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Color name
HEX #FA38F8

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA38F8 it is the complementary color #05C707. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA38F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA38F8 shade: #FF38F3, #FF4AFF, #FF5CFF, #FF6EFF and #FF80FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA38F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA38F8 shade: #FA38F8, #E926E5, #D814D2, #C702BF and #B600AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA38F8 shade: #FA38F8, #FA38C4, #FA388F, #FA385B and #FA3838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA38F8 shade: #FA38F8, #C838FA, #9338FA, #5F38FA and #3838FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA38F8 shade matches the following richer shades: #FA38F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA38F8 shade: #FA38F8, #E949E8, #D959D8, #C86AC7 and #B87AB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA38F8 shade: #9338FA, #C638FA, #FA38FA, #FA38C6 and #FA3893

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA38F8 shade: #DA06D8, #F910F6, #FA38F8, #FB60F9 and #FC89FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA38F8 shade: #FA38F8, #FA5F38 and #38FAAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA38F8 shade: #FA38F8, #FAFA38 and #38FAFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA38F8 shade: #FA38F8, #FA5F38, #38FA38 and #38D3FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA38F8 shade: #FA38F8, #FA9938, #38FA38 and #3899FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 1 / 2

HEX #FA38F8

RGB 250 56 248

HSL 300.62, 0.95%, 0.6%

LAB 61.59, 89.11, -54.98

 

Complementary color

CMYK 97 / 0 / 96 / 22

HEX #05C707

RGB 5 199 7

HSL 120.62, 0.95%, 0.4%

LAB 70.1, -71.16, 68.28

 

CMYK 0 / 78 / 5 / 0

HEX #FF38F3

RGB 255 56 243

HSL 303.62, 1%, 0.61%

LAB 62.13, 89.33, -51.29

 

CMYK 0 / 71 / 0 / 0

HEX #FF4AFF

RGB 255 74 255

HSL 300, 1%, 0.65%

LAB 64.47, 86.19, -54.23

 

CMYK 0 / 64 / 0 / 0

HEX #FF5CFF

RGB 255 92 255

HSL 300, 1%, 0.68%

LAB 66.62, 80.09, -50.82

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 0 / 78 / 1 / 2

HEX #FA38F8

RGB 250 56 248

HSL 300.62, 0.95%, 0.6%

LAB 61.59, 89.11, -54.98

 

CMYK 0 / 84 / 2 / 9

HEX #E926E5

RGB 233 38 229

HSL 301.23, 0.82%, 0.53%

LAB 56.45, 87.09, -52.71

 

CMYK 0 / 91 / 3 / 15

HEX #D814D2

RGB 216 20 210

HSL 301.84, 0.83%, 0.46%

LAB 51.56, 84.13, -49.89

 

CMYK 0 / 99 / 4 / 22

HEX #C702BF

RGB 199 2 191

HSL 302.44, 0.98%, 0.39%

LAB 46.91, 80.2, -46.49

 

CMYK 0 / 100 / 5 / 29

HEX #B600AC

RGB 182 0 172

HSL 303.3, 1%, 0.36%

LAB 42.65, 74.82, -42.26

 

CMYK 0 / 78 / 1 / 2

HEX #FA38F8

RGB 250 56 248

HSL 300.62, 0.95%, 0.6%

LAB 61.59, 89.11, -54.98

 

CMYK 0 / 78 / 22 / 2

HEX #FA38C4

RGB 250 56 196

HSL 316.7, 0.95%, 0.6%

LAB 59.1, 82.06, -29.59

 

CMYK 0 / 78 / 43 / 2

HEX #FA388F

RGB 250 56 143

HSL 333.09, 0.95%, 0.6%

LAB 57.21, 76.44, -1.6

 

CMYK 0 / 78 / 64 / 2

HEX #FA385B

RGB 250 56 91

HSL 349.18, 0.95%, 0.6%

LAB 56, 72.7, 27.55

 

CMYK 0 / 78 / 78 / 2

HEX #FA3838

RGB 250 56 56

HSL 0, 0.95%, 0.6%

LAB 55.52, 71.2, 46.89

 

CMYK 0 / 78 / 1 / 2

HEX #FA38F8

RGB 250 56 248

HSL 300.62, 0.95%, 0.6%

LAB 61.59, 89.11, -54.98

 

CMYK 20 / 78 / 0 / 2

HEX #C838FA

RGB 200 56 250

HSL 284.54, 0.95%, 0.6%

LAB 54.04, 80.42, -68.63

 

CMYK 41 / 78 / 0 / 2

HEX #9338FA

RGB 147 56 250

HSL 268.14, 0.95%, 0.6%

LAB 46.89, 72, -80.58

 

CMYK 62 / 78 / 0 / 2

HEX #5F38FA

RGB 95 56 250

HSL 252.06, 0.95%, 0.6%

LAB 41.47, 65.59, -89.68

 

CMYK 78 / 78 / 0 / 2

HEX #3838FA

RGB 56 56 250

HSL 240, 0.95%, 0.6%

LAB 38.85, 62.46, -94.11

 

CMYK 0 / 78 / 1 / 2

HEX #FA38F8

RGB 250 56 248

HSL 300.62, 0.95%, 0.6%

LAB 61.59, 89.11, -54.98

 

CMYK 0 / 78 / 1 / 2

HEX #FA38F8

RGB 250 56 248

HSL 300.62, 0.95%, 0.6%

LAB 61.59, 89.11, -54.98

 

CMYK 0 / 69 / 0 / 9

HEX #E949E8

RGB 233 73 232

HSL 300.38, 0.78%, 0.6%

LAB 59.81, 78.33, -49.06

 

