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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA47AC it is the complementary color #05B853. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA47AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FA47AC: #FF47A7, #FF59BA, #FF6BCD, #FF7DE0 and #FF8FF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA47AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FA47AC: #FA47AC, #E93599, #D82386, #C71173 and #B60060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 31 / 2

HEX #FA47AC

RGB 250 71 172

HSL 326.15, 0.95%, 0.63%

LAB 59.72, 74.89, -14.82

 

Complementary color

CMYK 97 / 0 / 55 / 28

HEX #05B853

RGB 5 184 83

HSL 146.15, 0.95%, 0.37%

LAB 65.7, -61.02, 40.07

 

CMYK 0 / 72 / 35 / 0

HEX #FF47A7

RGB 255 71 167

HSL 328.7, 1%, 0.64%

LAB 60.39, 75.62, -10.83

 

CMYK 0 / 65 / 27 / 0

HEX #FF59BA

RGB 255 89 186

HSL 324.94, 1%, 0.67%

LAB 63.3, 71.47, -17.36

 

CMYK 0 / 58 / 20 / 0

HEX #FF6BCD

RGB 255 107 205

HSL 320.27, 1%, 0.71%

LAB 66.66, 66.63, -23

 

CMYK 0 / 51 / 12 / 0

HEX #FF7DE0

RGB 255 125 224

HSL 314.31, 1%, 0.75%

LAB 70.39, 61.32, -27.85

 

CMYK 0 / 44 / 5 / 0

HEX #FF8FF3

RGB 255 143 243

HSL 306.43, 1%, 0.78%

LAB 74.43, 55.74, -32.06

 

CMYK 0 / 72 / 31 / 2

HEX #FA47AC

RGB 250 71 172

HSL 326.15, 0.95%, 0.63%

LAB 59.72, 74.89, -14.82

 

CMYK 0 / 77 / 34 / 9

HEX #E93599

RGB 233 53 153

HSL 326.67, 0.8%, 0.56%

LAB 54.21, 74.03, -12.31

 

CMYK 0 / 84 / 38 / 15

HEX #D82386

RGB 216 35 134

HSL 327.18, 0.72%, 0.49%

LAB 48.91, 72.42, -9.21

 

CMYK 0 / 91 / 42 / 22

HEX #C71173

RGB 199 17 115

HSL 327.69, 0.84%, 0.42%

LAB 43.92, 69.8, -5.36

 

CMYK 0 / 100 / 47 / 29

HEX #B60060

RGB 182 0 96

HSL 328.35, 1%, 0.36%

LAB 39.22, 66.16, -0.73

 

CMYK 0 / 72 / 31 / 2

HEX #FA47AC

RGB 250 71 172

HSL 326.15, 0.95%, 0.63%

LAB 59.72, 74.89, -14.82

 

CMYK 0 / 72 / 43 / 2

HEX #FA478E

RGB 250 71 142

HSL 336.2, 0.95%, 0.63%

LAB 58.77, 71.85, 1.27

 

CMYK 0 / 72 / 55 / 2

HEX #FA4770

RGB 250 71 112

HSL 346.26, 0.95%, 0.63%

LAB 58.04, 69.42, 17.89

 

CMYK 0 / 72 / 67 / 2

HEX #FA4752

RGB 250 71 82

HSL 356.31, 0.95%, 0.63%

LAB 57.5, 67.62, 34.67

 

CMYK 0 / 65 / 72 / 2

HEX #FA5847

RGB 250 88 71

HSL 5.7, 0.95%, 0.63%

LAB 59.67, 60.78, 43.35

 

CMYK 0 / 72 / 31 / 2

HEX #FA47AC

RGB 250 71 172

HSL 326.15, 0.95%, 0.63%

LAB 59.72, 74.89, -14.82

 

CMYK 0 / 72 / 30 / 82

HEX #2E0D20

RGB 46 13 32

HSL 325.45, 0.56%, 0.12%

LAB 8.76, 19.54, -4.96

 

CMYK 0 / 71 / 31 / 62

HEX #611C43

RGB 97 28 67

HSL 326.09, 0.55%, 0.25%

LAB 22.92, 35.21, -7.73

 

CMYK 0 / 72 / 31 / 42

HEX #942A66

RGB 148 42 102

HSL 326.04, 0.56%, 0.37%

LAB 35.81, 49.48, -10.34

 

CMYK 0 / 71 / 31 / 22

HEX #C73989

RGB 199 57 137

HSL 326.2, 0.56%, 0.5%

LAB 48.1, 62.35, -12.55

 

CMYK 0 / 72 / 31 / 2

HEX #FA47AC

RGB 250 71 172

HSL 326.15, 0.95%, 0.63%

LAB 59.72, 74.89, -14.82

 

CMYK 0 / 26 / 72 / 2

HEX #FAB847

RGB 250 184 71

HSL 37.88, 0.95%, 0.63%

LAB 79.08, 13.56, 64.08

 

CMYK 72 / 2 / 0 / 2

HEX #47F4FA

RGB 71 244 250

HSL 182.01, 0.95%, 0.63%

LAB 88.42, -40.61, -15.51

 

CMYK 0 / 72 / 31 / 2

HEX #FA47AC

RGB 250 71 172

HSL 326.15, 0.95%, 0.63%

LAB 59.72, 74.89, -14.82

 

CMYK 31 / 0 / 72 / 2

HEX #ACFA47

RGB 172 250 71

HSL 86.15, 0.95%, 0.63%

LAB 90.6, -49.65, 73.65

 

CMYK 72 / 31 / 0 / 2

HEX #47ACFA

RGB 71 172 250

HSL 206.15, 0.95%, 0.63%

LAB 67.83, -4.32, -47.17

 

CMYK 0 / 72 / 31 / 2

HEX #FA47AC

RGB 250 71 172

HSL 326.15, 0.95%, 0.63%

LAB 59.72, 74.89, -14.82

 

CMYK 0 / 26 / 72 / 2

HEX #FAB847

RGB 250 184 71

HSL 37.88, 0.95%, 0.63%

LAB 79.08, 13.56, 64.08

 

CMYK 72 / 0 / 41 / 2

HEX #47FA94

RGB 71 250 148

HSL 145.81, 0.95%, 0.63%

LAB 87.9, -66.6, 36.29

 

CMYK 72 / 46 / 0 / 2

HEX #4788FA

RGB 71 136 250

HSL 218.21, 0.95%, 0.63%

LAB 57.89, 16.77, -62.98

 

CMYK 0 / 72 / 31 / 2

HEX #FA47AC

RGB 250 71 172

HSL 326.15, 0.95%, 0.63%

LAB 59.72, 74.89, -14.82

 

CMYK 0 / 5 / 72 / 2

HEX #FAEE47

RGB 250 238 71

HSL 55.98, 0.95%, 0.63%

LAB 92.54, -13.89, 77.33

 

CMYK 72 / 0 / 41 / 2

HEX #47FA94

RGB 71 250 148

HSL 145.81, 0.95%, 0.63%

LAB 87.9, -66.6, 36.29

 

CMYK 72 / 67 / 0 / 2

HEX #4752FA

RGB 71 82 250

HSL 236.31, 0.95%, 0.63%

LAB 44.63, 49.67, -84.54

 

Description

Color code: HEX #FA47AC | qconv.com Color code: HEX #FA47AC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 71 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 71 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 31 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 31% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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