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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 39 / 54 / 0 it is the complementary color CMYK 100 / 28 / 0 / 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 39 / 54 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 39 / 54 / 0: CMYK 0 / 39 / 56 / 0, CMYK 0 / 32 / 49 / 0, CMYK 0 / 25 / 41 / 0, CMYK 0 / 18 / 34 / 0 and CMYK 0 / 11 / 26 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 39 / 54 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 39 / 54 / 0: CMYK 0 / 39 / 54 / 0, CMYK 0 / 42 / 59 / 7, CMYK 0 / 46 / 64 / 13, CMYK 0 / 50 / 71 / 20 and CMYK 0 / 55 / 78 / 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 54 / 0

HEX #FF9C75

RGB 255 156 117

HSL 16.96, 1%, 0.73%

LAB 73.75, 33.14, 35.98

 

Complementary color

CMYK 100 / 28 / 0 / 46

HEX #00638A

RGB 0 99 138

HSL 196.96, 1%, 0.27%

LAB 39.17, -9.49, -28.39

 

CMYK 0 / 39 / 56 / 0

HEX #FF9C70

RGB 255 156 112

HSL 18.46, 1%, 0.72%

LAB 73.68, 32.75, 38.53

 

CMYK 0 / 32 / 49 / 0

HEX #FFAE83

RGB 255 174 131

HSL 20.81, 1%, 0.76%

LAB 77.98, 24.97, 34.02

 

CMYK 0 / 25 / 41 / 0

HEX #FFC096

RGB 255 192 150

HSL 24, 1%, 0.79%

LAB 82.47, 17.44, 29.95

 

CMYK 0 / 18 / 34 / 0

HEX #FFD2A9

RGB 255 210 169

HSL 28.6, 1%, 0.83%

LAB 87.1, 10.21, 26.27

 

CMYK 0 / 11 / 26 / 0

HEX #FFE4BC

RGB 255 228 188

HSL 35.82, 1%, 0.87%

LAB 91.85, 3.35, 22.92

 

CMYK 0 / 39 / 54 / 0

HEX #FF9C75

RGB 255 156 117

HSL 16.96, 1%, 0.73%

LAB 73.75, 33.14, 35.98

 

CMYK 0 / 42 / 59 / 7

HEX #EE8A62

RGB 238 138 98

HSL 17.14, 0.8%, 0.66%

LAB 67.45, 34.42, 37.71

 

CMYK 0 / 46 / 64 / 13

HEX #DD784F

RGB 221 120 79

HSL 17.32, 0.68%, 0.59%

LAB 61.11, 35.81, 39.61

 

CMYK 0 / 50 / 71 / 20

HEX #CC663C

RGB 204 102 60

HSL 17.5, 0.59%, 0.52%

LAB 54.73, 37.34, 41.65

 

CMYK 0 / 55 / 78 / 27

HEX #BB5429

RGB 187 84 41

HSL 17.67, 0.64%, 0.45%

LAB 48.34, 38.97, 43.77

 

CMYK 0 / 39 / 54 / 0

HEX #FF9C75

RGB 255 156 117

HSL 16.96, 1%, 0.73%

LAB 73.75, 33.14, 35.98

 

CMYK 0 / 31 / 54 / 0

HEX #FFB075

RGB 255 176 117

HSL 25.65, 1%, 0.73%

LAB 78.22, 22.72, 41.62

 

CMYK 0 / 22 / 54 / 0

HEX #FFC775

RGB 255 199 117

HSL 35.65, 1%, 0.73%

LAB 83.65, 10.72, 48.29

 

CMYK 0 / 13 / 54 / 0

HEX #FFDE75

RGB 255 222 117

HSL 45.65, 1%, 0.73%

LAB 89.29, -1.09, 55.05

 

CMYK 0 / 4 / 54 / 0

HEX #FFF575

RGB 255 245 117

HSL 55.65, 1%, 0.73%

LAB 95.1, -12.55, 61.81

 

