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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9B49ACE it is the complementary color #064B65CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9B49ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9B49ACE shade: #FEB495CE, #FFC6A8CE, #FFD8BBCE, #FFEACECE and #FFFCE1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9B49ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9B49ACE shade: #F9B49ACE, #E8A287CE, #D79074CE, #C67E61CE and #B56C4ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9B49ACE shade: #F9B49A and #F99A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9B49ACE shade: #F9B49A, #F9CE9A, #F9E79A, #F1F99A and #D8F99A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9B49ACE shade matches the following richer shades: #F9B49A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9B49ACE shade: #F9B49A, #F0B8A2, #E8BCAB, #DFC0B4 and #D6C4BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9B49ACE shade: #F99AB3, #F99A9A, #F9B39A, #F9CD9A and #F9E69A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9B49ACE shade: #F57A4C, #F79773, #F9B49A, #FBD1C1 and #FEEEE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9B49ACE shade: #F9B49A, #CDF99A and #9AA6F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9B49ACE shade: #F9B49A, #9AF9B3 and #B39AF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9B49ACE shade: #F9B49A, #CDF99A, #9AE0F9 and #C69AF9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9B49ACE shade: #F9B49A, #B0F99A, #9AE0F9 and #E39AF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 31 / 2

HEX #F9B49ACE

RGBA 249 180 154 0.81

HSLA 16.42, 0.89%, 0.79%, 0.81

LABA 79.11, 21.86, 23.19, 0.81

 

Complementary color

CMYK 76 / 21 / 0 / 49

HEX #064B65CE

RGBA 6 75 101 0.81

HSLA 196.42, 0.89%, 0.21%, 0.81

LABA 29.44, -9.26, -20.67, 0.81

 

CMYK 0 / 24 / 33 / 0

HEX #FEB495CE

RGBA 254 180 149 0.81

HSLA 17.71, 0.98%, 0.79%, 0.81

LABA 79.55, 23.23, 26.54, 0.81

 

CMYK 0 / 18 / 28 / 0

HEX #FFC6A8CE

RGBA 255 198 168 0.81

HSLA 20.69, 1%, 0.83%, 0.81

LABA 84.21, 16.34, 22.84, 0.81

 

CMYK 0 / 12 / 22 / 0

HEX #FFD8BBCE

RGBA 255 216 187 0.81

HSLA 25.59, 1%, 0.87%, 0.81

LABA 88.9, 9.39, 19.35, 0.81

 

CMYK 0 / 7 / 16 / 0

HEX #FFEACECE

RGBA 255 234 206 0.81

HSLA 34.29, 1%, 0.9%, 0.81

LABA 93.69, 2.79, 16.18, 0.81

 

CMYK 0 / 1 / 10 / 0

HEX #FFFCE1CE

RGBA 255 252 225 0.81

HSLA 54, 1%, 0.94%, 0.81

LABA 98.56, -3.45, 13.29, 0.81

 

CMYK 0 / 22 / 31 / 2

HEX #F9B49ACE

RGBA 249 180 154 0.81

HSLA 16.42, 0.89%, 0.79%, 0.81

LABA 79.11, 21.86, 23.19, 0.81

 

CMYK 0 / 24 / 34 / 7

HEX #E8A287CE

RGBA 232 162 135 0.81

HSLA 16.7, 0.68%, 0.72%, 0.81

LABA 72.72, 22.73, 24.45, 0.81

 

CMYK 0 / 27 / 37 / 13

HEX #D79074CE

RGBA 215 144 116 0.81

HSLA 16.97, 0.55%, 0.65%, 0.81

LABA 66.26, 23.7, 25.83, 0.81

 

CMYK 0 / 29 / 41 / 18

HEX #C67E61CE

RGBA 198 126 97 0.81

HSLA 17.23, 0.47%, 0.58%, 0.81

LABA 59.7, 24.8, 27.36, 0.81

 

