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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9B33D it is the complementary color #064CC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9B33D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F9B33D: #FEB338, #FFC54B, #FFD75E, #FFE971 and #FFFB84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9B33D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F9B33D: #F9B33D, #E8A12A, #D78F17, #C67D04 and #B56B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 76 / 2

HEX #F9B33D

RGB 249 179 61

HSL 37.66, 0.94%, 0.61%

LAB 77.71, 15.33, 66.65

 

Complementary color

CMYK 97 / 61 / 0 / 24

HEX #064CC2

RGB 6 76 194

HSL 217.66, 0.94%, 0.39%

LAB 36.18, 28.65, -66.51

 

CMYK 0 / 30 / 78 / 0

HEX #FEB338

RGB 254 179 56

HSL 37.27, 0.99%, 0.61%

LAB 78.23, 17.24, 69.18

 

CMYK 0 / 23 / 71 / 0

HEX #FFC54B

RGB 255 197 75

HSL 40.67, 1%, 0.65%

LAB 82.75, 9.08, 66.35

 

CMYK 0 / 16 / 63 / 0

HEX #FFD75E

RGB 255 215 94

HSL 45.09, 1%, 0.68%

LAB 87.32, 0.86, 63.2

 

CMYK 0 / 9 / 56 / 0

HEX #FFE971

RGB 255 233 113

HSL 50.7, 1%, 0.72%

LAB 92.01, -6.92, 60.05

 

CMYK 0 / 2 / 48 / 0

HEX #FFFB84

RGB 255 251 132

HSL 58.05, 1%, 0.76%

LAB 96.79, -14.26, 56.99

 

CMYK 0 / 28 / 76 / 2

HEX #F9B33D

RGB 249 179 61

HSL 37.66, 0.94%, 0.61%

LAB 77.71, 15.33, 66.65

 

CMYK 0 / 31 / 82 / 9

HEX #E8A12A

RGB 232 161 42

HSL 37.58, 0.81%, 0.54%

LAB 71.43, 16.97, 66.95

 

CMYK 0 / 33 / 89 / 16

HEX #D78F17

RGB 215 143 23

HSL 37.5, 0.81%, 0.47%

LAB 65.08, 18.84, 66.32

 

CMYK 0 / 37 / 98 / 22

HEX #C67D04

RGB 198 125 4

HSL 37.42, 0.96%, 0.4%

LAB 58.68, 20.96, 64.27

 

CMYK 0 / 41 / 100 / 29

HEX #B56B00

RGB 181 107 0

HSL 35.47, 1%, 0.35%

LAB 52.22, 23.36, 59.7

 

CMYK 0 / 28 / 76 / 2

HEX #F9B33D

RGB 249 179 61

HSL 37.66, 0.94%, 0.61%

LAB 77.71, 15.33, 66.65

 

CMYK 0 / 16 / 75 / 2

HEX #F9D03E

RGB 249 208 62

HSL 46.84, 0.94%, 0.61%

LAB 84.79, 0.33, 73.01

 

CMYK 0 / 4 / 75 / 2

HEX #F9EF3E

RGB 249 239 62

HSL 56.79, 0.94%, 0.61%

LAB 92.67, -15.16, 80.32

 

CMYK 9 / 0 / 75 / 2

HEX #E3F93E

RGB 227 249 62

HSL 67.06, 0.94%, 0.61%

LAB 93.64, -28.86, 80.59

 

CMYK 21 / 0 / 75 / 2

HEX #C4F93E

RGB 196 249 62

HSL 77.01, 0.94%, 0.61%

LAB 91.61, -40.94, 77.98

 

CMYK 0 / 28 / 76 / 2

HEX #F9B33D

RGB 249 179 61

HSL 37.66, 0.94%, 0.61%

LAB 77.71, 15.33, 66.65

 

CMYK 0 / 29 / 76 / 82

HEX #2D200B

RGB 45 32 11

HSL 37.06, 0.61%, 0.11%

LAB 13.32, 3.32, 15.23

 

CMYK 0 / 28 / 75 / 62

HEX #604518

RGB 96 69 24

HSL 37.5, 0.6%, 0.24%

LAB 31.37, 6.57, 30.69

 

CMYK 0 / 28 / 76 / 42

HEX #936A24

RGB 147 106 36

HSL 37.84, 0.61%, 0.36%

LAB 47.8, 9.47, 43.75

 

CMYK 0 / 28 / 75 / 22

HEX #C68E31

RGB 198 142 49

HSL 37.45, 0.6%, 0.48%

LAB 62.99, 12.78, 55.19

 

CMYK 0 / 28 / 76 / 2

HEX #F9B33D

RGB 249 179 61

HSL 37.66, 0.94%, 0.61%

LAB 77.71, 15.33, 66.65

 

CMYK 61 / 0 / 75 / 2

HEX #60F93E

RGB 96 249 62

HSL 109.09, 0.94%, 0.61%

LAB 87.28, -71.84, 72.32

 

CMYK 59 / 75 / 0 / 2

HEX #663EF9

RGB 102 62 249

HSL 252.83, 0.94%, 0.61%

LAB 42.93, 63.35, -86.7

 

CMYK 0 / 28 / 76 / 2

HEX #F9B33D

RGB 249 179 61

HSL 37.66, 0.94%, 0.61%

LAB 77.71, 15.33, 66.65

 

CMYK 75 / 0 / 29 / 2

HEX #3EF9B1

RGB 62 249 177

HSL 156.9, 0.94%, 0.61%

LAB 87.94, -61.84, 21.72

 

CMYK 29 / 75 / 0 / 2

HEX #B13EF9

RGB 177 62 249

HSL 276.9, 0.94%, 0.61%

LAB 51.42, 74.33, -72.47

 

CMYK 0 / 28 / 76 / 2

HEX #F9B33D

RGB 249 179 61

HSL 37.66, 0.94%, 0.61%

LAB 77.71, 15.33, 66.65

 

CMYK 61 / 0 / 75 / 2

HEX #60F93E

RGB 96 249 62

HSL 109.09, 0.94%, 0.61%

LAB 87.28, -71.84, 72.32

 

CMYK 75 / 47 / 0 / 2

HEX #3E85F9

RGB 62 133 249

HSL 217.22, 0.94%, 0.61%

LAB 56.72, 17.14, -64.33

 

CMYK 14 / 75 / 0 / 2

HEX #D63EF9

RGB 214 62 249

HSL 288.77, 0.94%, 0.61%

LAB 56.66, 80.92, -63.73

 

CMYK 0 / 28 / 76 / 2

HEX #F9B33D

RGB 249 179 61

HSL 37.66, 0.94%, 0.61%

LAB 77.71, 15.33, 66.65

 

CMYK 75 / 0 / 67 / 2

HEX #3EF953

RGB 62 249 83

HSL 126.74, 0.94%, 0.61%

LAB 86.7, -76.21, 64.13

 

CMYK 75 / 47 / 0 / 2

HEX #3E85F9

RGB 62 133 249

HSL 217.22, 0.94%, 0.61%

LAB 56.72, 17.14, -64.33

 

CMYK 0 / 75 / 9 / 2

HEX #F93EE3

RGB 249 62 227

HSL 307.06, 0.94%, 0.61%

LAB 60.9, 84.33, -44.37

 

Description

Color code: HEX #F9B33D | qconv.com Color code: HEX #F9B33D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 179 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 179 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 76 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 76% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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