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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8AF6F it is the complementary color #075090. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8AF6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8AF6F shade: #FDAF6A, #FFC17D, #FFD390, #FFE5A3 and #FFF7B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8AF6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8AF6F shade: #F8AF6F, #E79D5C, #D68B49, #C57936 and #B46723

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8AF6F shade: #F8AE6D, #F8886D and #F86D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8AF6F shade: #F8AE6D, #F8D36D, #F7F86D, #D2F86D and #ACF86D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8AF6F shade matches the following richer shades: #F8AE6D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8AF6F shade: #F8AE6D, #ECAF79, #DFB086, #D3B092 and #C7B19E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8AF6F shade: #F86D76, #F8896D, #F8AE6D, #F8D36D and #F8F86D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8AF6F shade: #F4821E, #F69845, #F8AE6D, #FAC494 and #FCDABC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8AF6F shade: #F8AF6F, #9BF86D and #766DF8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8AF6F shade: #F8AF6F, #6DF8AE and #AE6DF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8AF6F shade: #F8AF6F, #9BF86D, #6DB7F8 and #CA6DF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8AF6F shade: #F8AF6F, #72F86D, #6DB7F8 and #F36DF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 55 / 3

HEX #F8AF6F

RGB 248 175 111

HSL 28.03, 0.91%, 0.7%

LAB 77.14, 19.96, 43.17

 

Complementary color

CMYK 95 / 44 / 0 / 44

HEX #075090

RGB 7 80 144

HSL 208.03, 0.91%, 0.3%

LAB 33.55, 5.44, -40.94

 

CMYK 0 / 31 / 58 / 1

HEX #FDAF6A

RGB 253 175 106

HSL 28.16, 0.97%, 0.7%

LAB 77.63, 21.6, 46.42

 

CMYK 0 / 24 / 51 / 0

HEX #FFC17D

RGB 255 193 125

HSL 31.38, 1%, 0.75%

LAB 82.31, 14.5, 42.66

 

CMYK 0 / 17 / 44 / 0

HEX #FFD390

RGB 255 211 144

HSL 36.22, 1%, 0.78%

LAB 86.93, 6.94, 38.91

 

CMYK 0 / 10 / 36 / 0

HEX #FFE5A3

RGB 255 229 163

HSL 43.04, 1%, 0.82%

LAB 91.66, -0.23, 35.46

 

CMYK 0 / 3 / 29 / 0

HEX #FFF7B6

RGB 255 247 182

HSL 53.42, 1%, 0.86%

LAB 96.48, -7, 32.28

 

CMYK 0 / 29 / 55 / 3

HEX #F8AF6F

RGB 248 175 111

HSL 28.03, 0.91%, 0.7%

LAB 77.14, 19.96, 43.17

 

CMYK 0 / 32 / 60 / 9

HEX #E79D5C

RGB 231 157 92

HSL 28.06, 0.74%, 0.63%

LAB 70.79, 21.16, 44.68

 

CMYK 0 / 35 / 66 / 16

HEX #D68B49

RGB 214 139 73

HSL 28.09, 0.63%, 0.56%

LAB 64.36, 22.52, 46.23

 

CMYK 0 / 39 / 73 / 23

HEX #C57936

RGB 197 121 54

HSL 28.11, 0.57%, 0.49%

LAB 57.86, 24.07, 47.75

 

CMYK 0 / 43 / 81 / 29

HEX #B46723

RGB 180 103 35

HSL 28.14, 0.67%, 0.42%

LAB 51.3, 25.86, 49.02

 

CMYK 0 / 30 / 56 / 3

HEX #F8AE6D

RGB 248 174 109

HSL 28.06, 0.91%, 0.7%

LAB 76.88, 20.33, 43.87

 

CMYK 0 / 45 / 56 / 3

HEX #F8886D

RGB 248 136 109

HSL 11.65, 0.91%, 0.7%

LAB 68.51, 40.1, 33.4

 

CMYK 0 / 56 / 56 / 3

HEX #F86D6D

RGB 248 109 109

HSL 0, 0.91%, 0.7%

LAB 63.34, 53.23, 26.68

 

CMYK 0 / 30 / 56 / 3

HEX #F8AE6D

RGB 248 174 109

HSL 28.06, 0.91%, 0.7%

LAB 76.88, 20.33, 43.87

 

CMYK 0 / 15 / 56 / 3

HEX #F8D36D

RGB 248 211 109

HSL 44.03, 0.91%, 0.7%

LAB 85.83, 1.06, 54.57

 

CMYK 0 / 0 / 56 / 3

HEX #F7F86D

RGB 247 248 109

HSL 60.43, 0.91%, 0.7%

LAB 95.17, -17.77, 65.21

 

CMYK 15 / 0 / 56 / 3

HEX #D2F86D

RGB 210 248 109

HSL 76.4, 0.91%, 0.7%

LAB 92.55, -32.15, 61.55

 

CMYK 31 / 0 / 56 / 3

HEX #ACF86D

RGB 172 248 109

HSL 92.81, 0.91%, 0.7%

LAB 90.33, -45.88, 58.42

 

CMYK 0 / 30 / 56 / 3

HEX #F8AE6D

RGB 248 174 109

HSL 28.06, 0.91%, 0.7%

LAB 76.88, 20.33, 43.87

 

CMYK 0 / 30 / 56 / 3

HEX #F8AE6D

RGB 248 174 109

HSL 28.06, 0.91%, 0.7%

LAB 76.88, 20.33, 43.87

 

