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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8973C it is the complementary color #0768C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8973C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8973C shade: #FD9737, #FFA94A, #FFBB5D, #FFCD70 and #FFDF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8973C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8973C shade: #F8973C, #E78529, #D67316, #C56103 and #B44F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8973C shade: #F8963A, #F8633A and #F83A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8973C shade: #F8963A, #F8C93A, #F3F83A, #C0F83A and #8DF83A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8973C shade matches the following richer shades: #F8963A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8973C shade: #F8963A, #E7964B, #D7975B, #C6986C and #B6987C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8973C shade: #F83A44, #F8633A, #F8963A, #F8C83A and #F5F83A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8973C shade: #D86C08, #F68112, #F8963A, #F9AB62 and #FBC08A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8973C shade: #F8973C, #76F83A and #4A3AF8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8973C shade: #F8973C, #3AF896 and #963AF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8973C shade: #F8973C, #76F83A, #3A9CF8 and #BC3AF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8973C shade: #F8973C, #3DF83A, #3A9CF8 and #F53AF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 76 / 3

HEX #F8973C

RGB 248 151 60

HSL 29.04, 0.93%, 0.6%

LAB 71.16, 29.54, 60.65

 

Complementary color

CMYK 96 / 47 / 0 / 24

HEX #0768C3

RGB 7 104 195

HSL 209.04, 0.93%, 0.4%

LAB 44.07, 10.61, -54.28

 

CMYK 0 / 40 / 78 / 1

HEX #FD9737

RGB 253 151 55

HSL 29.09, 0.98%, 0.6%

LAB 71.75, 31.39, 63.48

 

CMYK 0 / 34 / 71 / 0

HEX #FFA94A

RGB 255 169 74

HSL 31.49, 1%, 0.65%

LAB 76.15, 23.62, 59.97

 

CMYK 0 / 27 / 64 / 0

HEX #FFBB5D

RGB 255 187 93

HSL 34.81, 1%, 0.68%

LAB 80.51, 15.26, 56.11

 

CMYK 0 / 20 / 56 / 0

HEX #FFCD70

RGB 255 205 112

HSL 39.02, 1%, 0.72%

LAB 85.04, 7.22, 52.39

 

CMYK 0 / 13 / 49 / 0

HEX #FFDF83

RGB 255 223 131

HSL 44.52, 1%, 0.76%

LAB 89.71, -0.43, 48.87

 

CMYK 0 / 39 / 76 / 3

HEX #F8973C

RGB 248 151 60

HSL 29.04, 0.93%, 0.6%

LAB 71.16, 29.54, 60.65

 

CMYK 0 / 42 / 82 / 9

HEX #E78529

RGB 231 133 41

HSL 29.05, 0.8%, 0.53%

LAB 64.9, 31.34, 61.54

 

CMYK 0 / 46 / 90 / 16

HEX #D67316

RGB 214 115 22

HSL 29.06, 0.81%, 0.46%

LAB 58.62, 33.34, 61.59

 

CMYK 0 / 51 / 98 / 23

HEX #C56103

RGB 197 97 3

HSL 29.07, 0.97%, 0.39%

LAB 52.32, 35.5, 60.27

 

CMYK 0 / 56 / 100 / 29

HEX #B44F00

RGB 180 79 0

HSL 26.33, 1%, 0.35%

LAB 46.04, 37.81, 55.89

 

CMYK 0 / 40 / 77 / 3

HEX #F8963A

RGB 248 150 58

HSL 29.05, 0.93%, 0.6%

LAB 70.92, 29.99, 61.26

 

CMYK 0 / 60 / 77 / 3

HEX #F8633A

RGB 248 99 58

HSL 12.95, 0.93%, 0.6%

LAB 60.95, 54.94, 51.34

 

CMYK 0 / 77 / 77 / 3

HEX #F83A3A

RGB 248 58 58

HSL 0, 0.93%, 0.6%

LAB 55.37, 70.13, 45.54

 

CMYK 0 / 40 / 77 / 3

HEX #F8963A

RGB 248 150 58

HSL 29.05, 0.93%, 0.6%

LAB 70.92, 29.99, 61.26

 

CMYK 0 / 19 / 77 / 3

HEX #F8C93A

RGB 248 201 58

HSL 45.16, 0.93%, 0.6%

LAB 82.93, 3.35, 72.61

 

CMYK 2 / 0 / 77 / 3

HEX #F3F83A

RGB 243 248 58

HSL 61.58, 0.93%, 0.6%

LAB 94.52, -22.1, 82.99

 

CMYK 23 / 0 / 77 / 3

HEX #C0F83A

RGB 192 248 58

HSL 77.68, 0.93%, 0.6%

LAB 91.07, -42.19, 78.57

 

CMYK 43 / 0 / 77 / 3

HEX #8DF83A

RGB 141 248 58

HSL 93.79, 0.93%, 0.6%

LAB 88.5, -59.81, 75.24

 

CMYK 0 / 40 / 77 / 3

HEX #F8963A

RGB 248 150 58

HSL 29.05, 0.93%, 0.6%

LAB 70.92, 29.99, 61.26

 

CMYK 0 / 40 / 77 / 3

HEX #F8963A

RGB 248 150 58

HSL 29.05, 0.93%, 0.6%

LAB 70.92, 29.99, 61.26

 

CMYK 0 / 35 / 68 / 9

HEX #E7964B

RGB 231 150 75

HSL 28.85, 0.76%, 0.6%

LAB 68.97, 23.81, 50.98

 

