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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 16 / 22 / 22 it is the complementary color CMYK 44 / 12 / 0 / 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 16 / 22 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 16 / 22 / 22: CMYK 0 / 18 / 26 / 20, CMYK 0 / 16 / 24 / 13, CMYK 0 / 15 / 21 / 7, CMYK 0 / 13 / 19 / 0 and CMYK 0 / 6 / 11 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 16 / 22 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 16 / 22 / 22: CMYK 0 / 16 / 22 / 22, CMYK 0 / 18 / 25 / 29, CMYK 0 / 21 / 29 / 35, CMYK 0 / 24 / 34 / 42 and CMYK 0 / 27 / 40 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 22 / 22

HEX #C7A79B

RGB 199 167 155

HSL 16.36, 0.28%, 0.69%

LAB 70.97, 9.82, 10.56

 

Complementary color

CMYK 44 / 12 / 0 / 61

HEX #385864

RGB 56 88 100

HSL 196.36, 0.28%, 0.31%

LAB 35.48, -8.19, -10.61

 

CMYK 0 / 18 / 26 / 20

HEX #CCA796

RGB 204 167 150

HSL 18.89, 0.35%, 0.69%

LAB 71.34, 11.01, 13.89

 

CMYK 0 / 16 / 24 / 13

HEX #DDB9A9

RGB 221 185 169

HSL 18.46, 0.43%, 0.76%

LAB 77.84, 10.49, 12.93

 

CMYK 0 / 15 / 21 / 7

HEX #EECBBC

RGB 238 203 188

HSL 18, 0.6%, 0.84%

LAB 84.24, 10.03, 12.04

 

CMYK 0 / 13 / 19 / 0

HEX #FFDDCF

RGB 255 221 207

HSL 17.5, 1%, 0.91%

LAB 90.54, 9.61, 11.2

 

CMYK 0 / 6 / 11 / 0

HEX #FFEFE2

RGB 255 239 226

HSL 26.9, 1%, 0.94%

LAB 95.36, 3.27, 8.21

 

CMYK 0 / 16 / 22 / 22

HEX #C7A79B

RGB 199 167 155

HSL 16.36, 0.28%, 0.69%

LAB 70.97, 9.82, 10.56

 

CMYK 0 / 18 / 25 / 29

HEX #B69588

RGB 182 149 136

HSL 16.96, 0.24%, 0.62%

LAB 64.34, 10.33, 11.5

 

CMYK 0 / 21 / 29 / 35

HEX #A58375

RGB 165 131 117

HSL 17.5, 0.21%, 0.55%

LAB 57.58, 10.92, 12.52

 

CMYK 0 / 24 / 34 / 42

HEX #947162

RGB 148 113 98

HSL 18, 0.2%, 0.48%

LAB 50.67, 11.6, 13.65

 

CMYK 0 / 27 / 40 / 49

HEX #835F4F

RGB 131 95 79

HSL 18.46, 0.25%, 0.41%

LAB 43.62, 12.41, 14.92

 

CMYK 0 / 16 / 22 / 22

HEX #C7A79B

RGB 199 167 155

HSL 16.36, 0.28%, 0.69%

LAB 70.97, 9.82, 10.56

 

CMYK 0 / 13 / 23 / 22

HEX #C6AC99

RGB 198 172 153

HSL 25.33, 0.28%, 0.69%

LAB 72.1, 6.43, 13.24

 

CMYK 0 / 9 / 23 / 22

HEX #C6B499

RGB 198 180 153

HSL 36, 0.28%, 0.69%

LAB 74.16, 2.13, 16.12

 

CMYK 0 / 6 / 23 / 22

HEX #C6BB99

RGB 198 187 153

HSL 45.33, 0.28%, 0.69%

LAB 75.97, -1.59, 18.65

 

CMYK 0 / 2 / 23 / 22

HEX #C6C399

RGB 198 195 153

HSL 56, 0.28%, 0.69%

LAB 78.07, -5.79, 21.54

 