CMYK 0 / 33 / 46 / 24

HEX #B56C4ECE

RGBA 181 108 78 0.81

HSLA 17.48, 0.41%, 0.51%, 0.81

LABA 53.06, 26.05, 29.07, 0.81

 

CMYK 0 / 28 / 38 / 2

HEX #F9B49A

RGB 249 180 154

HSL 16.42, 0.89%, 0.79%

LAB 79.11, 21.86, 23.19

 

CMYK 0 / 38 / 38 / 2

HEX #F99A9A

RGB 249 154 154

HSL 0, 0.89%, 0.79%

LAB 73.27, 35.49, 15.12

 

CMYK 0 / 28 / 38 / 2

HEX #F9B49A

RGB 249 180 154

HSL 16.42, 0.89%, 0.79%

LAB 79.11, 21.86, 23.19

 

CMYK 0 / 17 / 38 / 2

HEX #F9CE9A

RGB 249 206 154

HSL 32.84, 0.89%, 0.79%

LAB 85.31, 8.25, 31.55

 

CMYK 0 / 7 / 38 / 2

HEX #F9E79A

RGB 249 231 154

HSL 48.63, 0.89%, 0.79%

LAB 91.52, -4.55, 39.71

 

CMYK 3 / 0 / 38 / 2

HEX #F1F99A

RGB 241 249 154

HSL 65.05, 0.89%, 0.79%

LAB 95.49, -16.51, 44.69

 

CMYK 13 / 0 / 38 / 2

HEX #D8F99A

RGB 216 249 154

HSL 80.84, 0.89%, 0.79%

LAB 93.75, -25.79, 42.11

 

CMYK 0 / 28 / 38 / 2

HEX #F9B49A

RGB 249 180 154

HSL 16.42, 0.89%, 0.79%

LAB 79.11, 21.86, 23.19

 

CMYK 0 / 28 / 38 / 2

HEX #F9B49A

RGB 249 180 154

HSL 16.42, 0.89%, 0.79%

LAB 79.11, 21.86, 23.19

 

CMYK 0 / 23 / 33 / 6

HEX #F0B8A2

RGB 240 184 162

HSL 16.92, 0.72%, 0.79%

LAB 79.28, 17.27, 18.99

 

CMYK 0 / 19 / 26 / 9

HEX #E8BCAB

RGB 232 188 171

HSL 16.72, 0.57%, 0.79%

LAB 79.65, 13.3, 14.56

 

CMYK 0 / 14 / 19 / 13

HEX #DFC0B4

RGB 223 192 180

HSL 16.74, 0.4%, 0.79%

LAB 80, 9.13, 10.11

 

CMYK 0 / 8 / 12 / 16

HEX #D6C4BC

RGB 214 196 188

HSL 18.46, 0.24%, 0.79%

LAB 80.41, 4.98, 6.29

 

CMYK 0 / 38 / 28 / 2

HEX #F99AB3

RGB 249 154 179

HSL 344.21, 0.89%, 0.79%

LAB 73.87, 38.56, 2.18

 

CMYK 0 / 38 / 38 / 2

HEX #F99A9A

RGB 249 154 154

HSL 0, 0.89%, 0.79%

LAB 73.27, 35.49, 15.12

 

CMYK 0 / 28 / 38 / 2

HEX #F9B39A

RGB 249 179 154

HSL 15.79, 0.89%, 0.79%

LAB 78.88, 22.39, 22.87

 

CMYK 0 / 18 / 38 / 2

HEX #F9CD9A

RGB 249 205 154

HSL 32.21, 0.89%, 0.79%

LAB 85.07, 8.77, 31.23

 

CMYK 0 / 8 / 38 / 2

HEX #F9E69A

RGB 249 230 154

HSL 48, 0.89%, 0.79%

LAB 91.26, -4.04, 39.38

 

