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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 232 140 it is the complementary color RGB 0 23 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 232 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 255 232 140: RGB 255 232 135, RGB 255 250 154, RGB 255 255 173, RGB 255 255 192 and RGB 255 255 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 232 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 255 232 140: RGB 255 232 140, RGB 238 214 121, RGB 221 196 102, RGB 204 178 83 and RGB 187 160 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 45 / 0

HEX #FFE88C

RGB 255 232 140

HSL 48, 1%, 0.77%

LAB 92.07, -4.14, 47.43

 

Complementary color

CMYK 100 / 80 / 0 / 55

HEX #001773

RGB 0 23 115

HSL 228, 1%, 0.23%

LAB 14.68, 32.51, -53.51

 

CMYK 0 / 9 / 47 / 0

HEX #FFE887

RGB 255 232 135

HSL 48.5, 1%, 0.76%

LAB 92.01, -4.61, 49.77

 

CMYK 0 / 2 / 40 / 0

HEX #FFFA9A

RGB 255 250 154

HSL 57.03, 1%, 0.8%

LAB 96.81, -11.68, 46.58

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 0 / 9 / 45 / 0

HEX #FFE88C

RGB 255 232 140

HSL 48, 1%, 0.77%

LAB 92.07, -4.14, 47.43

 

CMYK 0 / 10 / 49 / 7

HEX #EED679

RGB 238 214 121

HSL 47.69, 0.77%, 0.7%

LAB 85.83, -3.54, 48.63

 

CMYK 0 / 11 / 54 / 13

HEX #DDC466

RGB 221 196 102

HSL 47.39, 0.64%, 0.63%

LAB 79.51, -2.84, 49.84

 

CMYK 0 / 13 / 59 / 20

HEX #CCB253

RGB 204 178 83

HSL 47.11, 0.54%, 0.56%

LAB 73.09, -2.02, 51.02

 

CMYK 0 / 14 / 66 / 27

HEX #BBA040

RGB 187 160 64

HSL 46.83, 0.49%, 0.49%

LAB 66.58, -1.04, 52.07

 

CMYK 0 / 9 / 45 / 0

HEX #FFE88C

RGB 255 232 140

HSL 48, 1%, 0.77%

LAB 92.07, -4.14, 47.43

 

CMYK 0 / 2 / 46 / 0

HEX #FFFB89

RGB 255 251 137

HSL 57.97, 1%, 0.77%

LAB 96.85, -13.82, 54.74

 

CMYK 6 / 0 / 46 / 0

HEX #EFFF89

RGB 239 255 137

HSL 68.14, 1%, 0.77%

LAB 96.69, -21.9, 54.27

 

CMYK 14 / 0 / 46 / 0

HEX #DBFF89

RGB 219 255 137

HSL 78.31, 1%, 0.77%

LAB 95.32, -29.41, 52.29

 

CMYK 22 / 0 / 46 / 0

HEX #C8FF89

RGB 200 255 137

HSL 87.97, 1%, 0.77%

LAB 94.14, -36.29, 50.57

 

CMYK 0 / 9 / 45 / 0

HEX #FFE88C

RGB 255 232 140

HSL 48, 1%, 0.77%

LAB 92.07, -4.14, 47.43

 

CMYK 0 / 10 / 45 / 80

HEX #332E1C

RGB 51 46 28

HSL 46.96, 0.29%, 0.15%

LAB 18.98, -1.05, 12.43

 

CMYK 0 / 9 / 45 / 60

HEX #665D38

RGB 102 93 56

HSL 48.26, 0.29%, 0.31%

LAB 39.48, -2.24, 22.53

 

CMYK 0 / 9 / 45 / 40

HEX #998B54

RGB 153 139 84

HSL 47.83, 0.29%, 0.46%

LAB 57.92, -2.73, 31.24

 

CMYK 0 / 9 / 45 / 20

HEX #CCBA70

RGB 204 186 112

HSL 48.26, 0.47%, 0.62%

LAB 75.53, -3.71, 39.71

 

CMYK 0 / 9 / 45 / 0

HEX #FFE88C

RGB 255 232 140

HSL 48, 1%, 0.77%

LAB 92.07, -4.14, 47.43

 

CMYK 46 / 0 / 46 / 0

HEX #89FF89

RGB 137 255 137

HSL 120, 1%, 0.77%

LAB 91.07, -56.31, 46.08

 

CMYK 28 / 46 / 0 / 0

HEX #B889FF

RGB 184 137 255

HSL 263.9, 1%, 0.77%

LAB 65.98, 41.35, -52.38

 

CMYK 0 / 9 / 45 / 0

HEX #FFE88C

RGB 255 232 140

HSL 48, 1%, 0.77%

LAB 92.07, -4.14, 47.43

 

CMYK 46 / 0 / 9 / 0

HEX #89FFE7

RGB 137 255 231

HSL 167.8, 1%, 0.77%

LAB 92.84, -39.04, 1.11

 

CMYK 9 / 46 / 0 / 0

HEX #E789FF

RGB 231 137 255

HSL 287.8, 1%, 0.77%

LAB 70.94, 54.06, -44.23

 

CMYK 0 / 9 / 45 / 0

HEX #FFE88C

RGB 255 232 140

HSL 48, 1%, 0.77%

LAB 92.07, -4.14, 47.43

 

CMYK 46 / 0 / 46 / 0

HEX #89FF89

RGB 137 255 137

HSL 120, 1%, 0.77%

LAB 91.07, -56.31, 46.08

 

CMYK 46 / 37 / 0 / 0

HEX #89A1FF

RGB 137 161 255

HSL 227.8, 1%, 0.77%

LAB 68.04, 15.89, -49.37

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 0 / 9 / 45 / 0

HEX #FFE88C

RGB 255 232 140

HSL 48, 1%, 0.77%

LAB 92.07, -4.14, 47.43

 

CMYK 46 / 0 / 33 / 0

HEX #89FFAC

RGB 137 255 172

HSL 137.8, 1%, 0.77%

LAB 91.6, -50.91, 29.58

 

CMYK 46 / 37 / 0 / 0

HEX #89A1FF

RGB 137 161 255

HSL 227.8, 1%, 0.77%

LAB 68.04, 15.89, -49.37

 

CMYK 0 / 46 / 14 / 0

HEX #FF89DB

RGB 255 137 219

HSL 318.31, 1%, 0.77%

LAB 72.41, 54.83, -22.01

 

Description

Color code: RGB 255 232 140 | qconv.com Color code: RGB 255 232 140 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 232 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 232 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 45 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 45% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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