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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F96541 it is the complementary color #069ABE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F96541. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F96541 shade: #FE653C, #FF774F, #FF8962, #FF9B75 and #FFAD88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F96541. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F96541 shade: #F96541, #E8532E, #D7411B, #C62F08 and #B51D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F96541 shade: #F96743 and #F94343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F96541 shade: #F96743, #F99843, #F9C943, #F8F943 and #C7F943

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F96541 shade matches the following richer shades: #F96743

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F96541 shade: #F96743, #EA7053, #DA7A62, #CA8372 and #BA8D82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F96541 shade: #F94383, #F94352, #F96443, #F99543 and #F9C643

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F96541 shade: #E33207, #F8461B, #F96743, #FA876B and #FCA893

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F96541 shade: #F96541, #B3F943 and #436AF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F96541 shade: #F96541, #43F964 and #6443F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F96541 shade: #F96541, #B3F943, #43D8F9 and #8943F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F96541 shade: #F96541, #7DF943, #43D8F9 and #BF43F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 74 / 2

HEX #F96541

RGB 249 101 65

HSL 11.74, 0.94%, 0.62%

LAB 61.51, 54.68, 48.48

 

Complementary color

CMYK 97 / 19 / 0 / 25

HEX #069ABE

RGB 6 154 190

HSL 191.74, 0.94%, 0.38%

LAB 58.85, -20.73, -28.07

 

CMYK 0 / 60 / 76 / 0

HEX #FE653C

RGB 254 101 60

HSL 12.68, 0.99%, 0.62%

LAB 62.26, 56.22, 52.01

 

CMYK 0 / 53 / 69 / 0

HEX #FF774F

RGB 255 119 79

HSL 13.64, 1%, 0.65%

LAB 65.76, 49.17, 46.27

 

CMYK 0 / 46 / 62 / 0

HEX #FF8962

RGB 255 137 98

HSL 14.9, 1%, 0.69%

LAB 69.49, 41.45, 40.73

 

CMYK 0 / 39 / 54 / 0

HEX #FF9B75

RGB 255 155 117

HSL 16.52, 1%, 0.73%

LAB 73.54, 33.66, 35.7

HEX #FF9B75

CMYK 0 / 32 / 47 / 0

HEX #FFAD88

RGB 255 173 136

HSL 18.66, 1%, 0.77%

LAB 77.83, 25.97, 31.18

HEX #FFAD88

CMYK 0 / 59 / 74 / 2

HEX #F96541

RGB 249 101 65

HSL 11.74, 0.94%, 0.62%

LAB 61.51, 54.68, 48.48

 

CMYK 0 / 64 / 80 / 9

HEX #E8532E

RGB 232 83 46

HSL 11.94, 0.8%, 0.55%

LAB 55.62, 55.91, 51

 

CMYK 0 / 70 / 87 / 16

HEX #D7411B

RGB 215 65 27

HSL 12.13, 0.78%, 0.47%

LAB 49.87, 56.95, 53.27

 

CMYK 0 / 76 / 96 / 22

HEX #C62F08

RGB 198 47 8

HSL 12.32, 0.92%, 0.4%

LAB 44.31, 57.58, 54.4

 

CMYK 0 / 84 / 100 / 29

HEX #B51D00

RGB 181 29 0

HSL 9.61, 1%, 0.35%

LAB 39.07, 57.48, 52.55

 

CMYK 0 / 59 / 73 / 2

HEX #F96743

RGB 249 103 67

HSL 11.87, 0.94%, 0.62%

LAB 61.87, 53.87, 47.85

 

CMYK 0 / 73 / 73 / 2

HEX #F94343

RGB 249 67 67

HSL 0, 0.94%, 0.62%

LAB 56.64, 67.98, 42.07

 

CMYK 0 / 59 / 73 / 2

HEX #F96743

RGB 249 103 67

HSL 11.87, 0.94%, 0.62%

LAB 61.87, 53.87, 47.85

 

CMYK 0 / 39 / 73 / 2

HEX #F99843

RGB 249 152 67

HSL 28.02, 0.94%, 0.62%

LAB 71.56, 29.72, 58.08

 

CMYK 0 / 19 / 73 / 2

HEX #F9C943

RGB 249 201 67

HSL 44.18, 0.94%, 0.62%

LAB 83.08, 4.13, 69.59

 

CMYK 0 / 0 / 73 / 2

HEX #F8F943

RGB 248 249 67

HSL 60.33, 0.94%, 0.62%

LAB 95.21, -20.2, 81.09

 

CMYK 20 / 0 / 73 / 2

HEX #C7F943

RGB 199 249 67

HSL 76.48, 0.94%, 0.62%

LAB 91.82, -39.56, 76.68

 

CMYK 0 / 59 / 73 / 2

HEX #F96743

RGB 249 103 67

HSL 11.87, 0.94%, 0.62%

LAB 61.87, 53.87, 47.85

 

CMYK 0 / 59 / 73 / 2

HEX #F96743

RGB 249 103 67

HSL 11.87, 0.94%, 0.62%

LAB 61.87, 53.87, 47.85

 

CMYK 0 / 52 / 65 / 8

HEX #EA7053

RGB 234 112 83

HSL 11.52, 0.78%, 0.62%

LAB 61.4, 45.05, 38.25

 

