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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9933F it is the complementary color #066CC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9933F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9933F shade: #FE933A, #FFA54D, #FFB760, #FFC973 and #FFDB86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9933F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9933F shade: #F9933F, #E8812C, #D76F19, #C65D06 and #B54B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9933F shade: #F9933E, #F9603E and #F93E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9933F shade: #F9933E, #F9C53E, #F9F73E, #C8F93E and #96F93E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9933F shade matches the following richer shades: #F9933E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9933F shade: #F9933E, #E9944E, #D9965E, #C9976E and #B9997E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9933F shade: #F93E4E, #F9603E, #F9923E, #F9C43E and #F9F63E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9933F shade: #DE6807, #F87C16, #F9933E, #FAA966 and #FCC08E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9933F shade: #F9933F, #80F93E and #473EF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9933F shade: #F9933F, #3EF992 and #923EF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9933F shade: #F9933F, #80F93E, #3EA5F9 and #B83EF9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9933F shade: #F9933F, #47F93E, #3EA5F9 and #F03EF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 75 / 2

HEX #F9933F

RGB 249 147 63

HSL 27.1, 0.94%, 0.61%

LAB 70.43, 32.14, 58.69

 

Complementary color

CMYK 97 / 44 / 0 / 25

HEX #066CC0

RGB 6 108 192

HSL 207.1, 0.94%, 0.39%

LAB 45.04, 6.81, -50.98

 

CMYK 0 / 42 / 77 / 0

HEX #FE933A

RGB 254 147 58

HSL 27.24, 0.99%, 0.61%

LAB 71.04, 33.96, 61.63

 

CMYK 0 / 35 / 70 / 0

HEX #FFA54D

RGB 255 165 77

HSL 29.66, 1%, 0.65%

LAB 75.27, 25.86, 57.71

 

CMYK 0 / 28 / 62 / 0

HEX #FFB760

RGB 255 183 96

HSL 32.83, 1%, 0.69%

LAB 79.6, 17.54, 53.67

 

CMYK 0 / 21 / 55 / 0

HEX #FFC973

RGB 255 201 115

HSL 36.86, 1%, 0.73%

LAB 84.11, 9.52, 49.82

 

CMYK 0 / 14 / 47 / 0

HEX #FFDB86

RGB 255 219 134

HSL 42.15, 1%, 0.76%

LAB 88.75, 1.88, 46.22

 

CMYK 0 / 41 / 75 / 2

HEX #F9933F

RGB 249 147 63

HSL 27.1, 0.94%, 0.61%

LAB 70.43, 32.14, 58.69

 

CMYK 0 / 44 / 81 / 9

HEX #E8812C

RGB 232 129 44

HSL 27.13, 0.8%, 0.54%

LAB 64.19, 33.92, 59.82

 

CMYK 0 / 48 / 88 / 16

HEX #D76F19

RGB 215 111 25

HSL 27.16, 0.79%, 0.47%

LAB 57.93, 35.87, 60.26

 

CMYK 0 / 53 / 97 / 22

HEX #C65D06

RGB 198 93 6

HSL 27.19, 0.94%, 0.4%

LAB 51.66, 37.98, 59.31

 

CMYK 0 / 59 / 100 / 29

HEX #B54B00

RGB 181 75 0

HSL 24.86, 1%, 0.35%

LAB 45.44, 40.18, 55.64

 

CMYK 0 / 41 / 75 / 2

HEX #F9933E

RGB 249 147 62

HSL 27.27, 0.94%, 0.61%

LAB 70.42, 32.1, 59.12

 

CMYK 0 / 61 / 75 / 2

HEX #F9603E

RGB 249 96 62

HSL 10.91, 0.94%, 0.61%

LAB 60.65, 56.74, 49.09

 

CMYK 0 / 75 / 75 / 2

HEX #F93E3E

RGB 249 62 62

HSL 0, 0.94%, 0.61%

LAB 56.02, 69.37, 44.12

 

CMYK 0 / 41 / 75 / 2

HEX #F9933E

RGB 249 147 62

HSL 27.27, 0.94%, 0.61%

LAB 70.42, 32.1, 59.12

 

CMYK 0 / 21 / 75 / 2

HEX #F9C53E

RGB 249 197 62

HSL 43.32, 0.94%, 0.61%

LAB 82.07, 5.99, 70.44

 

CMYK 0 / 1 / 75 / 2

HEX #F9F73E

RGB 249 247 62

HSL 59.36, 0.94%, 0.61%

LAB 94.74, -19.03, 82.21

 

CMYK 20 / 0 / 75 / 2

HEX #C8F93E

RGB 200 249 62

HSL 75.72, 0.94%, 0.61%

LAB 91.85, -39.42, 78.29

 

CMYK 40 / 0 / 75 / 2

HEX #96F93E

RGB 150 249 62

HSL 91.76, 0.94%, 0.61%

LAB 89.2, -57.15, 74.83

 

CMYK 0 / 41 / 75 / 2

HEX #F9933E

RGB 249 147 62

HSL 27.27, 0.94%, 0.61%

LAB 70.42, 32.1, 59.12

 

CMYK 0 / 41 / 75 / 2

HEX #F9933E

RGB 249 147 62

HSL 27.27, 0.94%, 0.61%

LAB 70.42, 32.1, 59.12

 

CMYK 0 / 36 / 67 / 9

HEX #E9944E

RGB 233 148 78

HSL 27.1, 0.78%, 0.61%

LAB 68.79, 25.86, 49.39

 

