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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 42 / 77 / 0 it is the complementary color CMYK 100 / 45 / 0 / 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 42 / 77 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 42 / 77 / 0: CMYK 0 / 42 / 79 / 0, CMYK 0 / 35 / 71 / 0, CMYK 0 / 28 / 64 / 0, CMYK 0 / 21 / 56 / 0 and CMYK 0 / 14 / 49 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 42 / 77 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 42 / 77 / 0: CMYK 0 / 42 / 77 / 0, CMYK 0 / 45 / 83 / 7, CMYK 0 / 49 / 90 / 13, CMYK 0 / 54 / 99 / 20 and CMYK 0 / 59 / 100 / 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 77 / 0

HEX #FF943B

RGB 255 148 59

HSL 27.24, 1%, 0.62%

LAB 71.39, 33.88, 61.6

 

Complementary color

CMYK 100 / 45 / 0 / 23

HEX #006BC4

RGB 0 107 196

HSL 207.24, 1%, 0.38%

LAB 44.94, 8.84, -53.45

 

CMYK 0 / 42 / 79 / 0

HEX #FF9436

RGB 255 148 54

HSL 28.06, 1%, 0.61%

LAB 71.36, 33.7, 63.6

 

CMYK 0 / 35 / 71 / 0

HEX #FFA649

RGB 255 166 73

HSL 30.66, 1%, 0.64%

LAB 75.46, 25.14, 59.69

 

CMYK 0 / 28 / 64 / 0

HEX #FFB85C

RGB 255 184 92

HSL 33.87, 1%, 0.68%

LAB 79.79, 16.76, 55.77

 

CMYK 0 / 21 / 56 / 0

HEX #FFCA6F

RGB 255 202 111

HSL 37.92, 1%, 0.72%

LAB 84.3, 8.7, 51.99

 

CMYK 0 / 14 / 49 / 0

HEX #FFDC82

RGB 255 220 130

HSL 43.2, 1%, 0.75%

LAB 88.95, 1.01, 48.42

 

CMYK 0 / 42 / 77 / 0

HEX #FF943B

RGB 255 148 59

HSL 27.24, 1%, 0.62%

LAB 71.39, 33.88, 61.6

 

CMYK 0 / 45 / 83 / 7

HEX #EE8228

RGB 238 130 40

HSL 27.27, 0.85%, 0.55%

LAB 65.2, 35.7, 62.52

 

CMYK 0 / 49 / 90 / 13

HEX #DD7015

RGB 221 112 21

HSL 27.3, 0.83%, 0.47%

LAB 58.99, 37.69, 62.58

 

CMYK 0 / 54 / 99 / 20

HEX #CC5E02

RGB 204 94 2

HSL 27.33, 0.98%, 0.4%

LAB 52.78, 39.81, 61.31

 

CMYK 0 / 59 / 100 / 27

HEX #BB4C00

RGB 187 76 0

HSL 24.39, 1%, 0.37%

LAB 46.62, 42, 56.83

 

CMYK 0 / 42 / 77 / 0

HEX #FF943B

RGB 255 148 59

HSL 27.24, 1%, 0.62%

LAB 71.39, 33.88, 61.6

 

CMYK 0 / 29 / 76 / 0

HEX #FFB43D

RGB 255 180 61

HSL 36.8, 1%, 0.62%

LAB 78.6, 17.32, 67.74

 

CMYK 0 / 16 / 76 / 0

HEX #FFD53D

RGB 255 213 61

HSL 47.01, 1%, 0.62%

LAB 86.6, 0.26, 75.24

 

CMYK 0 / 4 / 76 / 0

HEX #FFF53D

RGB 255 245 61

HSL 56.91, 1%, 0.62%

LAB 94.7, -15.65, 82.64

 

CMYK 9 / 0 / 76 / 0

HEX #E8FF3D

RGB 232 255 61

HSL 67.11, 1%, 0.62%

LAB 95.59, -29.7, 82.8

 