CMYK 0 / 30 / 58 / 16

HEX #D7975B

RGB 215 151 91

HSL 29.03, 0.61%, 0.6%

LAB 67.53, 17.69, 40.85

 

CMYK 0 / 23 / 45 / 22

HEX #C6986C

RGB 198 152 108

HSL 29.33, 0.44%, 0.6%

LAB 66.17, 11.63, 29.74

 

CMYK 0 / 16 / 32 / 29

HEX #B6987C

RGB 182 152 124

HSL 28.97, 0.28%, 0.6%

LAB 64.85, 7, 18.91

 

CMYK 0 / 77 / 73 / 3

HEX #F83A44

RGB 248 58 68

HSL 356.84, 0.93%, 0.6%

LAB 55.48, 70.5, 40.14

 

CMYK 0 / 60 / 77 / 3

HEX #F8633A

RGB 248 99 58

HSL 12.95, 0.93%, 0.6%

LAB 60.95, 54.94, 51.34

 

CMYK 0 / 40 / 77 / 3

HEX #F8963A

RGB 248 150 58

HSL 29.05, 0.93%, 0.6%

LAB 70.92, 29.99, 61.26

 

CMYK 0 / 19 / 77 / 3

HEX #F8C83A

RGB 248 200 58

HSL 44.84, 0.93%, 0.6%

LAB 82.68, 3.86, 72.38

 

CMYK 1 / 0 / 77 / 3

HEX #F5F83A

RGB 245 248 58

HSL 60.95, 0.93%, 0.6%

LAB 94.68, -21.28, 83.18

 

CMYK 0 / 50 / 96 / 15

HEX #D86C08

RGB 216 108 8

HSL 28.85, 0.93%, 0.44%

LAB 57.41, 37.57, 63.93

 

CMYK 0 / 48 / 93 / 4

HEX #F68112

RGB 246 129 18

HSL 29.21, 0.93%, 0.52%

LAB 66.01, 38.97, 69.92

 

CMYK 0 / 40 / 77 / 3

HEX #F8963A

RGB 248 150 58

HSL 29.05, 0.93%, 0.6%

LAB 70.92, 29.99, 61.26

 

CMYK 0 / 31 / 61 / 2

HEX #F9AB62

RGB 249 171 98

HSL 29.01, 0.93%, 0.68%

LAB 76.16, 21.51, 48.54

 

CMYK 0 / 24 / 45 / 2

HEX #FBC08A

RGB 251 192 138

HSL 28.67, 0.93%, 0.76%

LAB 81.86, 14.64, 35.34

 

CMYK 0 / 39 / 76 / 3

HEX #F8973C

RGB 248 151 60

HSL 29.04, 0.93%, 0.6%

LAB 71.16, 29.54, 60.65

 

CMYK 52 / 0 / 77 / 3

HEX #76F83A

RGB 118 248 58

HSL 101.05, 0.93%, 0.6%

LAB 87.63, -66.43, 74.1

 

CMYK 70 / 77 / 0 / 3

HEX #4A3AF8

RGB 74 58 248

HSL 245.05, 0.93%, 0.6%

LAB 40.01, 62.17, -91.02

 

CMYK 0 / 39 / 76 / 3

HEX #F8973C

RGB 248 151 60

HSL 29.04, 0.93%, 0.6%

LAB 71.16, 29.54, 60.65

 

CMYK 77 / 0 / 40 / 3

HEX #3AF896

RGB 58 248 150

HSL 149.05, 0.93%, 0.6%

LAB 87.11, -67.22, 34.23

 

CMYK 40 / 77 / 0 / 3

HEX #963AF8

RGB 150 58 248

HSL 269.05, 0.93%, 0.6%

LAB 47.35, 71.24, -78.69

 

CMYK 0 / 39 / 76 / 3

HEX #F8973C

RGB 248 151 60

HSL 29.04, 0.93%, 0.6%

LAB 71.16, 29.54, 60.65

 

CMYK 52 / 0 / 77 / 3

HEX #76F83A

RGB 118 248 58

HSL 101.05, 0.93%, 0.6%

LAB 87.63, -66.43, 74.1

 

CMYK 77 / 37 / 0 / 3

HEX #3A9CF8

RGB 58 156 248

HSL 209.05, 0.93%, 0.6%

LAB 62.89, 2.56, -53.93

 

CMYK 24 / 77 / 0 / 3

HEX #BC3AF8

RGB 188 58 248

HSL 281.05, 0.93%, 0.6%

LAB 52.39, 77.37, -70.26

 

CMYK 0 / 39 / 76 / 3

HEX #F8973C

RGB 248 151 60

HSL 29.04, 0.93%, 0.6%

LAB 71.16, 29.54, 60.65

 

CMYK 75 / 0 / 77 / 3

HEX #3DF83A

RGB 61 248 58

HSL 119.05, 0.93%, 0.6%

LAB 86.22, -78, 72.27

 

CMYK 77 / 37 / 0 / 3

HEX #3A9CF8

RGB 58 156 248

HSL 209.05, 0.93%, 0.6%

LAB 62.89, 2.56, -53.93

 

CMYK 1 / 77 / 0 / 3

HEX #F53AF8

RGB 245 58 248

HSL 299.05, 0.93%, 0.6%

LAB 60.97, 87.67, -56.02

 

Description

Color code: HEX #F8973C | qconv.com Color code: HEX #F8973C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 151 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 151 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 76 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 76% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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