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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 20 / 78 / 0 / 2 it is the complementary color CMYK 73 / 0 / 98 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 20 / 78 / 0 / 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 20 / 78 / 0 / 2: CMYK 16 / 78 / 0 / 4, CMYK 13 / 71 / 0 / 0, CMYK 6 / 64 / 0 / 0, CMYK 0 / 57 / 0 / 0 and CMYK 0 / 50 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 20 / 78 / 0 / 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 20 / 78 / 0 / 2: CMYK 20 / 78 / 0 / 2, CMYK 21 / 84 / 0 / 9, CMYK 22 / 91 / 0 / 17, CMYK 23 / 99 / 0 / 24 and CMYK 24 / 100 / 0 / 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 78 / 0 / 2

HEX #C837FA

RGB 200 55 250

HSL 284.62, 0.95%, 0.6%

LAB 53.94, 80.72, -68.8

 

Complementary color

CMYK 73 / 0 / 98 / 22

HEX #37C805

RGB 55 200 5

HSL 104.62, 0.95%, 0.4%

LAB 70.96, -66.65, 69.42

 

CMYK 16 / 78 / 0 / 4

HEX #CD37F5

RGB 205 55 245

HSL 287.37, 0.9%, 0.59%

LAB 54.35, 80.68, -65.3

 

CMYK 13 / 71 / 0 / 0

HEX #DE49FF

RGB 222 73 255

HSL 289.12, 1%, 0.64%

LAB 59.45, 79.91, -62.53

 

CMYK 6 / 64 / 0 / 0

HEX #EF5BFF

RGB 239 91 255

HSL 294.15, 1%, 0.68%

LAB 64.2, 76.89, -54.79

 

CMYK 0 / 57 / 0 / 0

HEX #FF6DFF

RGB 255 109 255

HSL 300, 1%, 0.71%

LAB 69.05, 73.36, -46.99

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 20 / 78 / 0 / 2

HEX #C837FA

RGB 200 55 250

HSL 284.62, 0.95%, 0.6%

LAB 53.94, 80.72, -68.8

 

CMYK 21 / 84 / 0 / 9

HEX #B725E7

RGB 183 37 231

HSL 285.15, 0.8%, 0.53%

LAB 48.46, 79.21, -67.12

 

CMYK 22 / 91 / 0 / 17

HEX #A613D4

RGB 166 19 212

HSL 285.7, 0.84%, 0.45%

LAB 43.25, 76.68, -64.85

 

CMYK 23 / 99 / 0 / 24

HEX #9501C1

RGB 149 1 193

HSL 286.25, 0.99%, 0.38%

LAB 38.31, 73.05, -61.96

 

CMYK 24 / 100 / 0 / 32

HEX #8400AE

RGB 132 0 174

HSL 285.52, 1%, 0.34%

LAB 33.9, 67.47, -58

 

CMYK 20 / 78 / 0 / 2

HEX #C837FA

RGB 200 55 250

HSL 284.62, 0.95%, 0.6%

LAB 53.94, 80.72, -68.8

 

CMYK 8 / 78 / 0 / 2

HEX #E638F9

RGB 230 56 249

HSL 294.09, 0.94%, 0.6%

LAB 58.5, 85.57, -60.66

 

CMYK 0 / 78 / 5 / 2

HEX #F938EC

RGB 249 56 236

HSL 304.04, 0.94%, 0.6%

LAB 60.8, 87.17, -49.56

 

CMYK 0 / 78 / 18 / 2

HEX #F938CC

RGB 249 56 204

HSL 313.99, 0.94%, 0.6%

LAB 59.28, 82.84, -33.9

 

CMYK 0 / 78 / 31 / 2

HEX #F938AC

RGB 249 56 172

HSL 323.94, 0.94%, 0.6%

LAB 57.99, 79.06, -17.46

 

CMYK 20 / 78 / 0 / 2

HEX #C837FA

RGB 200 55 250

HSL 284.62, 0.95%, 0.6%

LAB 53.94, 80.72, -68.8

 

CMYK 20 / 78 / 0 / 82

HEX #250A2E

RGB 37 10 46

HSL 285, 0.64%, 0.11%

LAB 7.3, 21.11, -17.93

 

CMYK 20 / 78 / 0 / 62

HEX #4E1561

RGB 78 21 97

HSL 285, 0.64%, 0.23%

LAB 20.12, 38.49, -32.53

 

CMYK 20 / 78 / 0 / 42

HEX #762194

RGB 118 33 148

HSL 284.35, 0.64%, 0.35%

LAB 31.98, 53.15, -45.47

 

CMYK 20 / 78 / 0 / 22

HEX #9F2CC7

RGB 159 44 199

HSL 284.52, 0.64%, 0.48%

LAB 43.21, 67.32, -57.45

 

CMYK 20 / 78 / 0 / 2

HEX #C837FA

RGB 200 55 250

HSL 284.62, 0.95%, 0.6%

LAB 53.94, 80.72, -68.8

 

CMYK 0 / 78 / 72 / 2

HEX #F93845

RGB 249 56 69

HSL 355.96, 0.94%, 0.6%

LAB 55.48, 71.39, 39.63

 

CMYK 78 / 0 / 52 / 2

HEX #38F978

RGB 56 249 120

HSL 139.9, 0.94%, 0.6%

LAB 86.97, -72.63, 48.53

 

CMYK 20 / 78 / 0 / 2

HEX #C837FA

RGB 200 55 250

HSL 284.62, 0.95%, 0.6%

LAB 53.94, 80.72, -68.8

 

CMYK 0 / 20 / 78 / 2

HEX #F9C638

RGB 249 198 56

HSL 44.15, 0.94%, 0.6%

LAB 82.28, 5.24, 72.72

 

CMYK 78 / 0 / 20 / 2

HEX #38F9C6

RGB 56 249 198

HSL 164.15, 0.94%, 0.6%

LAB 88.29, -57.82, 11.37

 

CMYK 20 / 78 / 0 / 2

HEX #C837FA

RGB 200 55 250

HSL 284.62, 0.95%, 0.6%

LAB 53.94, 80.72, -68.8

 

CMYK 0 / 78 / 72 / 2

HEX #F93845

RGB 249 56 69

HSL 355.96, 0.94%, 0.6%

LAB 55.48, 71.39, 39.63

 

CMYK 57 / 0 / 78 / 2

HEX #6BF938

RGB 107 249 56

HSL 104.15, 0.94%, 0.6%

LAB 87.56, -69.67, 74.5

 

CMYK 78 / 0 / 5 / 2

HEX #38F9EC

RGB 56 249 236

HSL 175.96, 0.94%, 0.6%

LAB 89.23, -48.21, -7.03

 

CMYK 20 / 78 / 0 / 2

HEX #C837FA

RGB 200 55 250

HSL 284.62, 0.95%, 0.6%

LAB 53.94, 80.72, -68.8

 

CMYK 0 / 59 / 78 / 2

HEX #F96538

RGB 249 101 56

HSL 13.99, 0.94%, 0.6%

LAB 61.42, 54.34, 52.84

 

CMYK 57 / 0 / 78 / 2

HEX #6BF938

RGB 107 249 56

HSL 104.15, 0.94%, 0.6%

LAB 87.56, -69.67, 74.5

 

CMYK 78 / 18 / 0 / 2

HEX #38CCF9

RGB 56 204 249

HSL 193.99, 0.94%, 0.6%

LAB 76.6, -23.43, -33

 

Description

Color code: CMYK 20 / 78 / 0 / 2 | qconv.com Color code: CMYK 20 / 78 / 0 / 2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 55 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 55 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 78 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 78% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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