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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 103 181 it is the complementary color RGB 12 152 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 103 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 103 181 shade: RGB 248 103 176, RGB 255 121 195, RGB 255 139 214, RGB 255 157 233 and RGB 255 175 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 103 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 103 181 shade: RGB 243 103 181, RGB 226 85 162, RGB 209 67 143, RGB 192 49 124 and RGB 175 31 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 103 181 shade: RGB 243 104 181, RGB 243 104 144, RGB 243 104 107 and RGB 243 104 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 103 181 shade: RGB 243 104 181, RGB 243 104 219, RGB 229 104 243, RGB 192 104 243 and RGB 155 104 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 103 181 shade matches the following richer shades: RGB 243 104 181

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 103 181 shade: RGB 243 104 181, RGB 230 117 180, RGB 216 130 178, RGB 203 144 177 and RGB 190 157 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 103 181 shade: RGB 229 104 243, RGB 243 104 220, RGB 243 104 183, RGB 243 104 146 and RGB 243 104 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 103 181 shade: RGB 237 28 144, RGB 240 66 163, RGB 243 104 181, RGB 246 142 200 and RGB 249 180 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 103 181 shade: RGB 243 103 181, RGB 243 192 104 and RGB 104 238 243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 103 181 shade: RGB 243 103 181, RGB 183 243 104 and RGB 104 183 243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 103 181 shade: RGB 243 103 181, RGB 243 192 104, RGB 104 243 164 and RGB 104 155 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 103 181 shade: RGB 243 103 181, RGB 243 234 104, RGB 104 243 164 and RGB 104 113 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 26 / 5

HEX #F367B5

RGB 243 103 181

HSL 326.57, 0.85%, 0.68%

LAB 63.42, 61.72, -14.51

 

Complementary color

CMYK 92 / 0 / 51 / 40

HEX #0C984A

RGB 12 152 74

HSL 146.57, 0.85%, 0.32%

LAB 55.1, -51.42, 31.58

 

CMYK 0 / 58 / 29 / 3

HEX #F867B0

RGB 248 103 176

HSL 329.79, 0.91%, 0.69%

LAB 63.99, 62.56, -10.72

 

CMYK 0 / 53 / 24 / 0

HEX #FF79C3

RGB 255 121 195

HSL 326.87, 1%, 0.74%

LAB 68.66, 59.01, -14.35

 

CMYK 0 / 45 / 16 / 0

HEX #FF8BD6

RGB 255 139 214

HSL 321.21, 1%, 0.77%

LAB 72.61, 53.09, -18.94

 

CMYK 0 / 38 / 9 / 0

HEX #FF9DE9

RGB 255 157 233

HSL 313.47, 1%, 0.81%

LAB 76.83, 47.05, -22.93

 

CMYK 0 / 31 / 1 / 0

HEX #FFAFFC

RGB 255 175 252

HSL 302.25, 1%, 0.84%

LAB 81.26, 41.03, -26.43

 

CMYK 0 / 58 / 26 / 5

HEX #F367B5

RGB 243 103 181

HSL 326.57, 0.85%, 0.68%

LAB 63.42, 61.72, -14.51

 

CMYK 0 / 62 / 28 / 11

HEX #E255A2

RGB 226 85 162

HSL 327.23, 0.71%, 0.61%

LAB 57.34, 62.07, -12.98

 

CMYK 0 / 68 / 32 / 18

HEX #D1438F

RGB 209 67 143

HSL 327.89, 0.61%, 0.54%

LAB 51.33, 62.13, -11.11

 

CMYK 0 / 74 / 35 / 25

HEX #C0317C

RGB 192 49 124

HSL 328.53, 0.59%, 0.47%

LAB 45.44, 61.71, -8.78

 

CMYK 0 / 82 / 40 / 31

HEX #AF1F69

RGB 175 31 105

HSL 329.17, 0.7%, 0.4%

LAB 39.77, 60.52, -5.78

 