CMYK 0 / 31 / 57 / 15

HEX #D9965E

RGB 217 150 94

HSL 27.32, 0.62%, 0.61%

LAB 67.56, 19.3, 39.38

 

CMYK 0 / 25 / 45 / 21

HEX #C9976E

RGB 201 151 110

HSL 27.03, 0.46%, 0.61%

LAB 66.27, 13.62, 28.85

 

CMYK 0 / 17 / 32 / 27

HEX #B9997E

RGB 185 153 126

HSL 27.46, 0.3%, 0.61%

LAB 65.44, 7.92, 18.66

 

CMYK 0 / 75 / 69 / 2

HEX #F93E4E

RGB 249 62 78

HSL 354.87, 0.94%, 0.61%

LAB 56.22, 70.03, 35.37

 

CMYK 0 / 61 / 75 / 2

HEX #F9603E

RGB 249 96 62

HSL 10.91, 0.94%, 0.61%

LAB 60.65, 56.74, 49.09

 

CMYK 0 / 41 / 75 / 2

HEX #F9923E

RGB 249 146 62

HSL 26.95, 0.94%, 0.61%

LAB 70.21, 32.62, 58.9

 

CMYK 0 / 21 / 75 / 2

HEX #F9C43E

RGB 249 196 62

HSL 42.99, 0.94%, 0.61%

LAB 81.82, 6.51, 70.21

 

CMYK 0 / 1 / 75 / 2

HEX #F9F63E

RGB 249 246 62

HSL 59.04, 0.94%, 0.61%

LAB 94.48, -18.55, 81.97

 

CMYK 0 / 53 / 97 / 13

HEX #DE6807

RGB 222 104 7

HSL 27.07, 0.94%, 0.45%

LAB 57.51, 41.93, 64.62

 

CMYK 0 / 50 / 91 / 3

HEX #F87C16

RGB 248 124 22

HSL 27.08, 0.94%, 0.53%

LAB 65.3, 42.3, 68.67

 

CMYK 0 / 41 / 75 / 2

HEX #F9933E

RGB 249 147 62

HSL 27.27, 0.94%, 0.61%

LAB 70.42, 32.1, 59.12

 

CMYK 0 / 32 / 59 / 2

HEX #FAA966

RGB 250 169 102

HSL 27.16, 0.94%, 0.69%

LAB 75.86, 23.25, 46.22

 

CMYK 0 / 24 / 44 / 1

HEX #FCC08E

RGB 252 192 142

HSL 27.27, 0.95%, 0.77%

LAB 82.03, 15.43, 33.49

 

CMYK 0 / 41 / 75 / 2

HEX #F9933F

RGB 249 147 63

HSL 27.1, 0.94%, 0.61%

LAB 70.43, 32.14, 58.69

 

CMYK 49 / 0 / 75 / 2

HEX #80F93E

RGB 128 249 62

HSL 98.82, 0.94%, 0.61%

LAB 88.3, -63.81, 73.66

 

CMYK 71 / 75 / 0 / 2

HEX #473EF9

RGB 71 62 249

HSL 242.89, 0.94%, 0.61%

LAB 40.61, 60.25, -90.6

 

CMYK 0 / 41 / 75 / 2

HEX #F9933F

RGB 249 147 63

HSL 27.1, 0.94%, 0.61%

LAB 70.43, 32.14, 58.69

 

CMYK 75 / 0 / 41 / 2

HEX #3EF992

RGB 62 249 146

HSL 146.95, 0.94%, 0.61%

LAB 87.41, -67.8, 36.62

 

CMYK 41 / 75 / 0 / 2

HEX #923EF9

RGB 146 62 249

HSL 266.95, 0.94%, 0.61%

LAB 47.49, 69.31, -79.04

 

CMYK 0 / 41 / 75 / 2

HEX #F9933F

RGB 249 147 63

HSL 27.1, 0.94%, 0.61%

LAB 70.43, 32.14, 58.69

 

CMYK 49 / 0 / 75 / 2

HEX #80F93E

RGB 128 249 62

HSL 98.82, 0.94%, 0.61%

LAB 88.3, -63.81, 73.66

 

CMYK 75 / 34 / 0 / 2

HEX #3EA5F9

RGB 62 165 249

HSL 206.95, 0.94%, 0.61%

LAB 65.57, -1.82, -50.21

 

CMYK 26 / 75 / 0 / 2

HEX #B83EF9

RGB 184 62 249

HSL 279.14, 0.94%, 0.61%

LAB 52.37, 75.54, -70.88

 

CMYK 0 / 41 / 75 / 2

HEX #F9933F

RGB 249 147 63

HSL 27.1, 0.94%, 0.61%

LAB 70.43, 32.14, 58.69

 

CMYK 71 / 0 / 75 / 2

HEX #47F93E

RGB 71 249 62

HSL 117.11, 0.94%, 0.61%

LAB 86.72, -76.55, 71.58

 

CMYK 75 / 34 / 0 / 2

HEX #3EA5F9

RGB 62 165 249

HSL 206.95, 0.94%, 0.61%

LAB 65.57, -1.82, -50.21

 

CMYK 4 / 75 / 0 / 2

HEX #F03EF9

RGB 240 62 249

HSL 297.11, 0.94%, 0.61%

LAB 60.61, 85.81, -57.19

 

Description

Color code: HEX #F9933F | qconv.com Color code: HEX #F9933F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 147 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 147 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 75 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 75% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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