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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9B3DACE it is the complementary color #064C25CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9B3DACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9B3DACE shade: #FEB3D5CE, #FFC5E8CE, #FFD7FBCE, #FFE9FFCE and #FFFBFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9B3DACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9B3DACE shade: #F9B3DACE, #E8A1C7CE, #D78FB4CE, #C67DA1CE and #B56B8ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9B3DACE shade: #F9B4DA, #F9B4C7, #F9B4B5 and #F9B4B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9B3DACE shade: #F9B4DA, #F9B4ED, #F2B4F9, #DFB4F9 and #CDB4F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9B3DACE shade matches the following richer shades: #F9B4DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9B3DACE shade: #F9B4DA, #F2BAD9, #ECC1D9, #E5C7D8 and #DECED7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9B3DACE shade: #F2B4F9, #F9B4ED, #F9B4DB, #F9B4C8 and #F9B4B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9B3DACE shade: #F367B5, #F68DC8, #F9B4DA, #FCDAED and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9B3DACE shade: #F9B3DA, #F9DFB4 and #B4F7F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9B3DACE shade: #F9B3DA, #DBF9B4 and #B4DBF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9B3DACE shade: #F9B3DA, #F9DFB4, #B4F9D2 and #B4CDF9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9B3DACE shade: #F9B3DA, #F9F4B4, #B4F9D2 and #B4B8F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 10 / 2

HEX #F9B3DACE

RGBA 249 179 218 0.81

HSLA 326.57, 0.85%, 0.84%, 0.81

LABA 80.43, 31.21, -9.46, 0.81

 

Complementary color

CMYK 75 / 0 / 42 / 57

HEX #064C25CE

RGBA 6 76 37 0.81

HSLA 146.57, 0.85%, 0.16%, 0.81

LABA 27.69, -30.4, 17.55, 0.81

 

CMYK 0 / 24 / 13 / 0

HEX #FEB3D5CE

RGBA 254 179 213 0.81

HSLA 332.8, 0.97%, 0.85%, 0.81

LABA 80.8, 32.13, -6.15, 0.81

 

CMYK 0 / 18 / 7 / 0

HEX #FFC5E8CE

RGBA 255 197 232 0.81

HSLA 323.79, 1%, 0.89%, 0.81

LABA 85.51, 26.06, -9.34, 0.81

 

CMYK 0 / 13 / 1 / 0

HEX #FFD7FBCE

RGBA 255 215 251 0.81

HSLA 306, 1%, 0.92%, 0.81

LABA 90.24, 19.89, -12.34, 0.81

 

CMYK 0 / 7 / 0 / 0

HEX #FFE9FFCE

RGBA 255 233 255 0.81

HSLA 300, 1%, 0.96%, 0.81

LABA 94.64, 11.24, -7.9, 0.81

 

CMYK 0 / 1 / 0 / 0

HEX #FFFBFFCE

RGBA 255 251 255 0.81

HSLA 300, 1%, 0.99%, 0.81

LABA 99.02, 2.03, -1.45, 0.81

 

CMYK 0 / 23 / 10 / 2

HEX #F9B3DACE

RGBA 249 179 218 0.81

HSLA 326.57, 0.85%, 0.84%, 0.81

LABA 80.43, 31.21, -9.46, 0.81

 

CMYK 0 / 25 / 12 / 7

HEX #E8A1C7CE

RGBA 232 161 199 0.81

HSLA 327.89, 0.61%, 0.77%, 0.81

LABA 74.04, 31.88, -8.81, 0.81

 

CMYK 0 / 27 / 13 / 13

HEX #D78FB4CE

RGBA 215 143 180 0.81

HSLA 329.17, 0.47%, 0.7%, 0.81

LABA 67.57, 32.6, -8.1, 0.81

 

CMYK 0 / 30 / 15 / 18

HEX #C67DA1CE

RGBA 198 125 161 0.81

HSLA 330.41, 0.39%, 0.63%, 0.81

LABA 61, 33.38, -7.32, 0.81

 