CMYK 0 / 57 / 26 / 5

HEX #F368B5

RGB 243 104 181

HSL 326.76, 0.85%, 0.68%

LAB 63.58, 61.28, -14.26

 

CMYK 0 / 57 / 41 / 5

HEX #F36890

RGB 243 104 144

HSL 342.73, 0.85%, 0.68%

LAB 62.48, 56.96, 5.33

 

CMYK 0 / 57 / 56 / 5

HEX #F3686B

RGB 243 104 107

HSL 358.71, 0.85%, 0.68%

LAB 61.67, 53.66, 25.47

 

CMYK 0 / 57 / 57 / 5

HEX #F36868

RGB 243 104 104

HSL 0, 0.85%, 0.68%

LAB 61.62, 53.44, 27.11

 

CMYK 0 / 57 / 26 / 5

HEX #F368B5

RGB 243 104 181

HSL 326.76, 0.85%, 0.68%

LAB 63.58, 61.28, -14.26

 

CMYK 0 / 57 / 10 / 5

HEX #F368DB

RGB 243 104 219

HSL 310.36, 0.85%, 0.68%

LAB 65.02, 66.68, -33.51

 

CMYK 6 / 57 / 0 / 5

HEX #E568F3

RGB 229 104 243

HSL 293.96, 0.85%, 0.68%

LAB 64.18, 67.06, -48.29

 

CMYK 21 / 57 / 0 / 5

HEX #C068F3

RGB 192 104 243

HSL 277.99, 0.85%, 0.68%

LAB 59.51, 57.98, -56.01

 

CMYK 36 / 57 / 0 / 5

HEX #9B68F3

RGB 155 104 243

HSL 262.01, 0.85%, 0.68%

LAB 55.42, 49.32, -62.78

 

CMYK 0 / 57 / 26 / 5

HEX #F368B5

RGB 243 104 181

HSL 326.76, 0.85%, 0.68%

LAB 63.58, 61.28, -14.26

 

CMYK 0 / 57 / 26 / 5

HEX #F368B5

RGB 243 104 181

HSL 326.76, 0.85%, 0.68%

LAB 63.58, 61.28, -14.26

 

CMYK 0 / 49 / 22 / 10

HEX #E675B4

RGB 230 117 180

HSL 326.55, 0.69%, 0.68%

LAB 64.03, 51.07, -13.2

 

CMYK 0 / 40 / 18 / 15

HEX #D882B2

RGB 216 130 178

HSL 326.51, 0.52%, 0.68%

LAB 64.79, 39.56, -11.11

 

CMYK 0 / 29 / 13 / 20

HEX #CB90B1

RGB 203 144 177

HSL 326.44, 0.36%, 0.68%

LAB 66.38, 27.37, -8.33

 

CMYK 0 / 17 / 8 / 25

HEX #BE9DAF

RGB 190 157 175

HSL 327.27, 0.2%, 0.68%

LAB 68.14, 15.23, -4.75

 

CMYK 6 / 57 / 0 / 5

HEX #E568F3

RGB 229 104 243

HSL 293.96, 0.85%, 0.68%

LAB 64.18, 67.06, -48.29

 

CMYK 0 / 57 / 9 / 5

HEX #F368DC

RGB 243 104 220

HSL 309.93, 0.85%, 0.68%

LAB 65.06, 66.83, -34

 

CMYK 0 / 57 / 25 / 5

HEX #F368B7

RGB 243 104 183

HSL 325.9, 0.85%, 0.68%

LAB 63.65, 61.54, -15.3

 

CMYK 0 / 57 / 40 / 5

HEX #F36892

RGB 243 104 146

HSL 341.87, 0.85%, 0.68%

LAB 62.53, 57.16, 4.25

 

CMYK 0 / 57 / 55 / 5

HEX #F3686D

RGB 243 104 109

HSL 357.84, 0.85%, 0.68%

LAB 61.71, 53.81, 24.38

 

