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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8AE77 it is the complementary color #075188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8AE77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8AE77 shade: #FDAE72, #FFC085, #FFD298, #FFE4AB and #FFF6BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8AE77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8AE77 shade: #F8AE77, #E79C64, #D68A51, #C5783E and #B4662B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8AE77 shade: #F8AE77, #F88B77 and #F87777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8AE77 shade: #F8AE77, #F8D177, #F8F377, #DAF877 and #B7F877

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8AE77 shade matches the following richer shades: #F8AE77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8AE77 shade: #F8AE77, #ECB083, #E1B28E, #D5B39A and #CAB5A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8AE77 shade: #F87786, #F88B77, #F8AD77, #F8CF77 and #F8F177

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8AE77 shade: #F47F29, #F69750, #F8AE77, #FAC59F and #FCDDC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8AE77 shade: #F8AE77, #A9F877 and #7977F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8AE77 shade: #F8AE77, #77F8AD and #AD77F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8AE77 shade: #F8AE77, #A9F877, #77C2F8 and #C777F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8AE77 shade: #F8AE77, #82F877, #77C2F8 and #ED77F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 52 / 3

HEX #F8AE77

RGB 248 174 119

HSL 25.58, 0.9%, 0.72%

LAB 77.02, 21.15, 38.91

 

Complementary color

CMYK 95 / 40 / 0 / 47

HEX #075188

RGB 7 81 136

HSL 205.58, 0.9%, 0.28%

LAB 33.37, 1.42, -36.34

 

CMYK 0 / 31 / 55 / 1

HEX #FDAE72

RGB 253 174 114

HSL 25.9, 0.97%, 0.72%

LAB 77.5, 22.73, 42.21

 

CMYK 0 / 25 / 48 / 0

HEX #FFC085

RGB 255 192 133

HSL 29.02, 1%, 0.76%

LAB 82.19, 15.74, 38.42

 

CMYK 0 / 18 / 40 / 0

HEX #FFD298

RGB 255 210 152

HSL 33.79, 1%, 0.8%

LAB 86.81, 8.29, 34.67

 

CMYK 0 / 11 / 33 / 0

HEX #FFE4AB

RGB 255 228 171

HSL 40.71, 1%, 0.84%

LAB 91.54, 1.21, 31.24

 

CMYK 0 / 4 / 25 / 0

HEX #FFF6BE

RGB 255 246 190

HSL 51.69, 1%, 0.87%

LAB 96.36, -5.48, 28.09

 

CMYK 0 / 30 / 52 / 3

HEX #F8AE77

RGB 248 174 119

HSL 25.58, 0.9%, 0.72%

LAB 77.02, 21.15, 38.91

 

CMYK 0 / 32 / 57 / 9

HEX #E79C64

RGB 231 156 100

HSL 25.65, 0.73%, 0.65%

LAB 70.65, 22.28, 40.42

 

CMYK 0 / 36 / 62 / 16

HEX #D68A51

RGB 214 138 81

HSL 25.71, 0.62%, 0.58%

LAB 64.22, 23.57, 42.02

 

CMYK 0 / 39 / 69 / 23

HEX #C5783E

RGB 197 120 62

HSL 25.78, 0.54%, 0.51%

LAB 57.7, 25.04, 43.68

 

CMYK 0 / 43 / 76 / 29

HEX #B4662B

RGB 180 102 43

HSL 25.84, 0.61%, 0.44%

LAB 51.13, 26.72, 45.28

 

CMYK 0 / 30 / 52 / 3

HEX #F8AE77

RGB 248 174 119

HSL 25.58, 0.9%, 0.72%

LAB 77.02, 21.15, 38.91

 

CMYK 0 / 44 / 52 / 3

HEX #F88B77

RGB 248 139 119

HSL 9.3, 0.9%, 0.72%

LAB 69.29, 39.38, 28.95

 

CMYK 0 / 52 / 52 / 3

HEX #F87777

RGB 248 119 119

HSL 0, 0.9%, 0.72%

LAB 65.34, 49.31, 23.7

 

CMYK 0 / 30 / 52 / 3

HEX #F8AE77

RGB 248 174 119

HSL 25.58, 0.9%, 0.72%

LAB 77.02, 21.15, 38.91

 

CMYK 0 / 16 / 52 / 3

HEX #F8D177

RGB 248 209 119

HSL 41.86, 0.9%, 0.72%

LAB 85.45, 2.88, 49.34

 

CMYK 0 / 2 / 52 / 3

HEX #F8F377

RGB 248 243 119

HSL 57.67, 0.9%, 0.72%

LAB 94.05, -14.19, 59.56

 

CMYK 12 / 0 / 52 / 3

HEX #DAF877

RGB 218 248 119

HSL 73.95, 0.9%, 0.72%

LAB 93.18, -28.25, 57.98

 

CMYK 26 / 0 / 52 / 3

HEX #B7F877

RGB 183 248 119

HSL 90.23, 0.9%, 0.72%

LAB 91.02, -41.08, 54.91

 

CMYK 0 / 30 / 52 / 3

HEX #F8AE77

RGB 248 174 119

HSL 25.58, 0.9%, 0.72%

LAB 77.02, 21.15, 38.91

 

CMYK 0 / 30 / 52 / 3

HEX #F8AE77

RGB 248 174 119

HSL 25.58, 0.9%, 0.72%

LAB 77.02, 21.15, 38.91

 

CMYK 0 / 25 / 44 / 7

HEX #ECB083

RGB 236 176 131

HSL 25.71, 0.73%, 0.72%

LAB 76.39, 16.44, 31.55

 