CMYK 0 / 33 / 17 / 24

HEX #B56B8ECE

RGBA 181 107 142 0.81

HSLA 331.62, 0.33%, 0.56%, 0.81

LABA 54.34, 34.19, -6.45, 0.81

 

CMYK 0 / 28 / 12 / 2

HEX #F9B4DA

RGB 249 180 218

HSL 326.96, 0.85%, 0.84%

LAB 80.65, 30.68, -9.13

 

CMYK 0 / 28 / 20 / 2

HEX #F9B4C7

RGB 249 180 199

HSL 343.48, 0.85%, 0.84%

LAB 80.13, 27.75, 0.36

 

CMYK 0 / 28 / 27 / 2

HEX #F9B4B5

RGB 249 180 181

HSL 359.13, 0.85%, 0.84%

LAB 79.68, 25.21, 9.45

 

CMYK 0 / 28 / 28 / 2

HEX #F9B4B4

RGB 249 180 180

HSL 0, 0.85%, 0.84%

LAB 79.66, 25.07, 9.96

 

CMYK 0 / 28 / 12 / 2

HEX #F9B4DA

RGB 249 180 218

HSL 326.96, 0.85%, 0.84%

LAB 80.65, 30.68, -9.13

 

CMYK 0 / 28 / 5 / 2

HEX #F9B4ED

RGB 249 180 237

HSL 310.43, 0.85%, 0.84%

LAB 81.23, 33.86, -18.48

 

CMYK 3 / 28 / 0 / 2

HEX #F2B4F9

RGB 242 180 249

HSL 293.91, 0.85%, 0.84%

LAB 80.94, 33.78, -25.44

 

CMYK 10 / 28 / 0 / 2

HEX #DFB4F9

RGB 223 180 249

HSL 277.39, 0.85%, 0.84%

LAB 79.14, 27.82, -28.35

 

CMYK 18 / 28 / 0 / 2

HEX #CDB4F9

RGB 205 180 249

HSL 261.74, 0.85%, 0.84%

LAB 77.56, 22.29, -30.91

 

CMYK 0 / 28 / 12 / 2

HEX #F9B4DA

RGB 249 180 218

HSL 326.96, 0.85%, 0.84%

LAB 80.65, 30.68, -9.13

 

CMYK 0 / 28 / 12 / 2

HEX #F9B4DA

RGB 249 180 218

HSL 326.96, 0.85%, 0.84%

LAB 80.65, 30.68, -9.13

 

CMYK 0 / 23 / 10 / 5

HEX #F2BAD9

RGB 242 186 217

HSL 326.79, 0.68%, 0.84%

LAB 81.29, 24.95, -7.71

 

CMYK 0 / 18 / 8 / 7

HEX #ECC1D9

RGB 236 193 217

HSL 326.51, 0.53%, 0.84%

LAB 82.37, 19.17, -6.18

 

CMYK 0 / 13 / 6 / 10

HEX #E5C7D8

RGB 229 199 216

HSL 326, 0.37%, 0.84%

LAB 83.16, 13.4, -4.55

 

CMYK 0 / 7 / 3 / 13

HEX #DECED7

RGB 222 206 215

HSL 326.25, 0.2%, 0.84%

LAB 84.27, 7.11, -2.46

 

CMYK 3 / 28 / 0 / 2

HEX #F2B4F9

RGB 242 180 249

HSL 293.91, 0.85%, 0.84%

LAB 80.94, 33.78, -25.44

 

CMYK 0 / 28 / 5 / 2

HEX #F9B4ED

RGB 249 180 237

HSL 310.43, 0.85%, 0.84%

LAB 81.23, 33.86, -18.48

 

CMYK 0 / 28 / 12 / 2

HEX #F9B4DB

RGB 249 180 219

HSL 326.09, 0.85%, 0.84%

LAB 80.68, 30.84, -9.62

 

CMYK 0 / 28 / 20 / 2

HEX #F9B4C8

RGB 249 180 200

HSL 342.61, 0.85%, 0.84%

LAB 80.15, 27.89, -0.14

 