CMYK 0 / 59 / 0 / 15

HEX #D959D8

RGB 217 89 216

HSL 300.47, 0.63%, 0.6%

LAB 58.84, 65.91, -41.75

 

CMYK 0 / 47 / 0 / 22

HEX #C86AC7

RGB 200 106 199

HSL 300.64, 0.46%, 0.6%

LAB 58.71, 50.43, -32.5

 

CMYK 0 / 34 / 1 / 28

HEX #B87AB7

RGB 184 122 183

HSL 300.97, 0.3%, 0.6%

LAB 59.46, 34.06, -22.38

 

CMYK 41 / 78 / 0 / 2

HEX #9338FA

RGB 147 56 250

HSL 268.14, 0.95%, 0.6%

LAB 46.89, 72, -80.58

 

CMYK 21 / 78 / 0 / 2

HEX #C638FA

RGB 198 56 250

HSL 283.92, 0.95%, 0.6%

LAB 53.75, 80.08, -69.12

 

CMYK 0 / 78 / 0 / 2

HEX #FA38FA

RGB 250 56 250

HSL 300, 0.95%, 0.6%

LAB 61.7, 89.41, -55.92

 

CMYK 0 / 78 / 21 / 2

HEX #FA38C6

RGB 250 56 198

HSL 316.08, 0.95%, 0.6%

LAB 59.19, 82.31, -30.6

 

CMYK 0 / 78 / 41 / 2

HEX #FA3893

RGB 250 56 147

HSL 331.86, 0.95%, 0.6%

LAB 57.33, 76.8, -3.79

 

CMYK 0 / 97 / 1 / 15

HEX #DA06D8

RGB 218 6 216

HSL 300.57, 0.95%, 0.44%

LAB 51.83, 86.56, -52.86

 

CMYK 0 / 94 / 1 / 2

HEX #F910F6

RGB 249 16 246

HSL 300.77, 0.95%, 0.52%

LAB 59.13, 95.07, -57.81

 

CMYK 0 / 78 / 1 / 2

HEX #FA38F8

RGB 250 56 248

HSL 300.62, 0.95%, 0.6%

LAB 61.59, 89.11, -54.98

 

CMYK 0 / 62 / 1 / 2

HEX #FB60F9

RGB 251 96 249

HSL 300.77, 0.95%, 0.68%

LAB 66.3, 76.7, -48.06

 

CMYK 0 / 46 / 0 / 1

HEX #FC89FB

RGB 252 137 251

HSL 300.52, 0.95%, 0.76%

LAB 73.25, 59.17, -38.26

 

CMYK 0 / 78 / 1 / 2

HEX #FA38F8

RGB 250 56 248

HSL 300.62, 0.95%, 0.6%

LAB 61.59, 89.11, -54.98

 

CMYK 0 / 62 / 78 / 2

HEX #FA5F38

RGB 250 95 56

HSL 12.06, 0.95%, 0.6%

LAB 60.6, 57.29, 52.07

 

CMYK 78 / 0 / 31 / 2

HEX #38FAAC

RGB 56 250 172

HSL 155.88, 0.95%, 0.6%

LAB 88.06, -63.92, 24.41

 

CMYK 0 / 78 / 1 / 2

HEX #FA38F8

RGB 250 56 248

HSL 300.62, 0.95%, 0.6%

LAB 61.59, 89.11, -54.98

 

CMYK 0 / 0 / 78 / 2

HEX #FAFA38

RGB 250 250 56

HSL 60, 0.95%, 0.6%

LAB 95.57, -20.27, 84.67

 

CMYK 78 / 0 / 0 / 2

HEX #38FAFA

RGB 56 250 250

HSL 180, 0.95%, 0.6%

LAB 89.91, -44.79, -13.3

 

CMYK 0 / 78 / 1 / 2

HEX #FA38F8

RGB 250 56 248

HSL 300.62, 0.95%, 0.6%

LAB 61.59, 89.11, -54.98

 

CMYK 0 / 62 / 78 / 2

HEX #FA5F38

RGB 250 95 56

HSL 12.06, 0.95%, 0.6%

LAB 60.6, 57.29, 52.07

 

CMYK 78 / 0 / 78 / 2

HEX #38FA38

RGB 56 250 56

HSL 120, 0.95%, 0.6%

LAB 86.75, -79.36, 73.34

 

CMYK 78 / 16 / 0 / 2

HEX #38D3FA

RGB 56 211 250

HSL 192.06, 0.95%, 0.6%

LAB 78.65, -26.61, -30.37

 

CMYK 0 / 78 / 1 / 2

HEX #FA38F8

RGB 250 56 248

HSL 300.62, 0.95%, 0.6%

LAB 61.59, 89.11, -54.98

 

CMYK 0 / 39 / 78 / 2

HEX #FA9938

RGB 250 153 56

HSL 30, 0.95%, 0.6%

LAB 71.82, 29.17, 63.02

 

CMYK 78 / 0 / 78 / 2

HEX #38FA38

RGB 56 250 56

HSL 120, 0.95%, 0.6%

LAB 86.75, -79.36, 73.34

 

CMYK 78 / 39 / 0 / 2

HEX #3899FA

RGB 56 153 250

HSL 210, 0.95%, 0.6%

LAB 62.1, 4.82, -56.27

 

Description

Color code: HEX #FA38F8 | qconv.com Color code: HEX #FA38F8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 56 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 56 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 1 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 1% 2% C M Y K

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Provide designers and agencies with accurate color values.

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