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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA3658 it is the complementary color #05C9A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA3658. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA3658 shade: #FF3653, #FF4866, #FF5A79, #FF6C8C and #FF7E9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA3658. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA3658 shade: #FA3658, #E92445, #D81232, #C7001F and #B6000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA3658 shade: #FA385A and #FA3838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA3658 shade: #FA385A, #FA388E, #FA38C2, #FA38F7 and #C938FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA3658 shade matches the following richer shades: #FA385A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA3658 shade: #FA385A, #E94965, #D9596F, #C86A7A and #B87A85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA3658 shade: #FA38C3, #FA388F, #FA385C, #FA4838 and #FA7C38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA3658 shade: #DA062A, #F91038, #FA385A, #FB607B and #FC899D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA3658 shade: #FA3658, #F7FA38 and #38A9FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA3658 shade: #FA3658, #5CFA38 and #385CFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA3658 shade: #FA3658, #F7FA38, #38FAD6 and #3B38FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA3658 shade: #FA3658, #BDFA38, #38FAD6 and #7538FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 65 / 2

HEX #FA3658

RGB 250 54 88

HSL 349.59, 0.95%, 0.6%

LAB 55.75, 73.08, 29.01

 

Complementary color

CMYK 98 / 0 / 17 / 21

HEX #05C9A7

RGB 5 201 167

HSL 169.59, 0.95%, 0.4%

LAB 72.62, -49.61, 5.28

 

CMYK 0 / 79 / 67 / 0

HEX #FF3653

RGB 255 54 83

HSL 351.34, 1%, 0.61%

LAB 56.61, 74.18, 33.2

 

CMYK 0 / 72 / 60 / 0

HEX #FF4866

RGB 255 72 102

HSL 350.16, 1%, 0.64%

LAB 58.84, 69.86, 24.98

 

CMYK 0 / 65 / 53 / 0

HEX #FF5A79

RGB 255 90 121

HSL 348.73, 1%, 0.68%

LAB 61.61, 64.59, 17.67

 

CMYK 0 / 58 / 45 / 0

HEX #FF6C8C

RGB 255 108 140

HSL 346.94, 1%, 0.71%

LAB 64.87, 58.63, 11.27

 

CMYK 0 / 51 / 38 / 0

HEX #FF7E9F

RGB 255 126 159

HSL 344.65, 1%, 0.75%

LAB 68.52, 52.23, 5.7

 

CMYK 0 / 78 / 65 / 2

HEX #FA3658

RGB 250 54 88

HSL 349.59, 0.95%, 0.6%

LAB 55.75, 73.08, 29.01

 

CMYK 0 / 85 / 70 / 9

HEX #E92445

RGB 233 36 69

HSL 349.95, 0.82%, 0.53%

LAB 50.7, 71.91, 33.25

 

CMYK 0 / 92 / 77 / 15

HEX #D81232

RGB 216 18 50

HSL 350.3, 0.85%, 0.46%

LAB 45.99, 69.83, 38.1

 

CMYK 0 / 100 / 84 / 22

HEX #C7001F

RGB 199 0 31

HSL 350.65, 1%, 0.39%

LAB 41.6, 66.89, 43.19

 

CMYK 0 / 100 / 93 / 29

HEX #B6000C

RGB 182 0 12

HSL 356.04, 1%, 0.36%

LAB 37.79, 62.32, 47.6

 

CMYK 0 / 78 / 64 / 2

HEX #FA385A

RGB 250 56 90

HSL 349.48, 0.95%, 0.6%

LAB 55.98, 72.64, 28.12

 

CMYK 0 / 78 / 78 / 2

HEX #FA3838

RGB 250 56 56

HSL 0, 0.95%, 0.6%

LAB 55.52, 71.2, 46.89

 

CMYK 0 / 78 / 64 / 2

HEX #FA385A

RGB 250 56 90

HSL 349.48, 0.95%, 0.6%

LAB 55.98, 72.64, 28.12

 

CMYK 0 / 78 / 43 / 2

HEX #FA388E

RGB 250 56 142

HSL 333.4, 0.95%, 0.6%

LAB 57.18, 76.35, -1.06

 

CMYK 0 / 78 / 22 / 2

HEX #FA38C2

RGB 250 56 194

HSL 317.32, 0.95%, 0.6%

LAB 59.02, 81.82, -28.57

 

CMYK 0 / 78 / 1 / 2

HEX #FA38F7

RGB 250 56 247

HSL 300.93, 0.95%, 0.6%

LAB 61.54, 88.96, -54.51

 

CMYK 20 / 78 / 0 / 2

HEX #C938FA

RGB 201 56 250

HSL 284.85, 0.95%, 0.6%

LAB 54.18, 80.6, -68.39

 

CMYK 0 / 78 / 64 / 2

HEX #FA385A

RGB 250 56 90

HSL 349.48, 0.95%, 0.6%

LAB 55.98, 72.64, 28.12

 

CMYK 0 / 78 / 64 / 2

HEX #FA385A

RGB 250 56 90

HSL 349.48, 0.95%, 0.6%

LAB 55.98, 72.64, 28.12

 

CMYK 0 / 69 / 57 / 9

HEX #E94965

RGB 233 73 101

HSL 349.5, 0.78%, 0.6%

LAB 55.1, 62.95, 19.9

 