CMYK 0 / 88 / 39 / 7

HEX #ED1C90

RGB 237 28 144

HSL 326.7, 0.85%, 0.52%

LAB 52.78, 79.38, -9.02

 

CMYK 0 / 73 / 32 / 6

HEX #F042A3

RGB 240 66 163

HSL 326.55, 0.85%, 0.6%

LAB 57.14, 72.98, -13.64

 

CMYK 0 / 57 / 26 / 5

HEX #F368B5

RGB 243 104 181

HSL 326.76, 0.85%, 0.68%

LAB 63.58, 61.28, -14.26

 

CMYK 0 / 42 / 19 / 4

HEX #F68EC8

RGB 246 142 200

HSL 326.54, 0.85%, 0.76%

LAB 71.63, 46.64, -12.79

 

CMYK 0 / 28 / 12 / 2

HEX #F9B4DB

RGB 249 180 219

HSL 326.09, 0.85%, 0.84%

LAB 80.68, 30.84, -9.62

 

CMYK 0 / 58 / 26 / 5

HEX #F367B5

RGB 243 103 181

HSL 326.57, 0.85%, 0.68%

LAB 63.42, 61.72, -14.51

 

CMYK 0 / 21 / 57 / 5

HEX #F3C068

RGB 243 192 104

HSL 37.99, 0.85%, 0.68%

LAB 80.6, 8.47, 50.69

 

CMYK 57 / 2 / 0 / 5

HEX #68EEF3

RGB 104 238 243

HSL 182.16, 0.85%, 0.68%

LAB 87.27, -35, -13.49

 

CMYK 0 / 58 / 26 / 5

HEX #F367B5

RGB 243 103 181

HSL 326.57, 0.85%, 0.68%

LAB 63.42, 61.72, -14.51

 

CMYK 25 / 0 / 57 / 5

HEX #B7F368

RGB 183 243 104

HSL 85.9, 0.85%, 0.68%

LAB 89.47, -40.3, 59.78

 

CMYK 57 / 25 / 0 / 5

HEX #68B7F3

RGB 104 183 243

HSL 205.9, 0.85%, 0.68%

LAB 71.75, -7.24, -37.18

 

CMYK 0 / 58 / 26 / 5

HEX #F367B5

RGB 243 103 181

HSL 326.57, 0.85%, 0.68%

LAB 63.42, 61.72, -14.51

 

CMYK 0 / 21 / 57 / 5

HEX #F3C068

RGB 243 192 104

HSL 37.99, 0.85%, 0.68%

LAB 80.6, 8.47, 50.69

 

CMYK 57 / 0 / 33 / 5

HEX #68F3A4

RGB 104 243 164

HSL 145.9, 0.85%, 0.68%

LAB 86.86, -55.24, 27.02

 

CMYK 57 / 36 / 0 / 5

HEX #689BF3

RGB 104 155 243

HSL 217.99, 0.85%, 0.68%

LAB 64.04, 8.55, -49.25

 

CMYK 0 / 58 / 26 / 5

HEX #F367B5

RGB 243 103 181

HSL 326.57, 0.85%, 0.68%

LAB 63.42, 61.72, -14.51

 

CMYK 0 / 4 / 57 / 5

HEX #F3EA68

RGB 243 234 104

HSL 56.12, 0.85%, 0.68%

LAB 91.19, -12.9, 62.84

 

CMYK 57 / 0 / 33 / 5

HEX #68F3A4

RGB 104 243 164

HSL 145.9, 0.85%, 0.68%

LAB 86.86, -55.24, 27.02

 

CMYK 57 / 53 / 0 / 5

HEX #6871F3

RGB 104 113 243

HSL 236.12, 0.85%, 0.68%

LAB 53.19, 33.61, -66.59

 

Description

Color code: RGB 243 103 181 | qconv.com Color code: RGB 243 103 181 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 103 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 103 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 26 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 26% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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