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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F88717 it is the complementary color #0778E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F88717. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F88717 shade: #FD8712, #FF9925, #FFAB38, #FFBD4B and #FFCF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F88717. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F88717 shade: #F88717, #E77504, #D66300, #C55100 and #B43F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F88717 shade: #F88716, #F84A16 and #F81616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F88717 shade: #F88716, #F8C316, #EFF816, #B3F816 and #76F816

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F88717 shade matches the following richer shades: #F88716

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F88717 shade: #F88716, #E4872A, #D1873D, #BE8751 and #AA8764

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F88717 shade: #F81622, #F84716, #F88316, #F8BF16 and #F4F816

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F88717 shade: #B65E06, #DE7207, #F88716, #F99B3F and #FAB067

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F88717 shade: #F88717, #5EF816 and #2916F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F88717 shade: #F88717, #16F883 and #8316F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F88717 shade: #F88717, #5EF816, #168BF8 and #B016F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F88717 shade: #F88717, #1AF816, #168BF8 and #F416F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 91 / 3

HEX #F88717

RGB 248 135 23

HSL 29.87, 0.94%, 0.53%

LAB 67.54, 36.8, 70.03

 

Complementary color

CMYK 97 / 48 / 0 / 9

HEX #0778E8

RGB 7 120 232

HSL 209.87, 0.94%, 0.47%

LAB 51.04, 15.06, -64.08

 

CMYK 0 / 47 / 93 / 1

HEX #FD8712

RGB 253 135 18

HSL 29.87, 0.98%, 0.53%

LAB 68.21, 38.72, 71.89

 

CMYK 0 / 40 / 85 / 0

HEX #FF9925

RGB 255 153 37

HSL 31.93, 1%, 0.57%

LAB 72.35, 30.65, 70.39

 

CMYK 0 / 33 / 78 / 0

HEX #FFAB38

RGB 255 171 56

HSL 34.67, 1%, 0.61%

LAB 76.48, 21.83, 67.61

 

CMYK 0 / 26 / 71 / 0

HEX #FFBD4B

RGB 255 189 75

HSL 38, 1%, 0.65%

LAB 80.83, 13.23, 64.39

 

CMYK 0 / 19 / 63 / 0

HEX #FFCF5E

RGB 255 207 94

HSL 42.11, 1%, 0.68%

LAB 85.35, 4.96, 61.04

 

CMYK 0 / 46 / 91 / 3

HEX #F88717

RGB 248 135 23

HSL 29.87, 0.94%, 0.53%

LAB 67.54, 36.8, 70.03

 

CMYK 0 / 49 / 98 / 9

HEX #E77504

RGB 231 117 4

HSL 29.87, 0.97%, 0.46%

LAB 61.41, 38.94, 68.24

 

CMYK 0 / 54 / 100 / 16

HEX #D66300

RGB 214 99 0

HSL 27.76, 1%, 0.42%

LAB 55.3, 41.22, 64

 

CMYK 0 / 59 / 100 / 23

HEX #C55100

RGB 197 81 0

HSL 24.67, 1%, 0.39%

LAB 49.2, 43.42, 59.13

 

CMYK 0 / 65 / 100 / 29

HEX #B43F00

RGB 180 63 0

HSL 21, 1%, 0.35%

LAB 43.15, 45.38, 54.32

 

CMYK 0 / 46 / 91 / 3

HEX #F88716

RGB 248 135 22

HSL 30, 0.94%, 0.53%

LAB 67.53, 36.78, 70.26

 

CMYK 0 / 70 / 91 / 3

HEX #F84A16

RGB 248 74 22

HSL 13.81, 0.94%, 0.53%

LAB 56.99, 64.12, 62.92

 

CMYK 0 / 91 / 91 / 3

HEX #F81616

RGB 248 22 22

HSL 0, 0.94%, 0.53%

LAB 52.5, 76.76, 59.99

 

CMYK 0 / 46 / 91 / 3

HEX #F88716

RGB 248 135 22

HSL 30, 0.94%, 0.53%

LAB 67.53, 36.78, 70.26

 

CMYK 0 / 21 / 91 / 3

HEX #F8C316

RGB 248 195 22

HSL 45.93, 0.94%, 0.53%

LAB 81.32, 5.54, 80.41

 

CMYK 4 / 0 / 91 / 3

HEX #EFF816

RGB 239 248 22

HSL 62.39, 0.94%, 0.53%

LAB 94.12, -24.6, 89.84

 

CMYK 28 / 0 / 91 / 3

HEX #B3F816

RGB 179 248 22

HSL 78.32, 0.94%, 0.53%

LAB 90.22, -48.11, 85.11

 

CMYK 52 / 0 / 91 / 3

HEX #76F816

RGB 118 248 22

HSL 94.51, 0.94%, 0.53%

LAB 87.51, -67.8, 81.77

 

CMYK 0 / 46 / 91 / 3

HEX #F88716

RGB 248 135 22

HSL 30, 0.94%, 0.53%

LAB 67.53, 36.78, 70.26

 

CMYK 0 / 46 / 91 / 3

HEX #F88716

RGB 248 135 22

HSL 30, 0.94%, 0.53%

LAB 67.53, 36.78, 70.26

 

CMYK 0 / 41 / 82 / 11

HEX #E4872A

RGB 228 135 42

HSL 30, 0.78%, 0.53%

LAB 64.95, 29.09, 61.07

 