CMYK 0 / 59 / 49 / 15

HEX #D9596F

RGB 217 89 111

HSL 349.69, 0.63%, 0.6%

LAB 55.12, 52.03, 13.59

 

CMYK 0 / 47 / 39 / 22

HEX #C86A7A

RGB 200 106 122

HSL 349.79, 0.46%, 0.6%

LAB 56.08, 38.9, 8.12

 

CMYK 0 / 34 / 28 / 28

HEX #B87A85

RGB 184 122 133

HSL 349.35, 0.3%, 0.6%

LAB 57.85, 25.71, 3.98

 

CMYK 0 / 78 / 22 / 2

HEX #FA38C3

RGB 250 56 195

HSL 317.01, 0.95%, 0.6%

LAB 59.06, 81.94, -29.08

 

CMYK 0 / 78 / 43 / 2

HEX #FA388F

RGB 250 56 143

HSL 333.09, 0.95%, 0.6%

LAB 57.21, 76.44, -1.6

 

CMYK 0 / 78 / 63 / 2

HEX #FA385C

RGB 250 56 92

HSL 348.87, 0.95%, 0.6%

LAB 56.01, 72.75, 26.99

 

CMYK 0 / 71 / 78 / 2

HEX #FA4838

RGB 250 72 56

HSL 4.95, 0.95%, 0.6%

LAB 57.31, 66.21, 48.73

 

CMYK 0 / 50 / 78 / 2

HEX #FA7C38

RGB 250 124 56

HSL 21.03, 0.95%, 0.6%

LAB 65.77, 43.91, 57.19

 

CMYK 0 / 97 / 81 / 15

HEX #DA062A

RGB 218 6 42

HSL 349.81, 0.95%, 0.44%

LAB 45.91, 71.28, 42.7

 

CMYK 0 / 94 / 78 / 2

HEX #F91038

RGB 249 16 56

HSL 349.7, 0.95%, 0.52%

LAB 52.73, 78.36, 43.9

 

CMYK 0 / 78 / 64 / 2

HEX #FA385A

RGB 250 56 90

HSL 349.48, 0.95%, 0.6%

LAB 55.98, 72.64, 28.12

 

CMYK 0 / 62 / 51 / 2

HEX #FB607B

RGB 251 96 123

HSL 349.55, 0.95%, 0.68%

LAB 61.92, 61.05, 16.83

 

CMYK 0 / 46 / 38 / 1

HEX #FC899D

RGB 252 137 157

HSL 349.57, 0.95%, 0.76%

LAB 70.19, 45.59, 9.16

 

CMYK 0 / 78 / 65 / 2

HEX #FA3658

RGB 250 54 88

HSL 349.59, 0.95%, 0.6%

LAB 55.75, 73.08, 29.01

 

CMYK 1 / 0 / 78 / 2

HEX #F7FA38

RGB 247 250 56

HSL 60.93, 0.95%, 0.6%

LAB 95.34, -21.49, 84.38

 

CMYK 78 / 32 / 0 / 2

HEX #38A9FA

RGB 56 169 250

HSL 205.05, 0.95%, 0.6%

LAB 66.61, -4.4, -49.13

 

CMYK 0 / 78 / 65 / 2

HEX #FA3658

RGB 250 54 88

HSL 349.59, 0.95%, 0.6%

LAB 55.75, 73.08, 29.01

 

CMYK 63 / 0 / 78 / 2

HEX #5CFA38

RGB 92 250 56

HSL 108.87, 0.95%, 0.6%

LAB 87.45, -73.38, 74.25

 

CMYK 78 / 63 / 0 / 2

HEX #385CFA

RGB 56 92 250

HSL 228.87, 0.95%, 0.6%

LAB 46.17, 42.29, -82.03

 

CMYK 0 / 78 / 65 / 2

HEX #FA3658

RGB 250 54 88

HSL 349.59, 0.95%, 0.6%

LAB 55.75, 73.08, 29.01

 

CMYK 1 / 0 / 78 / 2

HEX #F7FA38

RGB 247 250 56

HSL 60.93, 0.95%, 0.6%

LAB 95.34, -21.49, 84.38

 

CMYK 78 / 0 / 14 / 2

HEX #38FAD6

RGB 56 250 214

HSL 168.87, 0.95%, 0.6%

LAB 88.95, -54.34, 4.02

 

CMYK 76 / 78 / 0 / 2

HEX #3B38FA

RGB 59 56 250

HSL 240.93, 0.95%, 0.6%

LAB 39, 62.64, -93.85

 

CMYK 0 / 78 / 65 / 2

HEX #FA3658

RGB 250 54 88

HSL 349.59, 0.95%, 0.6%

LAB 55.75, 73.08, 29.01

 

CMYK 24 / 0 / 78 / 2

HEX #BDFA38

RGB 189 250 56

HSL 78.87, 0.95%, 0.6%

LAB 91.45, -44.26, 79.42

 

CMYK 78 / 0 / 14 / 2

HEX #38FAD6

RGB 56 250 214

HSL 168.87, 0.95%, 0.6%

LAB 88.95, -54.34, 4.02

 

CMYK 53 / 78 / 0 / 2

HEX #7538FA

RGB 117 56 250

HSL 258.87, 0.95%, 0.6%

LAB 43.53, 68.02, -86.23

 

Description

Color code: HEX #FA3658 | qconv.com Color code: HEX #FA3658 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 54 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 54 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 65 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 65% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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