CMYK 0 / 16 / 22 / 22

HEX #C7A79B

RGB 199 167 155

HSL 16.36, 0.28%, 0.69%

LAB 70.97, 9.82, 10.56

 

CMYK 0 / 16 / 22 / 2

HEX #FAD2C3

RGB 250 210 195

HSL 16.36, 0.85%, 0.87%

LAB 87.17, 11.76, 12.65

 

CMYK 0 / 15 / 22 / 82

HEX #2E2724

RGB 46 39 36

HSL 18, 0.12%, 0.16%

LAB 16.3, 2.63, 3.18

 

CMYK 0 / 16 / 22 / 62

HEX #61514C

RGB 97 81 76

HSL 14.29, 0.12%, 0.34%

LAB 35.88, 5.74, 5.41

 

CMYK 0 / 16 / 22 / 42

HEX #947C73

RGB 148 124 115

HSL 16.36, 0.13%, 0.52%

LAB 53.97, 7.76, 8.35

 

CMYK 0 / 16 / 22 / 22

HEX #C7A79B

RGB 199 167 155

HSL 16.36, 0.28%, 0.69%

LAB 70.97, 9.82, 10.56

 

CMYK 11 / 0 / 23 / 22

HEX #B1C699

RGB 177 198 153

HSL 88, 0.28%, 0.69%

LAB 77.3, -15.15, 20.23

 

CMYK 23 / 20 / 0 / 22

HEX #999FC6

RGB 153 159 198

HSL 232, 0.28%, 0.69%

LAB 66.25, 6.33, -20.71

 

CMYK 0 / 16 / 22 / 22

HEX #C7A79B

RGB 199 167 155

HSL 16.36, 0.28%, 0.69%

LAB 70.97, 9.82, 10.56

 

CMYK 23 / 0 / 17 / 22

HEX #99C6A5

RGB 153 198 165

HSL 136, 0.28%, 0.69%

LAB 75.99, -21.45, 11.75

 

CMYK 17 / 23 / 0 / 22

HEX #A599C6

RGB 165 153 198

HSL 256, 0.28%, 0.69%

LAB 65.64, 13.52, -21.55

 

CMYK 0 / 16 / 22 / 22

HEX #C7A79B

RGB 199 167 155

HSL 16.36, 0.28%, 0.69%

LAB 70.97, 9.82, 10.56

 

CMYK 11 / 0 / 23 / 22

HEX #B1C699

RGB 177 198 153

HSL 88, 0.28%, 0.69%

LAB 77.3, -15.15, 20.23

 

CMYK 23 / 6 / 0 / 22

HEX #99BAC6

RGB 153 186 198

HSL 196, 0.28%, 0.69%

LAB 73.52, -8.43, -9.75

 

CMYK 12 / 23 / 0 / 22

HEX #AE99C6

RGB 174 153 198

HSL 268, 0.28%, 0.69%

LAB 66.41, 16.45, -20.31

 

CMYK 0 / 16 / 22 / 22

HEX #C7A79B

RGB 199 167 155

HSL 16.36, 0.28%, 0.69%

LAB 70.97, 9.82, 10.56

 

CMYK 17 / 0 / 23 / 22

HEX #A4C699

RGB 164 198 153

HSL 105.33, 0.28%, 0.69%

LAB 76.42, -19.81, 18.88

 

CMYK 23 / 6 / 0 / 22

HEX #99BAC6

RGB 153 186 198

HSL 196, 0.28%, 0.69%

LAB 73.52, -8.43, -9.75

 

CMYK 6 / 23 / 0 / 22

HEX #BB99C6

RGB 187 153 198

HSL 285.33, 0.28%, 0.69%

LAB 67.59, 20.75, -18.4

 

Description

Color code: CMYK 0 / 16 / 22 / 22 | qconv.com Color code: CMYK 0 / 16 / 22 / 22 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 167 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 167 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 22 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 22% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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