98 / 2

HEX #FA5D06

RGB 250 93 6

HSL 21.39, 0.96%, 0.5%

LAB 60.04, 57.19, 68.6

 

CMYK 54 / 0 / 98 / 2

HEX #73FA05

RGB 115 250 5

HSL 93.06, 0.96%, 0.5%

LAB 87.98, -69.54, 83.74

 

CMYK 98 / 93 / 0 / 2

HEX #0511FA

RGB 5 17 250

HSL 237.06, 0.96%, 0.5%

LAB 32.56, 75.24, -104.62

 

CMYK 0 / 63 / 98 / 2

HEX #FA5D06

RGB 250 93 6

HSL 21.39, 0.96%, 0.5%

LAB 60.04, 57.19, 68.6

 

CMYK 98 / 0 / 64 / 2

HEX #05FA5B

RGB 5 250 91

HSL 141.06, 0.96%, 0.5%

LAB 86.58, -79.95, 60.69

 

CMYK 64 / 98 / 0 / 2

HEX #5B05FA

RGB 91 5 250

HSL 261.06, 0.96%, 0.5%

LAB 36.43, 79.23, -98.05

 

CMYK 0 / 63 / 98 / 2

HEX #FA5D06

RGB 250 93 6

HSL 21.39, 0.96%, 0.5%

LAB 60.04, 57.19, 68.6

 

CMYK 54 / 0 / 98 / 2

HEX #73FA05

RGB 115 250 5

HSL 93.06, 0.96%, 0.5%

LAB 87.98, -69.54, 83.74

 

CMYK 98 / 34 / 0 / 2

HEX #05A4FA

RGB 5 164 250

HSL 201.06, 0.96%, 0.5%

LAB 64.55, -4.54, -52.42

 

CMYK 44 / 98 / 0 / 2

HEX #8C05FA

RGB 140 5 250

HSL 273.06, 0.96%, 0.5%

LAB 42.13, 82.61, -88.43

 

CMYK 0 / 63 / 98 / 2

HEX #FA5D06

RGB 250 93 6

HSL 21.39, 0.96%, 0.5%

LAB 60.04, 57.19, 68.6

 

CMYK 83 / 0 / 98 / 2

HEX #2AFA05

RGB 42 250 5

HSL 110.94, 0.96%, 0.5%

LAB 86.44, -82.61, 81.86

 

CMYK 98 / 34 / 0 / 2

HEX #05A4FA

RGB 5 164 250

HSL 201.06, 0.96%, 0.5%

LAB 64.55, -4.54, -52.42

 

CMYK 15 / 98 / 0 / 2

HEX #D505FA

RGB 213 5 250

HSL 290.94, 0.96%, 0.5%

LAB 53.12, 91.04, -70.02

 

Description

Color code: HEX #FA5D06 | qconv.com Color code: HEX #FA5D06 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 93 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 93 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 98 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 98% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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