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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9E651 it is the complementary color #0619AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9E651. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F9E651: #FEE64C, #FFF85F, #FFFF72, #FFFF85 and #FFFF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9E651. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F9E651: #F9E651, #E8D43E, #D7C22B, #C6B018 and #B59E05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 67 / 2

HEX #F9E651

RGB 249 230 81

HSL 53.21, 0.93%, 0.65%

LAB 90.47, -9.89, 71.65

 

Complementary color

CMYK 97 / 86 / 0 / 32

HEX #0619AE

RGB 6 25 174

HSL 233.21, 0.93%, 0.35%

LAB 22.96, 51.74, -76.48

 

CMYK 0 / 9 / 70 / 0

HEX #FEE64C

RGB 254 230 76

HSL 51.91, 0.99%, 0.65%

LAB 90.86, -8.07, 74.05

 

CMYK 0 / 3 / 63 / 0

HEX #FFF85F

RGB 255 248 95

HSL 57.38, 1%, 0.69%

LAB 95.67, -15.5, 71.73

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 0 / 8 / 67 / 2

HEX #F9E651

RGB 249 230 81

HSL 53.21, 0.93%, 0.65%

LAB 90.47, -9.89, 71.65

 

CMYK 0 / 9 / 73 / 9

HEX #E8D43E

RGB 232 212 62

HSL 52.94, 0.79%, 0.58%

LAB 84.27, -8.86, 71.98

 

CMYK 0 / 10 / 80 / 16

HEX #D7C22B

RGB 215 194 43

HSL 52.67, 0.68%, 0.51%

LAB 78, -7.67, 71.71

 

CMYK 0 / 11 / 88 / 22

HEX #C6B018

RGB 198 176 24

HSL 52.41, 0.78%, 0.44%

LAB 71.64, -6.27, 70.47

 

CMYK 0 / 13 / 97 / 29

HEX #B59E05

RGB 181 158 5

HSL 52.16, 0.95%, 0.36%

LAB 65.19, -4.64, 67.84

 

CMYK 0 / 8 / 67 / 2

HEX #F9E651

RGB 249 230 81

HSL 53.21, 0.93%, 0.65%

LAB 90.47, -9.89, 71.65

 

CMYK 3 / 0 / 67 / 3

HEX #F0F852

RGB 240 248 82

HSL 62.89, 0.92%, 0.65%

LAB 94.43, -22.25, 75.04

 

CMYK 15 / 0 / 67 / 3

HEX #D4F852

RGB 212 248 82

HSL 73.01, 0.92%, 0.65%

LAB 92.46, -33.31, 72.41

 

CMYK 25 / 0 / 67 / 3

HEX #B9F852

RGB 185 248 82

HSL 82.77, 0.92%, 0.65%

LAB 90.81, -43.47, 70.18

 

CMYK 37 / 0 / 67 / 3

HEX #9DF852

RGB 157 248 82

HSL 92.89, 0.92%, 0.65%

LAB 89.35, -53.2, 68.22

 

CMYK 0 / 8 / 67 / 2

HEX #F9E651

RGB 249 230 81

HSL 53.21, 0.93%, 0.65%

LAB 90.47, -9.89, 71.65

 

CMYK 0 / 7 / 67 / 82

HEX #2D2A0F

RGB 45 42 15

HSL 54, 0.5%, 0.12%

LAB 16.74, -3.16, 17.7

 

CMYK 0 / 7 / 68 / 62

HEX #60591F

RGB 96 89 31

HSL 53.54, 0.51%, 0.25%

LAB 37.35, -5.13, 33.53

 

CMYK 0 / 7 / 67 / 42

HEX #938830

RGB 147 136 48

HSL 53.33, 0.51%, 0.38%

LAB 56.11, -6.79, 46.95

 

CMYK 0 / 8 / 68 / 22

HEX #C6B740

RGB 198 183 64

HSL 53.28, 0.54%, 0.51%

LAB 73.7, -8.41, 59.83

 

CMYK 0 / 8 / 67 / 2

HEX #F9E651

RGB 249 230 81

HSL 53.21, 0.93%, 0.65%

LAB 90.47, -9.89, 71.65

 

CMYK 67 / 0 / 61 / 3

HEX #52F860

RGB 82 248 96

HSL 125.06, 0.92%, 0.65%

LAB 86.89, -71.42, 59.2

 

CMYK 35 / 67 / 0 / 3

HEX #A252F8

RGB 162 82 248

HSL 268.92, 0.92%, 0.65%

LAB 52.39, 63.12, -70.42

 

CMYK 0 / 8 / 67 / 2

HEX #F9E651

RGB 249 230 81

HSL 53.21, 0.93%, 0.65%

LAB 90.47, -9.89, 71.65

 

CMYK 67 / 0 / 8 / 3

HEX #52F8E5

RGB 82 248 229

HSL 173.13, 0.92%, 0.65%

LAB 89.2, -46.64, -3.37

 

CMYK 8 / 67 / 0 / 3

HEX #E552F8

RGB 229 82 248

HSL 293.13, 0.92%, 0.65%

LAB 61.19, 76.92, -55.81

 

CMYK 0 / 8 / 67 / 2

HEX #F9E651

RGB 249 230 81

HSL 53.21, 0.93%, 0.65%

LAB 90.47, -9.89, 71.65

 

CMYK 67 / 0 / 61 / 3

HEX #52F860

RGB 82 248 96

HSL 125.06, 0.92%, 0.65%

LAB 86.89, -71.42, 59.2

 

CMYK 67 / 59 / 0 / 3

HEX #5266F8

RGB 82 102 248

HSL 232.77, 0.92%, 0.65%

LAB 49.59, 38.41, -75.29

 

CMYK 0 / 67 / 6 / 3

HEX #F852EA

RGB 248 82 234

HSL 305.06, 0.92%, 0.65%

LAB 63.29, 78.86, -44.54

 

CMYK 0 / 8 / 67 / 2

HEX #F9E651

RGB 249 230 81

HSL 53.21, 0.93%, 0.65%

LAB 90.47, -9.89, 71.65

 

CMYK 67 / 0 / 41 / 3

HEX #52F892

RGB 82 248 146

HSL 143.13, 0.92%, 0.65%

LAB 87.49, -64.52, 36.79

 

CMYK 67 / 59 / 0 / 3

HEX #5266F8

RGB 82 102 248

HSL 232.77, 0.92%, 0.65%

LAB 49.59, 38.41, -75.29

 

CMYK 0 / 67 / 25 / 3

HEX #F852B9

RGB 248 82 185

HSL 322.77, 0.92%, 0.65%

LAB 61.22, 72.11, -20.06

 

Description

Color code: HEX #F9E651 | qconv.com Color code: HEX #F9E651 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 230 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 230 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 67 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 67% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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