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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9D3A9 it is the complementary color #062C56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9D3A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F9D3A9: #FED3A4, #FFE5B7, #FFF7CA, #FFFFDD and #FFFFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9D3A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F9D3A9: #F9D3A9, #E8C196, #D7AF83, #C69D70 and #B58B5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 32 / 2

HEX #F9D3A9

RGB 249 211 169

HSL 31.5, 0.87%, 0.82%

LAB 86.8, 7.42, 25.76

 

Complementary color

CMYK 93 / 49 / 0 / 66

HEX #062C56

RGB 6 44 86

HSL 211.5, 0.87%, 0.18%

LAB 17.97, 5.28, -29.03

 

CMYK 0 / 17 / 35 / 0

HEX #FED3A4

RGB 254 211 164

HSL 31.33, 0.98%, 0.82%

LAB 87.16, 8.72, 28.93

 

CMYK 0 / 10 / 28 / 0

HEX #FFE5B7

RGB 255 229 183

HSL 38.33, 1%, 0.86%

LAB 92.01, 2.19, 25.71

 

CMYK 0 / 3 / 21 / 0

HEX #FFF7CA

RGB 255 247 202

HSL 50.94, 1%, 0.9%

LAB 96.84, -4.35, 22.63

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFF0

RGB 255 255 240

HSL 60, 1%, 0.97%

LAB 99.64, -2.55, 7.15

 

CMYK 0 / 15 / 32 / 2

HEX #F9D3A9

RGB 249 211 169

HSL 31.5, 0.87%, 0.82%

LAB 86.8, 7.42, 25.76

 

CMYK 0 / 17 / 35 / 9

HEX #E8C196

RGB 232 193 150

HSL 31.46, 0.64%, 0.75%

LAB 80.46, 7.97, 26.86

 

CMYK 0 / 19 / 39 / 16

HEX #D7AF83

RGB 215 175 131

HSL 31.43, 0.51%, 0.68%

LAB 74.03, 8.6, 28.04

 

CMYK 0 / 21 / 43 / 22

HEX #C69D70

RGB 198 157 112

HSL 31.4, 0.43%, 0.61%

LAB 67.49, 9.33, 29.31

 

CMYK 0 / 23 / 49 / 29

HEX #B58B5D

RGB 181 139 93

HSL 31.36, 0.37%, 0.54%

LAB 60.85, 10.17, 30.67

 

CMYK 0 / 15 / 32 / 2

HEX #F9D3A9

RGB 249 211 169

HSL 31.5, 0.87%, 0.82%

LAB 86.8, 7.42, 25.76

 

CMYK 0 / 10 / 32 / 2

HEX #F9DFA9

RGB 249 223 169

HSL 40.5, 0.87%, 0.82%

LAB 89.76, 1.24, 29.77

 

CMYK 0 / 5 / 32 / 2

HEX #F9EDA9

RGB 249 237 169

HSL 51, 0.87%, 0.82%

LAB 93.26, -5.84, 34.46

 

CMYK 1 / 0 / 32 / 2

HEX #F7F9A9

RGB 247 249 169

HSL 61.5, 0.87%, 0.82%

LAB 96.16, -12.55, 38.26

 

CMYK 6 / 0 / 32 / 2

HEX #EAF9A9

RGB 234 249 169

HSL 71.25, 0.87%, 0.82%

LAB 95.21, -17.36, 36.83

 

CMYK 0 / 15 / 32 / 2

HEX #F9D3A9

RGB 249 211 169

HSL 31.5, 0.87%, 0.82%

LAB 86.8, 7.42, 25.76

 

CMYK 0 / 16 / 31 / 82

HEX #2D261F

RGB 45 38 31

HSL 30, 0.18%, 0.15%

LAB 15.71, 1.87, 5.85

 

CMYK 0 / 16 / 32 / 62

HEX #605141

RGB 96 81 65

HSL 30.97, 0.19%, 0.32%

LAB 35.5, 3.51, 11.73

 

CMYK 0 / 15 / 32 / 42

HEX #937D64

RGB 147 125 100

HSL 31.91, 0.19%, 0.48%

LAB 53.8, 4.56, 16.78

 

CMYK 0 / 15 / 32 / 22

HEX #C6A886

RGB 198 168 134

HSL 31.88, 0.36%, 0.65%

LAB 70.69, 5.96, 21.65

 

CMYK 0 / 15 / 32 / 2

HEX #F9D3A9

RGB 249 211 169

HSL 31.5, 0.87%, 0.82%

LAB 86.8, 7.42, 25.76

 

CMYK 23 / 0 / 32 / 2

HEX #BFF9A9

RGB 191 249 169

HSL 103.5, 0.87%, 0.82%

LAB 92.44, -32.56, 32.65

 

CMYK 29 / 32 / 0 / 2

HEX #B2A9F9

RGB 178 169 249

HSL 246.75, 0.87%, 0.82%

LAB 72.68, 20.43, -38.63

 

CMYK 0 / 15 / 32 / 2

HEX #F9D3A9

RGB 249 211 169

HSL 31.5, 0.87%, 0.82%

LAB 86.8, 7.42, 25.76

 

CMYK 32 / 0 / 16 / 2

HEX #A9F9D2

RGB 169 249 210

HSL 150.75, 0.87%, 0.82%

LAB 92.06, -32.45, 11.01

 

CMYK 16 / 32 / 0 / 2

HEX #D2A9F9

RGB 210 169 249

HSL 270.75, 0.87%, 0.82%

LAB 75.4, 29.81, -34.2

 

CMYK 0 / 15 / 32 / 2

HEX #F9D3A9

RGB 249 211 169

HSL 31.5, 0.87%, 0.82%

LAB 86.8, 7.42, 25.76

 

CMYK 23 / 0 / 32 / 2

HEX #BFF9A9

RGB 191 249 169

HSL 103.5, 0.87%, 0.82%

LAB 92.44, -32.56, 32.65

 

CMYK 32 / 17 / 0 / 2

HEX #A9CFF9

RGB 169 207 249

HSL 211.5, 0.87%, 0.82%

LAB 81.78, -2.88, -24.67

 

CMYK 9 / 32 / 0 / 2

HEX #E2A9F9

RGB 226 169 249

HSL 282.75, 0.87%, 0.82%

LAB 76.91, 34.66, -31.75

 

CMYK 0 / 15 / 32 / 2

HEX #F9D3A9

RGB 249 211 169

HSL 31.5, 0.87%, 0.82%

LAB 86.8, 7.42, 25.76

 

CMYK 32 / 0 / 32 / 2

HEX #A9F9AA

RGB 169 249 170

HSL 120.75, 0.87%, 0.82%

LAB 91.27, -39.53, 30.38

 

CMYK 32 / 17 / 0 / 2

HEX #A9CFF9

RGB 169 207 249

HSL 211.5, 0.87%, 0.82%

LAB 81.78, -2.88, -24.67

 

CMYK 0 / 32 / 1 / 2

HEX #F9A9F7

RGB 249 169 247

HSL 301.5, 0.87%, 0.82%

LAB 79.17, 41.39, -26.99

 

Description

Color code: HEX #F9D3A9 | qconv.com Color code: HEX #F9D3A9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 211 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 211 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 32 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 32% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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