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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F99069 it is the complementary color #066F96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F99069. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F99069 shade: #FE9064, #FFA277, #FFB48A, #FFC69D and #FFD8B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F99069. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F99069 shade: #F99069, #E87E56, #D76C43, #C65A30 and #B5481D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F99069 shade: #F98F67 and #F96767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F99069 shade: #F98F67, #F9B667, #F9DD67, #EDF967 and #C6F967

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F99069 shade matches the following richer shades: #F98F67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F99069 shade: #F98F67, #EC9474, #DF9A81, #D2A08E and #C6A69A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F99069 shade: #F9678E, #F96767, #F98E67, #F9B567 and #F9DC67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F99069 shade: #F55418, #F77140, #F98F67, #FAAC8F and #FCC9B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F99069 shade: #F99069, #B5F967 and #677BF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F99069 shade: #F99069, #67F98E and #8E67F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F99069 shade: #F99069, #B5F967, #67D2F9 and #AB67F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F99069 shade: #F99069, #89F967, #67D2F9 and #D767F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 58 / 2

HEX #F99069

RGB 249 144 105

HSL 16.25, 0.92%, 0.69%

LAB 70.25, 36.09, 37.78

 

Complementary color

CMYK 96 / 26 / 0 / 41

HEX #066F96

RGB 6 111 150

HSL 196.25, 0.92%, 0.31%

LAB 43.67, -11.59, -28.54

 

CMYK 0 / 43 / 61 / 0

HEX #FE9064

RGB 254 144 100

HSL 17.14, 0.99%, 0.69%

LAB 70.83, 37.66, 41.27

 

CMYK 0 / 36 / 53 / 0

HEX #FFA277

RGB 255 162 119

HSL 18.97, 1%, 0.73%

LAB 75.1, 30.19, 36.64

 

CMYK 0 / 29 / 46 / 0

HEX #FFB48A

RGB 255 180 138

HSL 21.54, 1%, 0.77%

LAB 79.46, 22.49, 32.28

 

CMYK 0 / 22 / 38 / 0

HEX #FFC69D

RGB 255 198 157

HSL 25.1, 1%, 0.81%

LAB 84.01, 15.06, 28.35

 

CMYK 0 / 15 / 31 / 0

HEX #FFD8B0

RGB 255 216 176

HSL 30.38, 1%, 0.85%

LAB 88.69, 7.97, 24.79

 

CMYK 0 / 42 / 58 / 2

HEX #F99069

RGB 249 144 105

HSL 16.25, 0.92%, 0.69%

LAB 70.25, 36.09, 37.78

 

CMYK 0 / 46 / 63 / 9

HEX #E87E56

RGB 232 126 86

HSL 16.44, 0.76%, 0.62%

LAB 63.96, 37.46, 39.66

 

CMYK 0 / 50 / 69 / 16

HEX #D76C43

RGB 215 108 67

HSL 16.62, 0.65%, 0.55%

LAB 57.63, 38.94, 41.7

 

CMYK 0 / 55 / 76 / 22

HEX #C65A30

RGB 198 90 48

HSL 16.8, 0.61%, 0.48%

LAB 51.3, 40.51, 43.86

 

CMYK 0 / 60 / 84 / 29

HEX #B5481D

RGB 181 72 29

HSL 16.97, 0.72%, 0.41%

LAB 45.01, 42.14, 45.93

 

CMYK 0 / 43 / 59 / 2

HEX #F98F67

RGB 249 143 103

HSL 16.44, 0.92%, 0.69%

LAB 70.01, 36.46, 38.54

 

CMYK 0 / 59 / 59 / 2

HEX #F96767

RGB 249 103 103

HSL 0, 0.92%, 0.69%

LAB 62.35, 55.86, 28.82

 

CMYK 0 / 43 / 59 / 2

HEX #F98F67

RGB 249 143 103

HSL 16.44, 0.92%, 0.69%

LAB 70.01, 36.46, 38.54

 

CMYK 0 / 27 / 59 / 2

HEX #F9B667

RGB 249 182 103

HSL 32.47, 0.92%, 0.69%

LAB 78.8, 16.09, 49.19

 

CMYK 0 / 11 / 59 / 2

HEX #F9DD67

RGB 249 221 103

HSL 48.49, 0.92%, 0.69%

LAB 88.37, -4.05, 60.25

 

CMYK 5 / 0 / 59 / 2

HEX #EDF967

RGB 237 249 103

HSL 64.93, 0.92%, 0.69%

LAB 94.63, -22.63, 66.94

 

CMYK 20 / 0 / 59 / 2

HEX #C6F967

RGB 198 249 103

HSL 80.96, 0.92%, 0.69%

LAB 92.01, -37.59, 63.32

 

CMYK 0 / 43 / 59 / 2

HEX #F98F67

RGB 249 143 103

HSL 16.44, 0.92%, 0.69%

LAB 70.01, 36.46, 38.54

 

CMYK 0 / 43 / 59 / 2

HEX #F98F67

RGB 249 143 103

HSL 16.44, 0.92%, 0.69%

LAB 70.01, 36.46, 38.54

 

CMYK 0 / 37 / 51 / 7

HEX #EC9474

RGB 236 148 116

HSL 16, 0.76%, 0.69%

LAB 69.66, 29.85, 30.79

 