CMYK 0 / 21 / 37 / 12

HEX #E1B28E

RGB 225 178 142

HSL 26.02, 0.58%, 0.72%

LAB 75.95, 12.23, 24.91

 

CMYK 0 / 16 / 28 / 16

HEX #D5B39A

RGB 213 179 154

HSL 25.42, 0.41%, 0.72%

LAB 75.28, 8.56, 17.34

 

CMYK 0 / 10 / 18 / 21

HEX #CAB5A6

RGB 202 181 166

HSL 25, 0.25%, 0.72%

LAB 75.05, 5.06, 10.37

 

CMYK 0 / 52 / 46 / 3

HEX #F87786

RGB 248 119 134

HSL 353.02, 0.9%, 0.72%

LAB 65.65, 50.65, 15.64

 

CMYK 0 / 44 / 52 / 3

HEX #F88B77

RGB 248 139 119

HSL 9.3, 0.9%, 0.72%

LAB 69.29, 39.38, 28.95

 

CMYK 0 / 30 / 52 / 3

HEX #F8AD77

RGB 248 173 119

HSL 25.12, 0.9%, 0.72%

LAB 76.79, 21.67, 38.61

 

CMYK 0 / 17 / 52 / 3

HEX #F8CF77

RGB 248 207 119

HSL 40.93, 0.9%, 0.72%

LAB 84.95, 3.91, 48.74

 

CMYK 0 / 3 / 52 / 3

HEX #F8F177

RGB 248 241 119

HSL 56.74, 0.9%, 0.72%

LAB 93.54, -13.21, 58.96

 

CMYK 0 / 48 / 83 / 4

HEX #F47F29

RGB 244 127 41

HSL 25.42, 0.9%, 0.56%

LAB 65.41, 39.63, 62.67

 

CMYK 0 / 39 / 67 / 4

HEX #F69750

RGB 246 151 80

HSL 25.66, 0.9%, 0.64%

LAB 71.08, 29.67, 51.42

 

CMYK 0 / 30 / 52 / 3

HEX #F8AE77

RGB 248 174 119

HSL 25.58, 0.9%, 0.72%

LAB 77.02, 21.15, 38.91

 

CMYK 0 / 21 / 36 / 2

HEX #FAC59F

RGB 250 197 159

HSL 25.05, 0.9%, 0.8%

LAB 83.32, 13.89, 26.28

 

CMYK 0 / 12 / 21 / 1

HEX #FCDDC6

RGB 252 221 198

HSL 25.56, 0.9%, 0.88%

LAB 90.08, 7.22, 15.22

 

CMYK 0 / 30 / 52 / 3

HEX #F8AE77

RGB 248 174 119

HSL 25.58, 0.9%, 0.72%

LAB 77.02, 21.15, 38.91

 

CMYK 32 / 0 / 52 / 3

HEX #A9F877

RGB 169 248 119

HSL 96.74, 0.9%, 0.72%

LAB 90.28, -45.87, 53.84

 

CMYK 51 / 52 / 0 / 3

HEX #7977F8

RGB 121 119 248

HSL 240.93, 0.9%, 0.72%

LAB 56.12, 34.86, -64.58

 

CMYK 0 / 30 / 52 / 3

HEX #F8AE77

RGB 248 174 119

HSL 25.58, 0.9%, 0.72%

LAB 77.02, 21.15, 38.91

 

CMYK 52 / 0 / 30 / 3

HEX #77F8AD

RGB 119 248 173

HSL 145.12, 0.9%, 0.72%

LAB 88.96, -52.25, 25.37

 

CMYK 30 / 52 / 0 / 3

HEX #AD77F8

RGB 173 119 248

HSL 265.12, 0.9%, 0.72%

LAB 60.65, 46.69, -57.07

 

CMYK 0 / 30 / 52 / 3

HEX #F8AE77

RGB 248 174 119

HSL 25.58, 0.9%, 0.72%

LAB 77.02, 21.15, 38.91

 

CMYK 32 / 0 / 52 / 3

HEX #A9F877

RGB 169 248 119

HSL 96.74, 0.9%, 0.72%

LAB 90.28, -45.87, 53.84

 

CMYK 52 / 22 / 0 / 3

HEX #77C2F8

RGB 119 194 248

HSL 205.12, 0.9%, 0.72%

LAB 75.63, -8.62, -33.81

 

CMYK 20 / 52 / 0 / 3

HEX #C777F8

RGB 199 119 248

HSL 277.21, 0.9%, 0.72%

LAB 63.44, 53.25, -52.48

 

CMYK 0 / 30 / 52 / 3

HEX #F8AE77

RGB 248 174 119

HSL 25.58, 0.9%, 0.72%

LAB 77.02, 21.15, 38.91

 

CMYK 48 / 0 / 52 / 3

HEX #82F877

RGB 130 248 119

HSL 114.88, 0.9%, 0.72%

LAB 88.55, -57.79, 51.35

 

CMYK 52 / 22 / 0 / 3

HEX #77C2F8

RGB 119 194 248

HSL 205.12, 0.9%, 0.72%

LAB 75.63, -8.62, -33.81

 

CMYK 4 / 52 / 0 / 3

HEX #ED77F8

RGB 237 119 248

HSL 294.88, 0.9%, 0.72%

LAB 68, 63.15, -44.97

 

Description

Color code: HEX #F8AE77 | qconv.com Color code: HEX #F8AE77 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 174 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 174 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 52 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 52% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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