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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8907ACE it is the complementary color #076F85CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8907ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8907ACE shade: #FD9075CE, #FFA288CE, #FFB49BCE, #FFC6AECE and #FFD8C1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8907ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8907ACE shade: #F8907ACE, #E77E67CE, #D66C54CE, #C55A41CE and #B4482ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8907ACE shade: #F8927C and #F87C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8907ACE shade: #F8927C, #F8B37C, #F8D57C, #F8F67C and #D9F87C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8907ACE shade matches the following richer shades: #F8927C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8907ACE shade: #F8927C, #ED9987, #E2A092, #D7A89E and #CCAFA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8907ACE shade: #F87CAA, #F87C89, #F8917C, #F8B27C and #F8D37C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8907ACE shade: #F4502E, #F67155, #F8927C, #FAB3A3 and #FCD3CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8907ACE shade: #F8907A, #CBF87C and #7C99F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8907ACE shade: #F8907A, #7CF891 and #917CF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8907ACE shade: #F8907A, #CBF87C, #7CE3F8 and #AA7CF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8907ACE shade: #F8907A, #A5F87C, #7CE3F8 and #CF7CF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 41 / 2

HEX #F8907ACE

RGBA 248 144 122 0.81

HSLA 10.48, 0.9%, 0.73%, 0.81

LABA 70.39, 37.08, 28.75, 0.81

 

Complementary color

CMYK 77 / 13 / 0 / 39

HEX #076F85CE

RGBA 7 111 133 0.81

HSLA 190.48, 0.9%, 0.27%, 0.81

LABA 42.92, -17.9, -19.54, 0.81

 

CMYK 0 / 35 / 44 / 1

HEX #FD9075CE

RGBA 253 144 117 0.81

HSLA 11.91, 0.97%, 0.73%, 0.81

LABA 70.95, 38.55, 32.32, 0.81

 

CMYK 0 / 30 / 38 / 0

HEX #FFA288CE

RGBA 255 162 136 0.81

HSLA 13.11, 1%, 0.77%, 0.81

LABA 75.38, 31.71, 27.93, 0.81

 

CMYK 0 / 24 / 32 / 0

HEX #FFB49BCE

RGBA 255 180 155 0.81

HSLA 15, 1%, 0.8%, 0.81

LABA 79.77, 24.26, 23.66, 0.81

 

CMYK 0 / 18 / 26 / 0

HEX #FFC6AECE

RGBA 255 198 174 0.81

HSLA 17.78, 1%, 0.84%, 0.81

LABA 84.33, 17.07, 19.83, 0.81

 

CMYK 0 / 12 / 20 / 0

HEX #FFD8C1CE

RGBA 255 216 193 0.81

HSLA 22.26, 1%, 0.88%, 0.81

LABA 89.03, 10.2, 16.38, 0.81

 

CMYK 0 / 34 / 41 / 2

HEX #F8907ACE

RGBA 248 144 122 0.81

HSLA 10.48, 0.9%, 0.73%, 0.81

LABA 70.39, 37.08, 28.75, 0.81

 

CMYK 0 / 37 / 45 / 8

HEX #E77E67CE

RGBA 231 126 103 0.81

HSLA 10.78, 0.73%, 0.65%, 0.81

LABA 64.07, 38.3, 30.53, 0.81

 

CMYK 0 / 40 / 49 / 13

HEX #D66C54CE

RGBA 214 108 84 0.81

HSLA 11.08, 0.61%, 0.58%, 0.81

LABA 57.71, 39.6, 32.52, 0.81

 

CMYK 0 / 44 / 54 / 18

HEX #C55A41CE

RGBA 197 90 65 0.81

HSLA 11.36, 0.53%, 0.51%, 0.81

LABA 51.34, 40.98, 34.78, 0.81

 

CMYK 0 / 49 / 60 / 24

HEX #B4482ECE

RGBA 180 72 46 0.81

HSLA 11.64, 0.59%, 0.44%, 0.81

LABA 44.99, 42.39, 37.31, 0.81

 

CMYK 0 / 41 / 50 / 3

HEX #F8927C

RGB 248 146 124

HSL 10.65, 0.9%, 0.73%

LAB 70.85, 36.23, 28.27

 

CMYK 0 / 50 / 50 / 3

HEX #F87C7C

RGB 248 124 124

HSL 0, 0.9%, 0.73%

LAB 66.39, 47.31, 22.3

 

CMYK 0 / 41 / 50 / 3

HEX #F8927C

RGB 248 146 124

HSL 10.65, 0.9%, 0.73%

LAB 70.85, 36.23, 28.27

 

CMYK 0 / 28 / 50 / 3

HEX #F8B37C

RGB 248 179 124

HSL 26.61, 0.9%, 0.73%

LAB 78.26, 18.95, 37.89

 

CMYK 0 / 14 / 50 / 3

HEX #F8D57C

RGB 248 213 124

HSL 43.06, 0.9%, 0.73%

LAB 86.5, 1.26, 48.2

 

CMYK 0 / 1 / 50 / 3

HEX #F8F67C

RGB 248 246 124

HSL 59.03, 0.9%, 0.73%

LAB 94.88, -15.25, 58.25

 

CMYK 13 / 0 / 50 / 3

HEX #D9F87C

RGB 217 248 124

HSL 75, 0.9%, 0.73%

LAB 93.16, -28.17, 55.68

 

CMYK 0 / 41 / 50 / 3

HEX #F8927C

RGB 248 146 124

HSL 10.65, 0.9%, 0.73%

LAB 70.85, 36.23, 28.27

 

CMYK 0 / 41 / 50 / 3

HEX #F8927C

RGB 248 146 124

HSL 10.65, 0.9%, 0.73%

LAB 70.85, 36.23, 28.27

 

