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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 56 / 26 / 0 / 3 it is the complementary color CMYK 0 / 51 / 95 / 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 56 / 26 / 0 / 3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 56 / 26 / 0 / 3: CMYK 53 / 24 / 0 / 5, CMYK 49 / 21 / 0 / 0, CMYK 42 / 14 / 0 / 0, CMYK 35 / 7 / 0 / 0 and CMYK 29 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 56 / 26 / 0 / 3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 56 / 26 / 0 / 3: CMYK 56 / 26 / 0 / 3, CMYK 60 / 28 / 0 / 11, CMYK 64 / 30 / 0 / 18, CMYK 69 / 32 / 0 / 25 and CMYK 76 / 35 / 0 / 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 26 / 0 / 3

HEX #6DB7F7

RGB 109 183 247

HSL 207.83, 0.9%, 0.7%

LAB 72.12, -5.03, -38.75

 

Complementary color

CMYK 0 / 51 / 95 / 43

HEX #924808

RGB 146 72 8

HSL 27.83, 0.9%, 0.3%

LAB 39.18, 27.56, 46.58

 

CMYK 53 / 24 / 0 / 5

HEX #72B7F2

RGB 114 183 242

HSL 207.66, 0.83%, 0.7%

LAB 72.13, -5.5, -36

 

CMYK 49 / 21 / 0 / 0

HEX #83C9FF

RGB 131 201 255

HSL 206.13, 1%, 0.76%

LAB 78.36, -7.72, -33.3

 

CMYK 42 / 14 / 0 / 0

HEX #94DBFF

RGB 148 219 255

HSL 200.19, 1%, 0.79%

LAB 84.06, -13.14, -24.49

 

CMYK 35 / 7 / 0 / 0

HEX #A5EDFF

RGB 165 237 255

HSL 192, 1%, 0.82%

LAB 89.76, -17.96, -15.79

 

CMYK 29 / 0 / 0 / 0

HEX #B6FFFF

RGB 182 255 255

HSL 180, 1%, 0.86%

LAB 95.45, -22.28, -7.23

 

CMYK 56 / 26 / 0 / 3

HEX #6DB7F7

RGB 109 183 247

HSL 207.83, 0.9%, 0.7%

LAB 72.12, -5.03, -38.75

 

CMYK 60 / 28 / 0 / 11

HEX #5CA5E4

RGB 92 165 228

HSL 207.79, 0.72%, 0.63%

LAB 65.58, -4.28, -38.63

 

CMYK 64 / 30 / 0 / 18

HEX #4B93D1

RGB 75 147 209

HSL 207.76, 0.59%, 0.56%

LAB 58.94, -3.34, -38.51

 

CMYK 69 / 32 / 0 / 25

HEX #3A81BE

RGB 58 129 190

HSL 207.73, 0.53%, 0.49%

LAB 52.19, -2.16, -38.39

 

CMYK 76 / 35 / 0 / 33

HEX #296FAB

RGB 41 111 171

HSL 207.69, 0.61%, 0.42%

LAB 45.33, -0.62, -38.26

 

CMYK 56 / 26 / 0 / 3

HEX #6DB7F7

RGB 109 183 247

HSL 207.83, 0.9%, 0.7%

LAB 72.12, -5.03, -38.75

 

CMYK 56 / 34 / 0 / 3

HEX #6DA2F7

RGB 109 162 247

HSL 216.96, 0.9%, 0.7%

LAB 66.37, 6.76, -47.74

 

CMYK 56 / 44 / 0 / 3

HEX #6D8BF7

RGB 109 139 247

HSL 226.96, 0.9%, 0.7%

LAB 60.28, 20.24, -57.41

 

CMYK 56 / 53 / 0 / 3

HEX #6D74F7

RGB 109 116 247

HSL 236.96, 0.9%, 0.7%

LAB 54.51, 34, -66.67

 

CMYK 49 / 56 / 0 / 3

HEX #7D6DF7

RGB 125 109 247

HSL 246.96, 0.9%, 0.7%

LAB 54.04, 41.22, -67.37

 

