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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 34 / 41 / 2 it is the complementary color CMYK 95 / 17 / 0 / 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 34 / 41 / 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 34 / 41 / 2: CMYK 0 / 35 / 44 / 0, CMYK 0 / 28 / 37 / 0, CMYK 0 / 21 / 29 / 0, CMYK 0 / 14 / 22 / 0 and CMYK 0 / 7 / 15 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 34 / 41 / 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 34 / 41 / 2: CMYK 0 / 34 / 41 / 2, CMYK 0 / 37 / 45 / 9, CMYK 0 / 40 / 50 / 15, CMYK 0 / 44 / 55 / 22 and CMYK 0 / 49 / 61 / 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 41 / 2

HEX #FAA593

RGB 250 165 147

HSL 10.49, 0.91%, 0.78%

LAB 75.66, 29.36, 22.27

 

Complementary color

CMYK 95 / 17 / 0 / 58

HEX #055A6C

RGB 5 90 108

HSL 190.49, 0.91%, 0.22%

LAB 34.86, -15.53, -16.69

 

CMYK 0 / 35 / 44 / 0

HEX #FFA58E

RGB 255 165 142

HSL 12.21, 1%, 0.78%

LAB 76.14, 30.73, 25.72

 

CMYK 0 / 28 / 37 / 0

HEX #FFB7A1

RGB 255 183 161

HSL 14.04, 1%, 0.82%

LAB 80.57, 23.37, 21.55

 

CMYK 0 / 21 / 29 / 0

HEX #FFC9B4

RGB 255 201 180

HSL 16.8, 1%, 0.85%

LAB 85.16, 16.27, 17.82

 

CMYK 0 / 14 / 22 / 0

HEX #FFDBC7

RGB 255 219 199

HSL 21.43, 1%, 0.89%

LAB 89.88, 9.48, 14.45

 

CMYK 0 / 7 / 15 / 0

HEX #FFEDDA

RGB 255 237 218

HSL 30.81, 1%, 0.93%

LAB 94.69, 3.05, 11.39

 

CMYK 0 / 34 / 41 / 2

HEX #FAA593

RGB 250 165 147

HSL 10.49, 0.91%, 0.78%

LAB 75.66, 29.36, 22.27

 

CMYK 0 / 37 / 45 / 9

HEX #E99380

RGB 233 147 128

HSL 10.86, 0.7%, 0.71%

LAB 69.29, 30.36, 23.66

 

CMYK 0 / 40 / 50 / 15

HEX #D8816D

RGB 216 129 109

HSL 11.21, 0.58%, 0.64%

LAB 62.85, 31.46, 25.21

 

CMYK 0 / 44 / 55 / 22

HEX #C76F5A

RGB 199 111 90

HSL 11.56, 0.49%, 0.57%

LAB 56.34, 32.69, 26.96

 

CMYK 0 / 49 / 61 / 29

HEX #B65D47

RGB 182 93 71

HSL 11.89, 0.44%, 0.5%

LAB 49.77, 34.03, 28.95

 

CMYK 0 / 34 / 41 / 2

HEX #FAA593

RGB 250 165 147

HSL 10.49, 0.91%, 0.78%

LAB 75.66, 29.36, 22.27

 

CMYK 0 / 27 / 41 / 2

HEX #F9B593

RGB 249 181 147

HSL 20, 0.89%, 0.78%

LAB 79.21, 20.56, 27.06

 

CMYK 0 / 20 / 41 / 2

HEX #F9C693

RGB 249 198 147

HSL 30, 0.89%, 0.78%

LAB 83.25, 11.65, 32.45

 

CMYK 0 / 14 / 41 / 2

HEX #F9D793

RGB 249 215 147

HSL 40, 0.89%, 0.78%

LAB 87.41, 2.84, 37.9

 

CMYK 0 / 7 / 41 / 2

HEX #F9E893

RGB 249 232 147

HSL 50, 0.89%, 0.78%

LAB 91.67, -5.79, 43.38

 