CMYK 0 / 35 / 71 / 18

HEX #D1873D

RGB 209 135 61

HSL 30, 0.62%, 0.53%

LAB 62.69, 21.9, 50.02

 

CMYK 0 / 29 / 57 / 25

HEX #BE8751

RGB 190 135 81

HSL 29.72, 0.46%, 0.53%

LAB 60.67, 15.13, 37.09

 

CMYK 0 / 21 / 41 / 33

HEX #AA8764

RGB 170 135 100

HSL 30, 0.29%, 0.53%

LAB 58.78, 8.53, 23.89

 

CMYK 0 / 91 / 86 / 3

HEX #F81622

RGB 248 22 34

HSL 356.81, 0.94%, 0.53%

LAB 52.56, 76.94, 55.06

 

CMYK 0 / 71 / 91 / 3

HEX #F84716

RGB 248 71 22

HSL 13.01, 0.94%, 0.53%

LAB 56.61, 65.17, 62.67

 

CMYK 0 / 47 / 91 / 3

HEX #F88316

RGB 248 131 22

HSL 28.94, 0.94%, 0.53%

LAB 66.71, 38.81, 69.67

 

CMYK 0 / 23 / 91 / 3

HEX #F8BF16

RGB 248 191 22

HSL 44.87, 0.94%, 0.53%

LAB 80.33, 7.61, 79.67

 

CMYK 2 / 0 / 91 / 3

HEX #F4F816

RGB 244 248 22

HSL 61.06, 0.94%, 0.53%

LAB 94.49, -22.55, 90.29

 

CMYK 0 / 48 / 97 / 29

HEX #B65E06

RGB 182 94 6

HSL 30, 0.94%, 0.37%

LAB 49.45, 30.93, 56.69

 

CMYK 0 / 49 / 97 / 13

HEX #DE7207

RGB 222 114 7

HSL 29.86, 0.94%, 0.45%

LAB 59.51, 36.9, 65.89

 

CMYK 0 / 46 / 91 / 3

HEX #F88716

RGB 248 135 22

HSL 30, 0.94%, 0.53%

LAB 67.53, 36.78, 70.26

 

CMYK 0 / 38 / 75 / 2

HEX #F99B3F

RGB 249 155 63

HSL 29.68, 0.94%, 0.61%

LAB 72.19, 27.99, 60.45

 

CMYK 0 / 30 / 59 / 2

HEX #FAB067

RGB 250 176 103

HSL 29.8, 0.94%, 0.69%

LAB 77.49, 19.64, 47.67

 

CMYK 0 / 46 / 91 / 3

HEX #F88717

RGB 248 135 23

HSL 29.87, 0.94%, 0.53%

LAB 67.54, 36.8, 70.03

 

CMYK 62 / 0 / 91 / 3

HEX #5EF816

RGB 94 248 22

HSL 100.88, 0.94%, 0.53%

LAB 86.79, -73.65, 80.88

 

CMYK 83 / 91 / 0 / 3

HEX #2916F8

RGB 41 22 248

HSL 245.04, 0.94%, 0.53%

LAB 33.61, 74.06, -101.72

 

CMYK 0 / 46 / 91 / 3

HEX #F88717

RGB 248 135 23

HSL 29.87, 0.94%, 0.53%

LAB 67.54, 36.8, 70.03

 

CMYK 91 / 0 / 47 / 3

HEX #16F883

RGB 22 248 131

HSL 148.94, 0.94%, 0.53%

LAB 86.48, -73.38, 42.64

 

CMYK 47 / 91 / 0 / 3

HEX #8316F8

RGB 131 22 248

HSL 268.94, 0.94%, 0.53%

LAB 41.5, 79.19, -88.4

 

CMYK 0 / 46 / 91 / 3

HEX #F88717

RGB 248 135 23

HSL 29.87, 0.94%, 0.53%

LAB 67.54, 36.8, 70.03

 

CMYK 62 / 0 / 91 / 3

HEX #5EF816

RGB 94 248 22

HSL 100.88, 0.94%, 0.53%

LAB 86.79, -73.65, 80.88

 

CMYK 91 / 44 / 0 / 3

HEX #168BF8

RGB 22 139 248

HSL 208.94, 0.94%, 0.53%

LAB 57.48, 9.96, -62.61

 

CMYK 29 / 91 / 0 / 3

HEX #B016F8

RGB 176 22 248

HSL 280.88, 0.94%, 0.53%

LAB 47.73, 84.15, -77.93

 

CMYK 0 / 46 / 91 / 3

HEX #F88717

RGB 248 135 23

HSL 29.87, 0.94%, 0.53%

LAB 67.54, 36.8, 70.03

 

CMYK 90 / 0 / 91 / 3

HEX #1AF816

RGB 26 248 22

HSL 118.94, 0.94%, 0.53%

LAB 85.71, -83, 79.55

 

CMYK 91 / 44 / 0 / 3

HEX #168BF8

RGB 22 139 248

HSL 208.94, 0.94%, 0.53%

LAB 57.48, 9.96, -62.61

 

CMYK 2 / 91 / 0 / 3

HEX #F416F8

RGB 244 22 248

HSL 298.94, 0.94%, 0.53%

LAB 58.59, 93.99, -59.83

 

Description

Color code: HEX #F88717 | qconv.com Color code: HEX #F88717 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 135 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 135 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 91 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 91% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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