CMYK 0 / 50 / 69 / 4

HEX #F57A4C

RGB 245 122 76

HSL 16.33, 0.89%, 0.63%

LAB 64.85, 43.86, 46.38

 

CMYK 0 / 39 / 53 / 3

HEX #F79773

RGB 247 151 115

HSL 16.36, 0.89%, 0.71%

LAB 71.65, 32.48, 34.16

 

CMYK 0 / 28 / 38 / 2

HEX #F9B49A

RGB 249 180 154

HSL 16.42, 0.89%, 0.79%

LAB 79.11, 21.86, 23.19

 

CMYK 0 / 17 / 23 / 2

HEX #FBD1C1

RGB 251 209 193

HSL 16.55, 0.88%, 0.87%

LAB 86.98, 12.37, 13.44

 

CMYK 0 / 6 / 9 / 0

HEX #FEEEE8

RGB 254 238 232

HSL 16.36, 0.92%, 0.95%

LAB 95.18, 4.4, 4.83

 

CMYK 0 / 28 / 38 / 2

HEX #F9B49A

RGB 249 180 154

HSL 16.42, 0.89%, 0.79%

LAB 79.11, 21.86, 23.19

 

CMYK 18 / 0 / 38 / 2

HEX #CDF99A

RGB 205 249 154

HSL 87.79, 0.89%, 0.79%

LAB 93.04, -29.75, 41.06

 

CMYK 38 / 33 / 0 / 2

HEX #9AA6F9

RGB 154 166 249

HSL 232.42, 0.89%, 0.79%

LAB 70.16, 15.58, -42.69

 

CMYK 0 / 28 / 38 / 2

HEX #F9B49A

RGB 249 180 154

HSL 16.42, 0.89%, 0.79%

LAB 79.11, 21.86, 23.19

 

CMYK 38 / 0 / 28 / 2

HEX #9AF9B3

RGB 154 249 179

HSL 135.79, 0.89%, 0.79%

LAB 90.72, -42.5, 24.95

 

CMYK 28 / 38 / 0 / 2

HEX #B39AF9

RGB 179 154 249

HSL 255.79, 0.89%, 0.79%

LAB 69.14, 29.1, -44.16

 

CMYK 0 / 28 / 38 / 2

HEX #F9B49A

RGB 249 180 154

HSL 16.42, 0.89%, 0.79%

LAB 79.11, 21.86, 23.19

 

CMYK 18 / 0 / 38 / 2

HEX #CDF99A

RGB 205 249 154

HSL 87.79, 0.89%, 0.79%

LAB 93.04, -29.75, 41.06

 

CMYK 38 / 10 / 0 / 2

HEX #9AE0F9

RGB 154 224 249

HSL 195.79, 0.89%, 0.79%

LAB 85.51, -15.72, -19.09

 

CMYK 20 / 38 / 0 / 2

HEX #C69AF9

RGB 198 154 249

HSL 267.79, 0.89%, 0.79%

LAB 70.84, 34.48, -41.37

 

CMYK 0 / 28 / 38 / 2

HEX #F9B49A

RGB 249 180 154

HSL 16.42, 0.89%, 0.79%

LAB 79.11, 21.86, 23.19

 

CMYK 29 / 0 / 38 / 2

HEX #B0F99A

RGB 176 249 154

HSL 106.11, 0.89%, 0.79%

LAB 91.38, -39.68, 38.57

 

CMYK 38 / 10 / 0 / 2

HEX #9AE0F9

RGB 154 224 249

HSL 195.79, 0.89%, 0.79%

LAB 85.51, -15.72, -19.09

 

CMYK 9 / 38 / 0 / 2

HEX #E39AF9

RGB 227 154 249

HSL 286.11, 0.89%, 0.79%

LAB 73.73, 42.95, -36.66

 

Description

Color code: HEX #F9B49ACE | qconv.com Color code: HEX #F9B49ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 180 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 180 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 31 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 31% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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