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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8D9AB it is the complementary color #072654. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8D9AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F8D9AB: #FDD9A6, #FFEBB9, #FFFDCC, #FFFFDF and #FFFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8D9AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F8D9AB: #F8D9AB, #E7C798, #D6B585, #C5A372 and #B4915F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 31 / 3

HEX #F8D9AB

RGB 248 217 171

HSL 35.84, 0.85%, 0.82%

LAB 88.22, 4.19, 26.64

 

Complementary color

CMYK 92 / 55 / 0 / 67

HEX #072654

RGB 7 38 84

HSL 215.84, 0.85%, 0.18%

LAB 15.86, 8.98, -31.09

 

CMYK 0 / 14 / 34 / 1

HEX #FDD9A6

RGB 253 217 166

HSL 35.17, 0.96%, 0.82%

LAB 88.57, 5.48, 29.78

 

CMYK 0 / 8 / 27 / 0

HEX #FFEBB9

RGB 255 235 185

HSL 42.86, 1%, 0.86%

LAB 93.53, -0.6, 26.77

 

CMYK 0 / 1 / 20 / 0

HEX #FFFDCC

RGB 255 253 204

HSL 57.65, 1%, 0.9%

LAB 98.38, -7.06, 23.75

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF2

RGB 255 255 242

HSL 60, 1%, 0.97%

LAB 99.69, -2.22, 6.2

 

CMYK 0 / 13 / 31 / 3

HEX #F8D9AB

RGB 248 217 171

HSL 35.84, 0.85%, 0.82%

LAB 88.22, 4.19, 26.64

 

CMYK 0 / 14 / 34 / 9

HEX #E7C798

RGB 231 199 152

HSL 35.7, 0.62%, 0.75%

LAB 81.89, 4.68, 27.73

 

CMYK 0 / 15 / 38 / 16

HEX #D6B585

RGB 214 181 133

HSL 35.56, 0.5%, 0.68%

LAB 75.47, 5.23, 28.89

 

CMYK 0 / 17 / 42 / 23

HEX #C5A372

RGB 197 163 114

HSL 35.42, 0.42%, 0.61%

LAB 68.95, 5.88, 30.12

 

CMYK 0 / 19 / 47 / 29

HEX #B4915F

RGB 180 145 95

HSL 35.29, 0.36%, 0.54%

LAB 62.32, 6.63, 31.44

 

CMYK 0 / 13 / 31 / 3

HEX #F8D9AB

RGB 248 217 171

HSL 35.84, 0.85%, 0.82%

LAB 88.22, 4.19, 26.64

 

CMYK 0 / 8 / 31 / 3

HEX #F8E4AA

RGB 248 228 170

HSL 44.62, 0.85%, 0.82%

LAB 90.94, -1.56, 30.83

 

CMYK 0 / 3 / 31 / 3

HEX #F8F1AA

RGB 248 241 170

HSL 54.62, 0.85%, 0.82%

LAB 94.21, -8.1, 35.21

 

CMYK 3 / 0 / 31 / 3

HEX #F1F8AA

RGB 241 248 170

HSL 65.38, 0.85%, 0.82%

LAB 95.47, -14.17, 36.77

 

CMYK 8 / 0 / 31 / 3

HEX #E4F8AA

RGB 228 248 170

HSL 75.38, 0.85%, 0.82%

LAB 94.54, -18.95, 35.37

 

CMYK 0 / 13 / 31 / 3

HEX #F8D9AB

RGB 248 217 171

HSL 35.84, 0.85%, 0.82%

LAB 88.22, 4.19, 26.64

 

CMYK 0 / 11 / 32 / 83

HEX #2C271E

RGB 44 39 30

HSL 38.57, 0.19%, 0.15%

LAB 15.9, 0.49, 6.8

 

CMYK 0 / 13 / 31 / 63

HEX #5F5342

RGB 95 83 66

HSL 35.17, 0.18%, 0.32%

LAB 36.01, 1.99, 11.79

 

CMYK 0 / 12 / 31 / 43

HEX #928065

RGB 146 128 101

HSL 36, 0.18%, 0.48%

LAB 54.54, 2.57, 17.2

 

CMYK 0 / 13 / 31 / 23

HEX #C5AC88

RGB 197 172 136

HSL 35.41, 0.34%, 0.65%

LAB 71.66, 3.67, 21.87

 

CMYK 0 / 13 / 31 / 3

HEX #F8D9AB

RGB 248 217 171

HSL 35.84, 0.85%, 0.82%

LAB 88.22, 4.19, 26.64

 

CMYK 25 / 0 / 31 / 3

HEX #BAF8AA

RGB 186 248 170

HSL 107.69, 0.85%, 0.82%

LAB 91.9, -33.62, 31.38

 

CMYK 26 / 31 / 0 / 3

HEX #B8AAF8

RGB 184 170 248

HSL 250.77, 0.85%, 0.82%

LAB 73.36, 21.35, -37

 

CMYK 0 / 13 / 31 / 3

HEX #F8D9AB

RGB 248 217 171

HSL 35.84, 0.85%, 0.82%

LAB 88.22, 4.19, 26.64

 

CMYK 31 / 0 / 13 / 3

HEX #AAF8D7

RGB 170 248 215

HSL 154.62, 0.85%, 0.82%

LAB 91.95, -30.7, 8.27

 

CMYK 13 / 31 / 0 / 3

HEX #D7AAF8

RGB 215 170 248

HSL 274.62, 0.85%, 0.82%

LAB 76.05, 30.56, -32.62

 

CMYK 0 / 13 / 31 / 3

HEX #F8D9AB

RGB 248 217 171

HSL 35.84, 0.85%, 0.82%

LAB 88.22, 4.19, 26.64

 

CMYK 25 / 0 / 31 / 3

HEX #BAF8AA

RGB 186 248 170

HSL 107.69, 0.85%, 0.82%

LAB 91.9, -33.62, 31.38

 

CMYK 31 / 19 / 0 / 3

HEX #AACAF8

RGB 170 202 248

HSL 215.38, 0.85%, 0.82%

LAB 80.5, -0.18, -26.1

 

CMYK 7 / 31 / 0 / 3

HEX #E7AAF8

RGB 231 170 248

HSL 286.92, 0.85%, 0.82%

LAB 77.59, 35.47, -30.12

 

CMYK 0 / 13 / 31 / 3

HEX #F8D9AB

RGB 248 217 171

HSL 35.84, 0.85%, 0.82%

LAB 88.22, 4.19, 26.64

 

CMYK 31 / 0 / 29 / 3

HEX #AAF8B0

RGB 170 248 176

HSL 124.62, 0.85%, 0.82%

LAB 91.15, -37.8, 27.19

 

CMYK 31 / 19 / 0 / 3

HEX #AACAF8

RGB 170 202 248

HSL 215.38, 0.85%, 0.82%

LAB 80.5, -0.18, -26.1

 

CMYK 0 / 31 / 3 / 3

HEX #F8AAF1

RGB 248 170 241

HSL 305.38, 0.85%, 0.82%

LAB 79.07, 39.49, -23.92

 

Description

Color code: HEX #F8D9AB | qconv.com Color code: HEX #F8D9AB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 217 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 217 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 31 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 31% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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