CMYK 0 / 28 / 27 / 2

HEX #F9B4B6

RGB 249 180 182

HSL 358.26, 0.85%, 0.84%

LAB 79.7, 25.34, 8.95

 

CMYK 0 / 58 / 26 / 5

HEX #F367B5

RGB 243 103 181

HSL 326.57, 0.85%, 0.68%

LAB 63.42, 61.72, -14.51

 

CMYK 0 / 43 / 19 / 4

HEX #F68DC8

RGB 246 141 200

HSL 326.29, 0.85%, 0.76%

LAB 71.43, 47.15, -13.1

 

CMYK 0 / 28 / 12 / 2

HEX #F9B4DA

RGB 249 180 218

HSL 326.96, 0.85%, 0.84%

LAB 80.65, 30.68, -9.13

 

CMYK 0 / 13 / 6 / 1

HEX #FCDAED

RGB 252 218 237

HSL 326.47, 0.85%, 0.92%

LAB 90.3, 14.88, -4.93

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 28 / 12 / 2

HEX #F9B3DA

RGB 249 179 218

HSL 326.57, 0.85%, 0.84%

LAB 80.43, 31.21, -9.46

 

CMYK 0 / 10 / 28 / 2

HEX #F9DFB4

RGB 249 223 180

HSL 37.39, 0.85%, 0.84%

LAB 89.96, 2.63, 24.37

 

CMYK 28 / 1 / 0 / 2

HEX #B4F7F9

RGB 180 247 249

HSL 181.74, 0.85%, 0.84%

LAB 93.04, -20.24, -7.7

 

CMYK 0 / 28 / 12 / 2

HEX #F9B3DA

RGB 249 179 218

HSL 326.57, 0.85%, 0.84%

LAB 80.43, 31.21, -9.46

 

CMYK 12 / 0 / 28 / 2

HEX #DBF9B4

RGB 219 249 180

HSL 86.09, 0.85%, 0.84%

LAB 94.36, -21.31, 29.99

 

CMYK 28 / 12 / 0 / 2

HEX #B4DBF9

RGB 180 219 249

HSL 206.09, 0.85%, 0.84%

LAB 85.61, -6.08, -18.81

 

CMYK 0 / 28 / 12 / 2

HEX #F9B3DA

RGB 249 179 218

HSL 326.57, 0.85%, 0.84%

LAB 80.43, 31.21, -9.46

 

CMYK 0 / 10 / 28 / 2

HEX #F9DFB4

RGB 249 223 180

HSL 37.39, 0.85%, 0.84%

LAB 89.96, 2.63, 24.37

 

CMYK 28 / 0 / 16 / 2

HEX #B4F9D2

RGB 180 249 210

HSL 146.09, 0.85%, 0.84%

LAB 92.62, -29.2, 11.89

 

CMYK 28 / 18 / 0 / 2

HEX #B4CDF9

RGB 180 205 249

HSL 218.26, 0.85%, 0.84%

LAB 81.95, 1.3, -24.35

 

CMYK 0 / 28 / 12 / 2

HEX #F9B3DA

RGB 249 179 218

HSL 326.57, 0.85%, 0.84%

LAB 80.43, 31.21, -9.46

 

CMYK 0 / 2 / 28 / 2

HEX #F9F4B4

RGB 249 244 180

HSL 55.65, 0.85%, 0.84%

LAB 95.22, -7.98, 31.52

 

CMYK 28 / 0 / 16 / 2

HEX #B4F9D2

RGB 180 249 210

HSL 146.09, 0.85%, 0.84%

LAB 92.62, -29.2, 11.89

 

CMYK 28 / 26 / 0 / 2

HEX #B4B8F9

RGB 180 184 249

HSL 236.52, 0.85%, 0.84%

LAB 76.57, 12.69, -32.59

 

Description

Color code: HEX #F9B3DACE | qconv.com Color code: HEX #F9B3DACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 179 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 179 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 10 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 10% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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