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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8A045 it is the complementary color #075FBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8A045. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8A045 shade: #FDA040, #FFB253, #FFC466, #FFD679 and #FFE88C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8A045. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8A045 shade: #F8A045, #E78E32, #D67C1F, #C56A0C and #B45800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8A045 shade: #F8A044, #F86F44 and #F84444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8A045 shade: #F8A044, #F8D044, #F0F844, #BFF844 and #8EF844

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8A045 shade matches the following richer shades: #F8A044

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8A045 shade: #F8A044, #E99F54, #D99F63, #C99F73 and #BA9F83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8A045 shade: #F8444A, #F86E44, #F89E44, #F8CE44 and #F2F844

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8A045 shade: #E27708, #F78B1C, #F8A044, #FAB46C and #FBC894

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8A045 shade: #F8A045, #7AF844 and #5644F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8A045 shade: #F8A045, #44F89E and #9E44F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8A045 shade: #F8A045, #7AF844, #449EF8 and #C244F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8A045 shade: #F8A045, #44F844, #449EF8 and #F844F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 72 / 3

HEX #F8A045

RGB 248 160 69

HSL 30.5, 0.93%, 0.62%

LAB 73.24, 25.22, 58.89

 

Complementary color

CMYK 96 / 49 / 0 / 27

HEX #075FBA

RGB 7 95 186

HSL 210.5, 0.93%, 0.38%

LAB 40.86, 12.83, -54.23

 

CMYK 0 / 37 / 75 / 1

HEX #FDA040

RGB 253 160 64

HSL 30.48, 0.98%, 0.62%

LAB 73.8, 27.05, 61.8

 

CMYK 0 / 30 / 67 / 0

HEX #FFB253

RGB 255 178 83

HSL 33.14, 1%, 0.66%

LAB 78.3, 19.38, 58.25

 

CMYK 0 / 23 / 60 / 0

HEX #FFC466

RGB 255 196 102

HSL 36.86, 1%, 0.7%

LAB 82.75, 11.16, 54.46

 

CMYK 0 / 16 / 53 / 0

HEX #FFD679

RGB 255 214 121

HSL 41.64, 1%, 0.74%

LAB 87.36, 3.31, 50.84

 

CMYK 0 / 9 / 45 / 0

HEX #FFE88C

RGB 255 232 140

HSL 48, 1%, 0.77%

LAB 92.07, -4.14, 47.43

 

CMYK 0 / 35 / 72 / 3

HEX #F8A045

RGB 248 160 69

HSL 30.5, 0.93%, 0.62%

LAB 73.24, 25.22, 58.89

 

CMYK 0 / 39 / 78 / 9

HEX #E78E32

RGB 231 142 50

HSL 30.5, 0.79%, 0.55%

LAB 66.95, 26.9, 59.96

 

CMYK 0 / 42 / 86 / 16

HEX #D67C1F

RGB 214 124 31

HSL 30.49, 0.75%, 0.48%

LAB 60.61, 28.79, 60.46

 

CMYK 0 / 46 / 94 / 23

HEX #C56A0C

RGB 197 106 12

HSL 30.49, 0.89%, 0.41%

LAB 54.24, 30.89, 59.75

 

CMYK 0 / 51 / 100 / 29

HEX #B45800

RGB 180 88 0

HSL 29.33, 1%, 0.35%

LAB 47.86, 33.19, 56.94

 

CMYK 0 / 35 / 73 / 3

HEX #F8A044

RGB 248 160 68

HSL 30.67, 0.93%, 0.62%

LAB 73.23, 25.18, 59.32

 

CMYK 0 / 55 / 73 / 3

HEX #F86F44

RGB 248 111 68

HSL 14.33, 0.93%, 0.62%

LAB 63.13, 49.89, 48.67

 

CMYK 0 / 73 / 73 / 3

HEX #F84444

RGB 248 68 68

HSL 0, 0.93%, 0.62%

LAB 56.59, 67.4, 41.41

 

CMYK 0 / 35 / 73 / 3

HEX #F8A044

RGB 248 160 68

HSL 30.67, 0.93%, 0.62%

LAB 73.23, 25.18, 59.32

 

CMYK 0 / 16 / 73 / 3

HEX #F8D044

RGB 248 208 68

HSL 46.67, 0.93%, 0.62%

LAB 84.73, 0.16, 70.79

 

CMYK 3 / 0 / 73 / 3

HEX #F0F844

RGB 240 248 68

HSL 62.67, 0.93%, 0.62%

LAB 94.35, -22.92, 79.75

 

CMYK 23 / 0 / 73 / 3

HEX #BFF844

RGB 191 248 68

HSL 79, 0.93%, 0.62%

LAB 91.07, -42.08, 75.47

 

CMYK 43 / 0 / 73 / 3

HEX #8EF844

RGB 142 248 68

HSL 95.33, 0.93%, 0.62%

LAB 88.59, -58.93, 72.2

 

CMYK 0 / 35 / 73 / 3

HEX #F8A044

RGB 248 160 68

HSL 30.67, 0.93%, 0.62%

LAB 73.23, 25.18, 59.32

 

CMYK 0 / 35 / 73 / 3

HEX #F8A044

RGB 248 160 68

HSL 30.67, 0.93%, 0.62%

LAB 73.23, 25.18, 59.32

 

CMYK 0 / 32 / 64 / 9

HEX #E99F54

RGB 233 159 84

HSL 30.2, 0.77%, 0.62%

LAB 71.39, 20.38, 49.41

 

