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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8F335 it is the complementary color #070CCA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8F335. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F8F335: #FDF330, #FFFF43, #FFFF56, #FFFF69 and #FFFF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8F335. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F8F335: #F8F335, #E7E122, #D6CF0F, #C5BD00 and #B4AB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 79 / 3

HEX #F8F335

RGB 248 243 53

HSL 58.46, 0.93%, 0.59%

LAB 93.59, -17.82, 83.67

Complementary color

CMYK 97 / 94 / 0 / 21

HEX #070CCA

RGB 7 12 202

HSL 238.46, 0.93%, 0.41%

LAB 25.48, 63.98, -88.9

 

CMYK 0 / 4 / 81 / 1

HEX #FDF330

RGB 253 243 48

HSL 57.07, 0.98%, 0.59%

LAB 93.97, -15.91, 85.42

 

CMYK 0 / 0 / 74 / 0

HEX #FFFF43

RGB 255 255 67

HSL 60, 1%, 0.63%

LAB 97.3, -20.23, 83.23

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF56

RGB 255 255 86

HSL 60, 1%, 0.67%

LAB 97.41, -19.37, 76.95

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF69

RGB 255 255 105

HSL 60, 1%, 0.71%

LAB 97.55, -18.25, 69.7

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7C

RGB 255 255 124

HSL 60, 1%, 0.74%

LAB 97.73, -16.86, 61.73

 

CMYK 0 / 2 / 79 / 3

HEX #F8F335

RGB 248 243 53

HSL 58.46, 0.93%, 0.59%

LAB 93.59, -17.82, 83.67

RAL® 1018

CMYK 0 / 3 / 85 / 9

HEX #E7E122

RGB 231 225 34

HSL 58.17, 0.8%, 0.52%

LAB 87.46, -16.64, 82.39

 

CMYK 0 / 3 / 93 / 16

HEX #D6CF0F

RGB 214 207 15

HSL 57.89, 0.87%, 0.45%

LAB 81.27, -15.28, 79.97

 

CMYK 0 / 4 / 100 / 23

HEX #C5BD00

RGB 197 189 0

HSL 57.56, 1%, 0.39%

LAB 74.99, -13.73, 76.22

 

CMYK 0 / 5 / 100 / 29

HEX #B4AB00

RGB 180 171 0

HSL 57, 1%, 0.35%

LAB 68.63, -11.99, 70.94

 

CMYK 0 / 2 / 79 / 3

HEX #F8F335

RGB 248 243 53

HSL 58.46, 0.93%, 0.59%

LAB 93.59, -17.82, 83.67

RAL® 1018

CMYK 11 / 0 / 79 / 3

HEX #DDF735

RGB 221 247 53

HSL 68.04, 0.92%, 0.59%

LAB 92.64, -30.67, 82.07

 

CMYK 23 / 0 / 79 / 3

HEX #BDF735

RGB 189 247 53

HSL 77.94, 0.92%, 0.59%

LAB 90.6, -43.09, 79.46

 

CMYK 37 / 0 / 79 / 3

HEX #9CF735

RGB 156 247 53

HSL 88.14, 0.92%, 0.59%

LAB 88.85, -54.84, 77.22

 

CMYK 50 / 0 / 79 / 3

HEX #7CF735

RGB 124 247 53

HSL 98.04, 0.92%, 0.59%

LAB 87.52, -64.7, 75.5

 

CMYK 0 / 2 / 79 / 3

HEX #F8F335

RGB 248 243 53

HSL 58.46, 0.93%, 0.59%

LAB 93.59, -17.82, 83.67

RAL® 1018

CMYK 0 / 2 / 80 / 83

HEX #2C2B09

RGB 44 43 9

HSL 58.29, 0.66%, 0.1%

LAB 16.91, -4.92, 20.62

 

CMYK 0 / 2 / 79 / 63

HEX #5F5D14

RGB 95 93 20

HSL 58.4, 0.65%, 0.23%

LAB 38.4, -8.62, 39.39

 

CMYK 0 / 2 / 79 / 43

HEX #928F1F

RGB 146 143 31

HSL 58.43, 0.65%, 0.35%

LAB 57.9, -11.89, 55.17

 

CMYK 0 / 2 / 79 / 23

HEX #C5C12A

RGB 197 193 42

HSL 58.45, 0.65%, 0.47%

LAB 76.18, -14.93, 69.8

 

CMYK 0 / 2 / 79 / 3

HEX #F8F335

RGB 248 243 53

HSL 58.46, 0.93%, 0.59%

LAB 93.59, -17.82, 83.67

RAL® 1018

CMYK 79 / 0 / 66 / 3

HEX #35F755

RGB 53 247 85

HSL 129.9, 0.92%, 0.59%

LAB 85.97, -76.55, 62.53

 

CMYK 34 / 79 / 0 / 3

HEX #A335F7

RGB 163 53 247

HSL 274.02, 0.92%, 0.59%

LAB 48.32, 74.77, -76.48

 

CMYK 0 / 2 / 79 / 3

HEX #F8F335

RGB 248 243 53

HSL 58.46, 0.93%, 0.59%

LAB 93.59, -17.82, 83.67

RAL® 1018

CMYK 79 / 0 / 2 / 3

HEX #35F7F1

RGB 53 247 241

HSL 178.14, 0.92%, 0.59%

LAB 88.75, -46.24, -10.35

 

CMYK 2 / 79 / 0 / 3

HEX #F135F7

RGB 241 53 247

HSL 298.14, 0.92%, 0.59%

LAB 59.85, 88.02, -57.28

 

CMYK 0 / 2 / 79 / 3

HEX #F8F335

RGB 248 243 53

HSL 58.46, 0.93%, 0.59%

LAB 93.59, -17.82, 83.67

RAL® 1018

CMYK 79 / 0 / 66 / 3

HEX #35F755

RGB 53 247 85

HSL 129.9, 0.92%, 0.59%

LAB 85.97, -76.55, 62.53

 

CMYK 79 / 76 / 0 / 3

HEX #353BF7

RGB 53 59 247

HSL 238.14, 0.92%, 0.59%

LAB 38.9, 59.87, -92.34

 

CMYK 0 / 79 / 13 / 3

HEX #F735D7

RGB 247 53 215

HSL 309.9, 0.92%, 0.59%

LAB 59.18, 84.6, -40.32

 

CMYK 0 / 2 / 79 / 3

HEX #F8F335

RGB 248 243 53

HSL 58.46, 0.93%, 0.59%

LAB 93.59, -17.82, 83.67

RAL® 1018

CMYK 79 / 0 / 42 / 3

HEX #35F78F

RGB 53 247 143

HSL 147.84, 0.92%, 0.59%

LAB 86.63, -68.67, 37.06

 

CMYK 79 / 76 / 0 / 3

HEX #353BF7

RGB 53 59 247

HSL 238.14, 0.92%, 0.59%

LAB 38.9, 59.87, -92.34

 

CMYK 0 / 79 / 37 / 3

HEX #F7359C

RGB 247 53 156

HSL 328.14, 0.92%, 0.59%

LAB 56.8, 77.71, -9.92

 

Description

Color code: HEX #F8F335 | qconv.com Color code: HEX #F8F335 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 243 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 243 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 79 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 79% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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