CMYK 0 / 34 / 41 / 2

HEX #FAA593

RGB 250 165 147

HSL 10.49, 0.91%, 0.78%

LAB 75.66, 29.36, 22.27

 

CMYK 0 / 35 / 41 / 82

HEX #2E1E1B

RGB 46 30 27

HSL 9.47, 0.26%, 0.14%

LAB 13.16, 7.31, 5.17

 

CMYK 0 / 34 / 41 / 62

HEX #614039

RGB 97 64 57

HSL 10.5, 0.26%, 0.3%

LAB 30.65, 13.4, 10.12

 

CMYK 0 / 34 / 41 / 42

HEX #946257

RGB 148 98 87

HSL 10.82, 0.26%, 0.46%

LAB 46.6, 18.88, 14.55

 

CMYK 0 / 34 / 41 / 22

HEX #C78375

RGB 199 131 117

HSL 10.24, 0.42%, 0.62%

LAB 61.36, 24.53, 18.35

 

CMYK 0 / 34 / 41 / 2

HEX #FAA593

RGB 250 165 147

HSL 10.49, 0.91%, 0.78%

LAB 75.66, 29.36, 22.27

 

CMYK 15 / 0 / 41 / 2

HEX #D4F993

RGB 212 249 147

HSL 81.76, 0.89%, 0.78%

LAB 93.39, -28.08, 45.01

 

CMYK 41 / 31 / 0 / 2

HEX #93ABF9

RGB 147 171 249

HSL 225.88, 0.89%, 0.78%

LAB 70.99, 10.95, -41.44

 

CMYK 0 / 34 / 41 / 2

HEX #FAA593

RGB 250 165 147

HSL 10.49, 0.91%, 0.78%

LAB 75.66, 29.36, 22.27

 

CMYK 41 / 0 / 34 / 2

HEX #93F9A4

RGB 147 249 164

HSL 130, 0.89%, 0.78%

LAB 90.15, -47.03, 31.72

 

CMYK 34 / 41 / 0 / 2

HEX #A493F9

RGB 164 147 249

HSL 250, 0.89%, 0.78%

LAB 66.21, 29, -48.85

 

CMYK 0 / 34 / 41 / 2

HEX #FAA593

RGB 250 165 147

HSL 10.49, 0.91%, 0.78%

LAB 75.66, 29.36, 22.27

 

CMYK 15 / 0 / 41 / 2

HEX #D4F993

RGB 212 249 147

HSL 81.76, 0.89%, 0.78%

LAB 93.39, -28.08, 45.01

 

CMYK 41 / 7 / 0 / 2

HEX #93E8F9

RGB 147 232 249

HSL 190, 0.89%, 0.78%

LAB 87.37, -21.47, -16.33

 

CMYK 26 / 41 / 0 / 2

HEX #B993F9

RGB 185 147 249

HSL 262.35, 0.89%, 0.78%

LAB 68.04, 34.67, -45.85

 

CMYK 0 / 34 / 41 / 2

HEX #FAA593

RGB 250 165 147

HSL 10.49, 0.91%, 0.78%

LAB 75.66, 29.36, 22.27

 

CMYK 27 / 0 / 41 / 2

HEX #B5F993

RGB 181 249 147

HSL 100, 0.89%, 0.78%

LAB 91.54, -38.96, 42.28

 

CMYK 41 / 7 / 0 / 2

HEX #93E8F9

RGB 147 232 249

HSL 190, 0.89%, 0.78%

LAB 87.37, -21.47, -16.33

 

CMYK 14 / 41 / 0 / 2

HEX #D793F9

RGB 215 147 249

HSL 280, 0.89%, 0.78%

LAB 70.98, 43.16, -41.04

 

Description

Color code: CMYK 0 / 34 / 41 / 2 | qconv.com Color code: CMYK 0 / 34 / 41 / 2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 165 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 165 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 41 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 41% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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