CMYK 0 / 31 / 42 / 13

HEX #DF9A81

RGB 223 154 129

HSL 15.96, 0.59%, 0.69%

LAB 69.74, 22.84, 23.53

 

CMYK 0 / 24 / 32 / 18

HEX #D2A08E

RGB 210 160 142

HSL 15.88, 0.43%, 0.69%

LAB 70.03, 16.05, 16.56

 

CMYK 0 / 16 / 22 / 22

HEX #C6A69A

RGB 198 166 154

HSL 16.36, 0.28%, 0.69%

LAB 70.6, 9.83, 10.57

 

CMYK 0 / 59 / 43 / 2

HEX #F9678E

RGB 249 103 142

HSL 343.97, 0.92%, 0.69%

LAB 63.17, 59.11, 7.59

 

CMYK 0 / 59 / 59 / 2

HEX #F96767

RGB 249 103 103

HSL 0, 0.92%, 0.69%

LAB 62.35, 55.86, 28.82

 

CMYK 0 / 43 / 59 / 2

HEX #F98E67

RGB 249 142 103

HSL 16.03, 0.92%, 0.69%

LAB 69.8, 36.97, 38.28

 

CMYK 0 / 27 / 59 / 2

HEX #F9B567

RGB 249 181 103

HSL 32.05, 0.92%, 0.69%

LAB 78.56, 16.61, 48.91

 

CMYK 0 / 12 / 59 / 2

HEX #F9DC67

RGB 249 220 103

HSL 48.08, 0.92%, 0.69%

LAB 88.12, -3.55, 59.97

 

CMYK 0 / 66 / 90 / 4

HEX #F55418

RGB 245 84 24

HSL 16.29, 0.92%, 0.53%

LAB 57.86, 59.38, 62.65

 

CMYK 0 / 54 / 74 / 3

HEX #F77140

RGB 247 113 64

HSL 16.07, 0.92%, 0.61%

LAB 63.31, 48.41, 50.8

 

CMYK 0 / 43 / 59 / 2

HEX #F98F67

RGB 249 143 103

HSL 16.44, 0.92%, 0.69%

LAB 70.01, 36.46, 38.54

 

CMYK 0 / 31 / 43 / 2

HEX #FAAC8F

RGB 250 172 143

HSL 16.26, 0.91%, 0.77%

LAB 77.17, 25.26, 26.47

 

CMYK 0 / 20 / 28 / 1

HEX #FCC9B6

RGB 252 201 182

HSL 16.29, 0.92%, 0.85%

LAB 84.92, 15.41, 16.37

 

CMYK 0 / 42 / 58 / 2

HEX #F99069

RGB 249 144 105

HSL 16.25, 0.92%, 0.69%

LAB 70.25, 36.09, 37.78

 

CMYK 27 / 0 / 59 / 2

HEX #B5F967

RGB 181 249 103

HSL 87.95, 0.92%, 0.69%

LAB 91.03, -43.73, 61.95

 

CMYK 59 / 51 / 0 / 2

HEX #677BF9

RGB 103 123 249

HSL 231.78, 0.92%, 0.69%

LAB 55.98, 29.34, -65.43

 

CMYK 0 / 42 / 58 / 2

HEX #F99069

RGB 249 144 105

HSL 16.25, 0.92%, 0.69%

LAB 70.25, 36.09, 37.78

 

CMYK 59 / 0 / 43 / 2

HEX #67F98E

RGB 103 249 142

HSL 136.03, 0.92%, 0.69%

LAB 88.25, -61.54, 39.85

 

CMYK 43 / 59 / 0 / 2

HEX #8E67F9

RGB 142 103 249

HSL 256.03, 0.92%, 0.69%

LAB 54.33, 48.63, -67.93

 

CMYK 0 / 42 / 58 / 2

HEX #F99069

RGB 249 144 105

HSL 16.25, 0.92%, 0.69%

LAB 70.25, 36.09, 37.78

 

CMYK 27 / 0 / 59 / 2

HEX #B5F967

RGB 181 249 103

HSL 87.95, 0.92%, 0.69%

LAB 91.03, -43.73, 61.95

 

CMYK 59 / 16 / 0 / 2

HEX #67D2F9

RGB 103 210 249

HSL 196.03, 0.92%, 0.69%

LAB 79.51, -19.86, -28.42

 

CMYK 31 / 59 / 0 / 2

HEX #AB67F9

RGB 171 103 249

HSL 267.95, 0.92%, 0.69%

LAB 57.27, 54.92, -63.06

 

CMYK 0 / 42 / 58 / 2

HEX #F99069

RGB 249 144 105

HSL 16.25, 0.92%, 0.69%

LAB 70.25, 36.09, 37.78

 

CMYK 45 / 0 / 59 / 2

HEX #89F967

RGB 137 249 103

HSL 106.03, 0.92%, 0.69%

LAB 88.95, -57.98, 59.02

 

CMYK 59 / 16 / 0 / 2

HEX #67D2F9

RGB 103 210 249

HSL 196.03, 0.92%, 0.69%

LAB 79.51, -19.86, -28.42

 

CMYK 14 / 59 / 0 / 2

HEX #D767F9

RGB 215 103 249

HSL 286.03, 0.92%, 0.69%

LAB 62.5, 65.21, -54.4

 

Description

Color code: HEX #F99069 | qconv.com Color code: HEX #F99069 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 144 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 144 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 58 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 58% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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