CMYK 0 / 26 / 49 / 7

HEX #ECAF79

RGB 236 175 121

HSL 28.17, 0.75%, 0.7%

LAB 75.99, 15.99, 36.3

 

CMYK 0 / 21 / 40 / 13

HEX #DFB086

RGB 223 176 134

HSL 28.31, 0.58%, 0.7%

LAB 75.11, 11.59, 28.03

 

CMYK 0 / 17 / 31 / 17

HEX #D3B092

RGB 211 176 146

HSL 27.69, 0.42%, 0.7%

LAB 74.17, 8.32, 20.11

 

CMYK 0 / 11 / 21 / 22

HEX #C7B19E

RGB 199 177 158

HSL 27.8, 0.27%, 0.7%

LAB 73.58, 4.86, 12.61

 

CMYK 0 / 56 / 52 / 3

HEX #F86D76

RGB 248 109 118

HSL 356.12, 0.91%, 0.7%

LAB 63.51, 53.93, 21.8

 

CMYK 0 / 45 / 56 / 3

HEX #F8896D

RGB 248 137 109

HSL 12.09, 0.91%, 0.7%

LAB 68.72, 39.59, 33.66

 

CMYK 0 / 30 / 56 / 3

HEX #F8AE6D

RGB 248 174 109

HSL 28.06, 0.91%, 0.7%

LAB 76.88, 20.33, 43.87

 

CMYK 0 / 15 / 56 / 3

HEX #F8D36D

RGB 248 211 109

HSL 44.03, 0.91%, 0.7%

LAB 85.83, 1.06, 54.57

 

CMYK 0 / 0 / 56 / 3

HEX #F8F86D

RGB 248 248 109

HSL 60, 0.91%, 0.7%

LAB 95.24, -17.38, 65.32

 

CMYK 0 / 47 / 88 / 4

HEX #F4821E

RGB 244 130 30

HSL 28.04, 0.91%, 0.54%

LAB 65.98, 37.87, 66.78

 

CMYK 0 / 38 / 72 / 4

HEX #F69845

RGB 246 152 69

HSL 28.14, 0.91%, 0.62%

LAB 71.2, 28.59, 56.7

 

CMYK 0 / 30 / 56 / 3

HEX #F8AE6D

RGB 248 174 109

HSL 28.06, 0.91%, 0.7%

LAB 76.88, 20.33, 43.87

 

CMYK 0 / 22 / 41 / 2

HEX #FAC494

RGB 250 196 148

HSL 28.24, 0.91%, 0.78%

LAB 82.88, 13.19, 31.46

 

CMYK 0 / 13 / 25 / 1

HEX #FCDABC

RGB 252 218 188

HSL 28.13, 0.91%, 0.86%

LAB 89.14, 7.38, 19.12

 

CMYK 0 / 29 / 55 / 3

HEX #F8AF6F

RGB 248 175 111

HSL 28.03, 0.91%, 0.7%

LAB 77.14, 19.96, 43.17

 

CMYK 38 / 0 / 56 / 3

HEX #9BF86D

RGB 155 248 109

HSL 100.14, 0.91%, 0.7%

LAB 89.49, -51.49, 57.23

 

CMYK 52 / 56 / 0 / 3

HEX #766DF8

RGB 118 109 248

HSL 243.88, 0.91%, 0.7%

LAB 53.56, 40.15, -68.72

 

CMYK 0 / 29 / 55 / 3

HEX #F8AF6F

RGB 248 175 111

HSL 28.03, 0.91%, 0.7%

LAB 77.14, 19.96, 43.17

 

CMYK 56 / 0 / 30 / 3

HEX #6DF8AE

RGB 109 248 174

HSL 148.06, 0.91%, 0.7%

LAB 88.66, -54.29, 24.4

 

CMYK 30 / 56 / 0 / 3

HEX #AE6DF8

RGB 174 109 248

HSL 268.06, 0.91%, 0.7%

LAB 58.71, 52.26, -60.18

 

CMYK 0 / 29 / 55 / 3

HEX #F8AF6F

RGB 248 175 111

HSL 28.03, 0.91%, 0.7%

LAB 77.14, 19.96, 43.17

 

CMYK 38 / 0 / 56 / 3

HEX #9BF86D

RGB 155 248 109

HSL 100.14, 0.91%, 0.7%

LAB 89.49, -51.49, 57.23

 

CMYK 56 / 26 / 0 / 3

HEX #6DB7F8

RGB 109 183 248

HSL 208.06, 0.91%, 0.7%

LAB 72.16, -4.73, -39.22

 

CMYK 19 / 56 / 0 / 3

HEX #CA6DF8

RGB 202 109 248

HSL 280.14, 0.91%, 0.7%

LAB 61.89, 59.02, -54.92

 

CMYK 0 / 29 / 55 / 3

HEX #F8AF6F

RGB 248 175 111

HSL 28.03, 0.91%, 0.7%

LAB 77.14, 19.96, 43.17

 

CMYK 54 / 0 / 56 / 3

HEX #72F86D

RGB 114 248 109

HSL 117.84, 0.91%, 0.7%

LAB 87.88, -63.13, 54.95

 

CMYK 56 / 26 / 0 / 3

HEX #6DB7F8

RGB 109 183 248

HSL 208.06, 0.91%, 0.7%

LAB 72.16, -4.73, -39.22

 

CMYK 2 / 56 / 0 / 3

HEX #F36DF8

RGB 243 109 248

HSL 297.84, 0.91%, 0.7%

LAB 67.1, 69.22, -46.32

 

Description

Color code: HEX #F8AF6F | qconv.com Color code: HEX #F8AF6F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 175 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 175 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 55 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 55% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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