CMYK 0 / 44 / 55 / 15

HEX #DA7A62

RGB 218 122 98

HSL 12, 0.62%, 0.62%

LAB 61.4, 34.97, 29.51

 

CMYK 0 / 35 / 44 / 21

HEX #CA8372

RGB 202 131 114

HSL 11.59, 0.45%, 0.62%

LAB 61.66, 25.39, 20.51

 

CMYK 0 / 24 / 30 / 27

HEX #BA8D82

RGB 186 141 130

HSL 11.79, 0.29%, 0.62%

LAB 62.59, 15.49, 12.48

 

CMYK 0 / 73 / 47 / 2

HEX #F94383

RGB 249 67 131

HSL 338.9, 0.94%, 0.62%

LAB 57.84, 71.92, 6.38

 

CMYK 0 / 73 / 67 / 2

HEX #F94352

RGB 249 67 82

HSL 355.05, 0.94%, 0.62%

LAB 56.84, 68.65, 33.83

 

CMYK 0 / 60 / 73 / 2

HEX #F96443

RGB 249 100 67

HSL 10.88, 0.94%, 0.62%

LAB 61.36, 55.2, 47.29

 

CMYK 0 / 40 / 73 / 2

HEX #F99543

RGB 249 149 67

HSL 27.03, 0.94%, 0.62%

LAB 70.9, 31.28, 57.4

 

CMYK 0 / 20 / 73 / 2

HEX #F9C643

RGB 249 198 67

HSL 43.19, 0.94%, 0.62%

LAB 82.34, 5.68, 68.87

 

CMYK 0 / 78 / 97 / 11

HEX #E33207

RGB 227 50 7

HSL 11.73, 0.94%, 0.46%

LAB 50.25, 65.36, 60.89

 

CMYK 0 / 72 / 89 / 3

HEX #F8461B

RGB 248 70 27

HSL 11.67, 0.94%, 0.54%

LAB 56.5, 65.59, 60.91

 

CMYK 0 / 59 / 73 / 2

HEX #F96743

RGB 249 103 67

HSL 11.87, 0.94%, 0.62%

LAB 61.87, 53.87, 47.85

 

CMYK 0 / 46 / 57 / 2

HEX #FA876B

RGB 250 135 107

HSL 11.75, 0.93%, 0.7%

LAB 68.54, 41.2, 34.58

 

CMYK 0 / 33 / 42 / 1

HEX #FCA893

RGB 252 168 147

HSL 12, 0.95%, 0.78%

LAB 76.56, 28.54, 23.53

 

CMYK 0 / 59 / 74 / 2

HEX #F96541

RGB 249 101 65

HSL 11.74, 0.94%, 0.62%

LAB 61.51, 54.68, 48.48

 

CMYK 28 / 0 / 73 / 2

HEX #B3F943

RGB 179 249 67

HSL 83.08, 0.94%, 0.62%

LAB 90.66, -46.97, 75.17

 

CMYK 73 / 57 / 0 / 2

HEX #436AF9

RGB 67 106 249

HSL 227.14, 0.94%, 0.62%

LAB 49.91, 34.42, -75.35

 

CMYK 0 / 59 / 74 / 2

HEX #F96541

RGB 249 101 65

HSL 11.74, 0.94%, 0.62%

LAB 61.51, 54.68, 48.48

 

CMYK 73 / 0 / 60 / 2

HEX #43F964

RGB 67 249 100

HSL 130.88, 0.94%, 0.62%

LAB 86.93, -73.74, 57.48

 

CMYK 60 / 73 / 0 / 2

HEX #6443F9

RGB 100 67 249

HSL 250.88, 0.94%, 0.62%

LAB 43.6, 60.71, -85.6

 

CMYK 0 / 59 / 74 / 2

HEX #F96541

RGB 249 101 65

HSL 11.74, 0.94%, 0.62%

LAB 61.51, 54.68, 48.48

 

CMYK 28 / 0 / 73 / 2

HEX #B3F943

RGB 179 249 67

HSL 83.08, 0.94%, 0.62%

LAB 90.66, -46.97, 75.17

 

CMYK 73 / 13 / 0 / 2

HEX #43D8F9

RGB 67 216 249

HSL 190.88, 0.94%, 0.62%

LAB 80.26, -28.22, -27.35

 

CMYK 45 / 73 / 0 / 2

HEX #8943F9

RGB 137 67 249

HSL 263.08, 0.94%, 0.62%

LAB 47.2, 65.82, -79.56

 

CMYK 0 / 59 / 74 / 2

HEX #F96541

RGB 249 101 65

HSL 11.74, 0.94%, 0.62%

LAB 61.51, 54.68, 48.48

 

CMYK 50 / 0 / 73 / 2

HEX #7DF943

RGB 125 249 67

HSL 100.88, 0.94%, 0.62%

LAB 88.22, -64.35, 71.94

 

CMYK 73 / 13 / 0 / 2

HEX #43D8F9

RGB 67 216 249

HSL 190.88, 0.94%, 0.62%

LAB 80.26, -28.22, -27.35

 

CMYK 23 / 73 / 0 / 2

HEX #BF43F9

RGB 191 67 249

HSL 280.88, 0.94%, 0.62%

LAB 53.95, 75.01, -68.27

 

Description

Color code: HEX #F96541 | qconv.com Color code: HEX #F96541 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 101 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 101 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 74 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 74% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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