CMYK 0 / 35 / 43 / 7

HEX #ED9987

RGB 237 153 135

HSL 10.59, 0.74%, 0.73%

LAB 71.24, 29.44, 22.54

 

CMYK 0 / 29 / 35 / 11

HEX #E2A092

RGB 226 160 146

HSL 10.5, 0.58%, 0.73%

LAB 71.82, 22.74, 17.09

 

CMYK 0 / 22 / 27 / 16

HEX #D7A89E

RGB 215 168 158

HSL 10.53, 0.42%, 0.73%

LAB 72.84, 15.79, 11.77

 

CMYK 0 / 14 / 17 / 20

HEX #CCAFA9

RGB 204 175 169

HSL 10.29, 0.26%, 0.73%

LAB 73.78, 9.51, 6.94

 

CMYK 0 / 50 / 31 / 3

HEX #F87CAA

RGB 248 124 170

HSL 337.74, 0.9%, 0.73%

LAB 67.48, 52.16, -2.14

 

CMYK 0 / 50 / 45 / 3

HEX #F87C89

RGB 248 124 137

HSL 353.71, 0.9%, 0.73%

LAB 66.66, 48.52, 15.34

 

CMYK 0 / 42 / 50 / 3

HEX #F8917C

RGB 248 145 124

HSL 10.16, 0.9%, 0.73%

LAB 70.64, 36.74, 27.99

 

CMYK 0 / 28 / 50 / 3

HEX #F8B27C

RGB 248 178 124

HSL 26.13, 0.9%, 0.73%

LAB 78.02, 19.48, 37.59

 

CMYK 0 / 15 / 50 / 3

HEX #F8D37C

RGB 248 211 124

HSL 42.1, 0.9%, 0.73%

LAB 86.01, 2.28, 47.59

 

CMYK 0 / 67 / 81 / 4

HEX #F4502E

RGB 244 80 46

HSL 10.3, 0.9%, 0.57%

LAB 57.24, 61.09, 53.25

 

CMYK 0 / 54 / 65 / 4

HEX #F67155

RGB 246 113 85

HSL 10.43, 0.9%, 0.65%

LAB 63.39, 49.08, 39.99

 

CMYK 0 / 41 / 50 / 3

HEX #F8927C

RGB 248 146 124

HSL 10.65, 0.9%, 0.73%

LAB 70.85, 36.23, 28.27

 

CMYK 0 / 28 / 35 / 2

HEX #FAB3A3

RGB 250 179 163

HSL 11.03, 0.9%, 0.81%

LAB 79.16, 23.82, 18.45

 

CMYK 0 / 16 / 19 / 1

HEX #FCD3CB

RGB 252 211 203

HSL 9.8, 0.89%, 0.89%

LAB 87.77, 13.13, 9.31

 

CMYK 0 / 42 / 51 / 3

HEX #F8907A

RGB 248 144 122

HSL 10.48, 0.9%, 0.73%

LAB 70.39, 37.08, 28.75

 

CMYK 18 / 0 / 50 / 3

HEX #CBF87C

RGB 203 248 124

HSL 81.77, 0.9%, 0.73%

LAB 92.26, -33.39, 54.38

 

CMYK 50 / 38 / 0 / 3

HEX #7C99F8

RGB 124 153 248

HSL 225.97, 0.9%, 0.73%

LAB 64.84, 15.47, -50.66

 

CMYK 0 / 42 / 51 / 3

HEX #F8907A

RGB 248 144 122

HSL 10.48, 0.9%, 0.73%

LAB 70.39, 37.08, 28.75

 

CMYK 50 / 0 / 42 / 3

HEX #7CF891

RGB 124 248 145

HSL 130.16, 0.9%, 0.73%

LAB 88.67, -55.8, 39.05

 

CMYK 42 / 50 / 0 / 3

HEX #917CF8

RGB 145 124 248

HSL 250.16, 0.9%, 0.73%

LAB 59.17, 37.18, -59.59

 

CMYK 0 / 42 / 51 / 3

HEX #F8907A

RGB 248 144 122

HSL 10.48, 0.9%, 0.73%

LAB 70.39, 37.08, 28.75

 

CMYK 18 / 0 / 50 / 3

HEX #CBF87C

RGB 203 248 124

HSL 81.77, 0.9%, 0.73%

LAB 92.26, -33.39, 54.38

 

CMYK 50 / 8 / 0 / 3

HEX #7CE3F8

RGB 124 227 248

HSL 190.16, 0.9%, 0.73%

LAB 85, -24.5, -19.47

 

CMYK 31 / 50 / 0 / 3

HEX #AA7CF8

RGB 170 124 248

HSL 262.26, 0.9%, 0.73%

LAB 61.43, 43.21, -55.85

 

CMYK 0 / 42 / 51 / 3

HEX #F8907A

RGB 248 144 122

HSL 10.48, 0.9%, 0.73%

LAB 70.39, 37.08, 28.75

 

CMYK 33 / 0 / 50 / 3

HEX #A5F87C

RGB 165 248 124

HSL 100.16, 0.9%, 0.73%

LAB 90.13, -46.64, 51.31

 

CMYK 50 / 8 / 0 / 3

HEX #7CE3F8

RGB 124 227 248

HSL 190.16, 0.9%, 0.73%

LAB 85, -24.5, -19.47

 

CMYK 17 / 50 / 0 / 3

HEX #CF7CF8

RGB 207 124 248

HSL 280.16, 0.9%, 0.73%

LAB 65.32, 52.78, -49.43

 

Description

Color code: HEX #F8907ACE | qconv.com Color code: HEX #F8907ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 144 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 144 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 41 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 41% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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