CMYK 0 / 27 / 54 / 15

HEX #D99F63

RGB 217 159 99

HSL 30.51, 0.61%, 0.62%

LAB 69.79, 14.85, 39.52

 

CMYK 0 / 21 / 43 / 21

HEX #C99F73

RGB 201 159 115

HSL 30.7, 0.44%, 0.62%

LAB 68.35, 9.79, 28.87

 

CMYK 0 / 15 / 30 / 27

HEX #BA9F83

RGB 186 159 131

HSL 30.55, 0.28%, 0.62%

LAB 67.18, 5.7, 18.31

 

CMYK 0 / 73 / 70 / 3

HEX #F8444A

RGB 248 68 74

HSL 358, 0.93%, 0.62%

LAB 56.67, 67.65, 38.14

 

CMYK 0 / 56 / 73 / 3

HEX #F86E44

RGB 248 110 68

HSL 14, 0.93%, 0.62%

LAB 62.95, 50.35, 48.47

 

CMYK 0 / 36 / 73 / 3

HEX #F89E44

RGB 248 158 68

HSL 30, 0.93%, 0.62%

LAB 72.78, 26.23, 58.85

 

CMYK 0 / 17 / 73 / 3

HEX #F8CE44

RGB 248 206 68

HSL 46, 0.93%, 0.62%

LAB 84.23, 1.18, 70.3

 

CMYK 2 / 0 / 73 / 3

HEX #F2F844

RGB 242 248 68

HSL 62, 0.93%, 0.62%

LAB 94.5, -22.11, 79.94

 

CMYK 0 / 47 / 96 / 11

HEX #E27708

RGB 226 119 8

HSL 30.55, 0.93%, 0.46%

LAB 61.12, 35.96, 67.04

 

CMYK 0 / 44 / 89 / 3

HEX #F78B1C

RGB 247 139 28

HSL 30.41, 0.93%, 0.54%

LAB 68.26, 34.44, 69.27

 

CMYK 0 / 35 / 73 / 3

HEX #F8A044

RGB 248 160 68

HSL 30.67, 0.93%, 0.62%

LAB 73.23, 25.18, 59.32

 

CMYK 0 / 28 / 57 / 2

HEX #FAB46C

RGB 250 180 108

HSL 30.42, 0.93%, 0.7%

LAB 78.49, 17.91, 46.38

 

CMYK 0 / 20 / 41 / 2

HEX #FBC894

RGB 251 200 148

HSL 30.29, 0.93%, 0.78%

LAB 83.94, 11.49, 32.88

 

CMYK 0 / 35 / 72 / 3

HEX #F8A045

RGB 248 160 69

HSL 30.5, 0.93%, 0.62%

LAB 73.24, 25.22, 58.89

 

CMYK 51 / 0 / 73 / 3

HEX #7AF844

RGB 122 248 68

HSL 102, 0.93%, 0.62%

LAB 87.82, -64.74, 71.18

 

CMYK 65 / 73 / 0 / 3

HEX #5644F8

RGB 86 68 248

HSL 246, 0.93%, 0.62%

LAB 42.6, 58.32, -86.73

 

CMYK 0 / 35 / 72 / 3

HEX #F8A045

RGB 248 160 69

HSL 30.5, 0.93%, 0.62%

LAB 73.24, 25.22, 58.89

 

CMYK 73 / 0 / 36 / 3

HEX #44F89E

RGB 68 248 158

HSL 150, 0.93%, 0.62%

LAB 87.4, -64.5, 30.64

 

CMYK 36 / 73 / 0 / 3

HEX #9E44F8

RGB 158 68 248

HSL 270, 0.93%, 0.62%

LAB 49.71, 68.56, -74.79

 

CMYK 0 / 35 / 72 / 3

HEX #F8A045

RGB 248 160 69

HSL 30.5, 0.93%, 0.62%

LAB 73.24, 25.22, 58.89

 

CMYK 51 / 0 / 73 / 3

HEX #7AF844

RGB 122 248 68

HSL 102, 0.93%, 0.62%

LAB 87.82, -64.74, 71.18

 

CMYK 73 / 36 / 0 / 3

HEX #449EF8

RGB 68 158 248

HSL 210, 0.93%, 0.62%

LAB 63.72, 2.59, -52.59

 

CMYK 22 / 73 / 0 / 3

HEX #C244F8

RGB 194 68 248

HSL 282, 0.93%, 0.62%

LAB 54.43, 75.01, -66.93

 

CMYK 0 / 35 / 72 / 3

HEX #F8A045

RGB 248 160 69

HSL 30.5, 0.93%, 0.62%

LAB 73.24, 25.22, 58.89

 

CMYK 73 / 0 / 73 / 3

HEX #44F844

RGB 68 248 68

HSL 120, 0.93%, 0.62%

LAB 86.4, -76.29, 69.28

 

CMYK 73 / 36 / 0 / 3

HEX #449EF8

RGB 68 158 248

HSL 210, 0.93%, 0.62%

LAB 63.72, 2.59, -52.59

 

CMYK 0 / 73 / 0 / 3

HEX #F844F8

RGB 248 68 248

HSL 300, 0.93%, 0.62%

LAB 62.4, 85.51, -53.72

 

Description

Color code: HEX #F8A045 | qconv.com Color code: HEX #F8A045 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 160 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 160 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 72 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 72% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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