CMYK 56 / 26 / 0 / 3

HEX #6DB7F7

RGB 109 183 247

HSL 207.83, 0.9%, 0.7%

LAB 72.12, -5.03, -38.75

 

CMYK 56 / 26 / 0 / 83

HEX #13202B

RGB 19 32 43

HSL 207.5, 0.39%, 0.12%

LAB 11.59, -1.83, -9.13

 

CMYK 56 / 26 / 0 / 63

HEX #29465E

RGB 41 70 94

HSL 207.17, 0.39%, 0.26%

LAB 28.54, -3.08, -17.51

 

CMYK 56 / 26 / 0 / 43

HEX #406B91

RGB 64 107 145

HSL 208.15, 0.39%, 0.41%

LAB 43.73, -3.29, -25.35

 

CMYK 56 / 26 / 0 / 23

HEX #5691C4

RGB 86 145 196

HSL 207.82, 0.48%, 0.55%

LAB 58.24, -4.29, -32.26

 

CMYK 56 / 26 / 0 / 3

HEX #6DB7F7

RGB 109 183 247

HSL 207.83, 0.9%, 0.7%

LAB 72.12, -5.03, -38.75

 

CMYK 19 / 56 / 0 / 3

HEX #C76DF7

RGB 199 109 247

HSL 279.13, 0.9%, 0.7%

LAB 61.48, 58.07, -55.04

 

CMYK 3 / 0 / 56 / 3

HEX #F0F76D

RGB 240 247 109

HSL 63.04, 0.9%, 0.7%

LAB 94.38, -20.06, 64.18

 

CMYK 56 / 26 / 0 / 3

HEX #6DB7F7

RGB 109 183 247

HSL 207.83, 0.9%, 0.7%

LAB 72.12, -5.03, -38.75

 

CMYK 0 / 56 / 25 / 3

HEX #F76DB9

RGB 247 109 185

HSL 326.96, 0.9%, 0.7%

LAB 65.13, 60.75, -14.14

 

CMYK 25 / 0 / 56 / 3

HEX #B9F76D

RGB 185 247 109

HSL 86.96, 0.9%, 0.7%

LAB 90.75, -40.9, 59.09

 

CMYK 56 / 26 / 0 / 3

HEX #6DB7F7

RGB 109 183 247

HSL 207.83, 0.9%, 0.7%

LAB 72.12, -5.03, -38.75

 

CMYK 19 / 56 / 0 / 3

HEX #C76DF7

RGB 199 109 247

HSL 279.13, 0.9%, 0.7%

LAB 61.48, 58.07, -55.04

 

CMYK 0 / 31 / 56 / 3

HEX #F7AB6D

RGB 247 171 109

HSL 26.96, 0.9%, 0.7%

LAB 76.07, 21.51, 42.85

 

CMYK 36 / 0 / 56 / 3

HEX #9DF76D

RGB 157 247 109

HSL 99.13, 0.9%, 0.7%

LAB 89.3, -50.44, 57.03

 

CMYK 56 / 26 / 0 / 3

HEX #6DB7F7

RGB 109 183 247

HSL 207.83, 0.9%, 0.7%

LAB 72.12, -5.03, -38.75

 

CMYK 3 / 56 / 0 / 3

HEX #F06DF7

RGB 240 109 247

HSL 296.96, 0.9%, 0.7%

LAB 66.66, 68.29, -46.51

 

CMYK 0 / 31 / 56 / 3

HEX #F7AB6D

RGB 247 171 109

HSL 26.96, 0.9%, 0.7%

LAB 76.07, 21.51, 42.85

 

CMYK 53 / 0 / 56 / 3

HEX #74F76D

RGB 116 247 109

HSL 116.96, 0.9%, 0.7%

LAB 87.65, -62.26, 54.69

 

Description

Color code: CMYK 56 / 26 / 0 / 3 | qconv.com Color code: CMYK 56 / 26 / 0 / 3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 183 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 183 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 26 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 26% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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