CMYK 0 / 39 / 54 / 0

HEX #FF9C75

RGB 255 156 117

HSL 16.96, 1%, 0.73%

LAB 73.75, 33.14, 35.98

 

CMYK 0 / 39 / 55 / 80

HEX #331F17

RGB 51 31 23

HSL 17.14, 0.38%, 0.15%

LAB 14.09, 8.56, 9.43

 

CMYK 0 / 39 / 54 / 60

HEX #663E2F

RGB 102 62 47

HSL 16.36, 0.37%, 0.29%

LAB 30.58, 15.71, 16.52

 

CMYK 0 / 39 / 54 / 40

HEX #995E46

RGB 153 94 70

HSL 17.35, 0.37%, 0.44%

LAB 45.93, 21.47, 23.82

 

CMYK 0 / 39 / 54 / 20

HEX #CC7D5E

RGB 204 125 94

HSL 16.91, 0.52%, 0.58%

LAB 60.17, 27.5, 29.79

 

CMYK 0 / 39 / 54 / 0

HEX #FF9C75

RGB 255 156 117

HSL 16.96, 1%, 0.73%

LAB 73.75, 33.14, 35.98

 

CMYK 25 / 0 / 54 / 0

HEX #BEFF75

RGB 190 255 117

HSL 88.26, 1%, 0.73%

LAB 93.34, -41.9, 58.64

 

CMYK 54 / 47 / 0 / 0

HEX #7587FF

RGB 117 135 255

HSL 232.17, 1%, 0.73%

LAB 60.19, 26.72, -61.93

 

CMYK 0 / 39 / 54 / 0

HEX #FF9C75

RGB 255 156 117

HSL 16.96, 1%, 0.73%

LAB 73.75, 33.14, 35.98

 

CMYK 54 / 0 / 40 / 0

HEX #75FF9A

RGB 117 255 154

HSL 136.09, 1%, 0.73%

LAB 90.61, -58.81, 37.11

 

CMYK 40 / 54 / 0 / 0

HEX #9A75FF

RGB 154 117 255

HSL 256.09, 1%, 0.73%

LAB 58.8, 45.08, -64

 

CMYK 0 / 39 / 54 / 0

HEX #FF9C75

RGB 255 156 117

HSL 16.96, 1%, 0.73%

LAB 73.75, 33.14, 35.98

 

CMYK 25 / 0 / 54 / 0

HEX #BEFF75

RGB 190 255 117

HSL 88.26, 1%, 0.73%

LAB 93.34, -41.9, 58.64

 

CMYK 54 / 15 / 0 / 0

HEX #75DAFF

RGB 117 218 255

HSL 196.09, 1%, 0.73%

LAB 82.46, -19.53, -27.05

 

CMYK 29 / 54 / 0 / 0

HEX #B575FF

RGB 181 117 255

HSL 267.83, 1%, 0.73%

LAB 61.45, 51.38, -59.6

 

CMYK 0 / 39 / 54 / 0

HEX #FF9C75

RGB 255 156 117

HSL 16.96, 1%, 0.73%

LAB 73.75, 33.14, 35.98

 

CMYK 42 / 0 / 54 / 0

HEX #95FF75

RGB 149 255 117

HSL 106.09, 1%, 0.73%

LAB 91.32, -55.33, 55.76

 

CMYK 54 / 15 / 0 / 0

HEX #75DAFF

RGB 117 218 255

HSL 196.09, 1%, 0.73%

LAB 82.46, -19.53, -27.05

 

CMYK 13 / 54 / 0 / 0

HEX #DE75FF

RGB 222 117 255

HSL 285.65, 1%, 0.73%

LAB 66.11, 61.54, -51.9

 

Description

Color code: CMYK 0 / 39 / 54 / 0 | qconv.com Color code: CMYK 0 / 39 / 54 / 0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 156 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 156 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 54 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 54% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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