CMYK 0 / 42 / 77 / 0

HEX #FF943B

RGB 255 148 59

HSL 27.24, 1%, 0.62%

LAB 71.39, 33.88, 61.6

 

CMYK 0 / 41 / 76 / 80

HEX #331E0C

RGB 51 30 12

HSL 27.69, 0.62%, 0.12%

LAB 13.58, 8.08, 15.3

 

CMYK 0 / 42 / 76 / 60

HEX #663B18

RGB 102 59 24

HSL 26.92, 0.62%, 0.25%

LAB 29.46, 15.7, 28.93

 

CMYK 0 / 42 / 77 / 40

HEX #995923

RGB 153 89 35

HSL 27.46, 0.63%, 0.37%

LAB 44.29, 21.92, 40.95

 

CMYK 0 / 42 / 77 / 20

HEX #CC762F

RGB 204 118 47

HSL 27.13, 0.63%, 0.49%

LAB 58.04, 28.33, 51.43

 

CMYK 0 / 42 / 77 / 0

HEX #FF943B

RGB 255 148 59

HSL 27.24, 1%, 0.62%

LAB 71.39, 33.88, 61.6

 

CMYK 49 / 0 / 76 / 0

HEX #81FF3D

RGB 129 255 61

HSL 98.97, 1%, 0.62%

LAB 90.1, -65.76, 75.71

 

CMYK 73 / 76 / 0 / 0

HEX #463DFF

RGB 70 61 255

HSL 242.78, 1%, 0.62%

LAB 40.99, 62.47, -93.33

 

CMYK 0 / 42 / 77 / 0

HEX #FF943B

RGB 255 148 59

HSL 27.24, 1%, 0.62%

LAB 71.39, 33.88, 61.6

 

CMYK 76 / 0 / 42 / 0

HEX #3DFF94

RGB 61 255 148

HSL 146.91, 1%, 0.62%

LAB 89.23, -69.65, 38

 

CMYK 42 / 76 / 0 / 0

HEX #943DFF

RGB 148 61 255

HSL 266.91, 1%, 0.62%

LAB 48.07, 71.4, -81.42

 

CMYK 0 / 42 / 77 / 0

HEX #FF943B

RGB 255 148 59

HSL 27.24, 1%, 0.62%

LAB 71.39, 33.88, 61.6

 

CMYK 49 / 0 / 76 / 0

HEX #81FF3D

RGB 129 255 61

HSL 98.97, 1%, 0.62%

LAB 90.1, -65.76, 75.71

 

CMYK 76 / 35 / 0 / 0

HEX #3DA7FF

RGB 61 167 255

HSL 207.22, 1%, 0.62%

LAB 66.4, -0.98, -52.16

 

CMYK 27 / 76 / 0 / 0

HEX #BB3DFF

RGB 187 61 255

HSL 278.97, 1%, 0.62%

LAB 53.08, 77.58, -73.05

 

CMYK 0 / 42 / 77 / 0

HEX #FF943B

RGB 255 148 59

HSL 27.24, 1%, 0.62%

LAB 71.39, 33.88, 61.6

 

CMYK 73 / 0 / 76 / 0

HEX #46FF3D

RGB 70 255 61

HSL 117.22, 1%, 0.62%

LAB 88.52, -78.58, 73.64

 

CMYK 76 / 35 / 0 / 0

HEX #3DA7FF

RGB 61 167 255

HSL 207.22, 1%, 0.62%

LAB 66.4, -0.98, -52.16

 

CMYK 4 / 76 / 0 / 0

HEX #F53DFF

RGB 245 61 255

HSL 296.91, 1%, 0.62%

LAB 61.63, 87.96, -58.84

 

Description

Color code: CMYK 0 / 42 / 77 / 0 | qconv.com Color code: CMYK 0 / 42 / 77 / 0 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 148 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 148 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 77 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 77% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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