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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F94C8F it is the complementary color #06B370. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F94C8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F94C8F: #FE4C8A, #FF5E9D, #FF70B0, #FF82C3 and #FF94D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F94C8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F94C8F: #F94C8F, #E83A7C, #D72869, #C61656 and #B50443

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 43 / 2

HEX #F94C8F

RGB 249 76 143

HSL 336.76, 0.94%, 0.64%

LAB 59.24, 69.96, 1.35

 

Complementary color

CMYK 97 / 0 / 37 / 30

HEX #06B370

RGB 6 179 112

HSL 156.76, 0.94%, 0.36%

LAB 64.52, -54.11, 23.69

 

CMYK 0 / 70 / 46 / 0

HEX #FE4C8A

RGB 254 76 138

HSL 339.1, 0.99%, 0.65%

LAB 59.96, 70.9, 5.41

 

CMYK 0 / 63 / 38 / 0

HEX #FF5E9D

RGB 255 94 157

HSL 336.52, 1%, 0.68%

LAB 63.09, 66.25, -1.04

 

CMYK 0 / 56 / 31 / 0

HEX #FF70B0

RGB 255 112 176

HSL 333.15, 1%, 0.72%

LAB 66.51, 60.7, -6.86

 

CMYK 0 / 49 / 24 / 0

HEX #FF82C3

RGB 255 130 195

HSL 328.8, 1%, 0.75%

LAB 70.29, 54.75, -11.9

 

CMYK 0 / 42 / 16 / 0

HEX #FF94D6

RGB 255 148 214

HSL 322.99, 1%, 0.79%

LAB 74.38, 48.61, -16.28

 

CMYK 0 / 69 / 43 / 2

HEX #F94C8F

RGB 249 76 143

HSL 336.76, 0.94%, 0.64%

LAB 59.24, 69.96, 1.35

 

CMYK 0 / 75 / 47 / 9

HEX #E83A7C

RGB 232 58 124

HSL 337.24, 0.79%, 0.57%

LAB 53.64, 69.55, 4.11

 

CMYK 0 / 81 / 51 / 16

HEX #D72869

RGB 215 40 105

HSL 337.71, 0.69%, 0.5%

LAB 48.24, 68.5, 7.49

 

CMYK 0 / 89 / 57 / 22

HEX #C61656

RGB 198 22 86

HSL 338.18, 0.8%, 0.43%

LAB 43.14, 66.53, 11.64

 

CMYK 0 / 98 / 63 / 29

HEX #B50443

RGB 181 4 67

HSL 338.64, 0.96%, 0.36%

LAB 38.4, 63.45, 16.68

 

CMYK 0 / 69 / 43 / 2

HEX #F94C8F

RGB 249 76 143

HSL 336.76, 0.94%, 0.64%

LAB 59.24, 69.96, 1.35

 

CMYK 0 / 69 / 53 / 2

HEX #F94C75

RGB 249 76 117

HSL 345.78, 0.94%, 0.64%

LAB 58.6, 67.77, 15.69

 

CMYK 0 / 69 / 65 / 2

HEX #F94C58

RGB 249 76 88

HSL 355.84, 0.94%, 0.64%

LAB 58.05, 65.88, 31.87

 

CMYK 0 / 62 / 69 / 2

HEX #F95E4C

RGB 249 94 76

HSL 6.24, 0.94%, 0.64%

LAB 60.49, 58.2, 41.54

 

CMYK 0 / 51 / 69 / 2

HEX #F97A4C

RGB 249 122 76

HSL 15.95, 0.94%, 0.64%

LAB 65.42, 45.36, 47.18

 

CMYK 0 / 69 / 43 / 2

HEX #F94C8F

RGB 249 76 143

HSL 336.76, 0.94%, 0.64%

LAB 59.24, 69.96, 1.35

 

CMYK 0 / 69 / 42 / 82

HEX #2D0E1A

RGB 45 14 26

HSL 336.77, 0.53%, 0.12%

LAB 8.54, 17.54, -0.73

 

CMYK 0 / 70 / 43 / 62

HEX #601D37

RGB 96 29 55

HSL 336.72, 0.54%, 0.25%

LAB 22.45, 32.84, -0.22

 

CMYK 0 / 69 / 43 / 42

HEX #932D54

RGB 147 45 84

HSL 337.06, 0.53%, 0.38%

LAB 35.44, 45.88, 0.6

 

CMYK 0 / 70 / 42 / 22

HEX #C63C72

RGB 198 60 114

HSL 336.52, 0.55%, 0.51%

LAB 47.56, 58.49, 0.6

 

CMYK 0 / 69 / 43 / 2

HEX #F94C8F

RGB 249 76 143

HSL 336.76, 0.94%, 0.64%

LAB 59.24, 69.96, 1.35

 

CMYK 0 / 14 / 69 / 2

HEX #F9D64C

RGB 249 214 76

HSL 47.86, 0.94%, 0.64%

LAB 86.38, -2.11, 69.44

 

CMYK 69 / 14 / 0 / 2

HEX #4CD6F9

RGB 76 214 249

HSL 192.14, 0.94%, 0.64%

LAB 79.88, -26.12, -27.92

 

CMYK 0 / 69 / 43 / 2

HEX #F94C8F

RGB 249 76 143

HSL 336.76, 0.94%, 0.64%

LAB 59.24, 69.96, 1.35

 

CMYK 42 / 0 / 69 / 2

HEX #91F94C

RGB 145 249 76

HSL 96.07, 0.94%, 0.64%

LAB 89.06, -57.86, 69.95

 

CMYK 69 / 42 / 0 / 2

HEX #4C91F9

RGB 76 145 249

HSL 216.07, 0.94%, 0.64%

LAB 60.45, 11.68, -58.33

 

CMYK 0 / 69 / 43 / 2

HEX #F94C8F

RGB 249 76 143

HSL 336.76, 0.94%, 0.64%

LAB 59.24, 69.96, 1.35

 

CMYK 0 / 14 / 69 / 2

HEX #F9D64C

RGB 249 214 76

HSL 47.86, 0.94%, 0.64%

LAB 86.38, -2.11, 69.44

 

CMYK 69 / 0 / 28 / 2

HEX #4CF9B4

RGB 76 249 180

HSL 156.07, 0.94%, 0.64%

LAB 88.25, -59.38, 20.64

 

CMYK 69 / 55 / 0 / 2

HEX #4C6FF9

RGB 76 111 249

HSL 227.86, 0.94%, 0.64%

LAB 51.55, 32.44, -72.67

 

CMYK 0 / 69 / 43 / 2

HEX #F94C8F

RGB 249 76 143

HSL 336.76, 0.94%, 0.64%

LAB 59.24, 69.96, 1.35

 

CMYK 7 / 0 / 69 / 2

HEX #E8F94C

RGB 232 249 76

HSL 65.9, 0.94%, 0.64%

LAB 94.07, -26.23, 76.62

 

CMYK 69 / 0 / 28 / 2

HEX #4CF9B4

RGB 76 249 180

HSL 156.07, 0.94%, 0.64%

LAB 88.25, -59.38, 20.64

 

CMYK 62 / 69 / 0 / 2

HEX #5E4CF9

RGB 94 76 249

HSL 246.24, 0.94%, 0.64%

LAB 44.78, 55.34, -83.67

 

Description

Color code: HEX #F94C8F | qconv.com Color code: HEX #F94C8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 76 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 76 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 43 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 43% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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