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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFCF5E it is the complementary color #0030A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFCF5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FFCF5E shade: #FFCF59, #FFE16C, #FFF37F, #FFFF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFCF5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FFCF5E shade: #FFCF5E, #EEBD4B, #DDAB38, #CC9925 and #BB8712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FFCF5E shade: #FFCE5C, #FFA25C, #FF765C and #FF5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FFCF5E shade: #FFCE5C, #FFFA5C, #D8FF5C, #ACFF5C and #80FF5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FFCF5E shade matches the following richer shades: #FFCE5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FFCF5E shade: #FFCE5C, #F2C969, #E5C476, #D7BE83 and #CAB991

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FFCF5E shade: #FF775C, #FFA35C, #FFCE5C, #FFFA5C and #D9FF5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FFCF5E shade: #FFB609, #FFC233, #FFCE5C, #FFDB85 and #FFE7AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FFCF5E shade: #FFCF5E, #6CFF5C and #8D5CFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FFCF5E shade: #FFCF5E, #5CFFCE and #CE5CFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FFCF5E shade: #FFCF5E, #6CFF5C, #5C8DFF and #EF5CFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FFCF5E shade: #FFCF5E, #5CFF7C, #5C8DFF and #FF5CDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 63 / 0

HEX #FFCF5E

RGB 255 207 94

HSL 42.11, 1%, 0.68%

LAB 85.35, 4.96, 61.04

 

Complementary color

CMYK 100 / 70 / 0 / 37

HEX #0030A1

RGB 0 48 161

HSL 222.11, 1%, 0.32%

LAB 25.82, 34.09, -63.88

 

CMYK 0 / 19 / 65 / 0

HEX #FFCF59

RGB 255 207 89

HSL 42.65, 1%, 0.67%

LAB 85.31, 4.66, 63.17

 

CMYK 0 / 12 / 58 / 0

HEX #FFE16C

RGB 255 225 108

HSL 47.76, 1%, 0.71%

LAB 89.95, -3.28, 59.94

 

CMYK 0 / 5 / 50 / 0

HEX #FFF37F

RGB 255 243 127

HSL 54.38, 1%, 0.75%

LAB 94.69, -10.77, 56.8

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 19 / 63 / 0

HEX #FFCF5E

RGB 255 207 94

HSL 42.11, 1%, 0.68%

LAB 85.35, 4.96, 61.04

 

CMYK 0 / 21 / 68 / 7

HEX #EEBD4B

RGB 238 189 75

HSL 41.96, 0.83%, 0.61%

LAB 79.09, 6.11, 62.04

 

CMYK 0 / 23 / 75 / 13

HEX #DDAB38

RGB 221 171 56

HSL 41.82, 0.71%, 0.54%

LAB 72.75, 7.43, 62.75

 

CMYK 0 / 25 / 82 / 20

HEX #CC9925

RGB 204 153 37

HSL 41.68, 0.69%, 0.47%

LAB 66.33, 8.98, 62.91

 

CMYK 0 / 28 / 90 / 27

HEX #BB8712

RGB 187 135 18

HSL 41.54, 0.82%, 0.4%

LAB 59.83, 10.78, 62

 

CMYK 0 / 19 / 64 / 0

HEX #FFCE5C

RGB 255 206 92

HSL 41.96, 1%, 0.68%

LAB 85.09, 5.35, 61.63

 

CMYK 0 / 36 / 64 / 0

HEX #FFA25C

RGB 255 162 92

HSL 25.77, 1%, 0.68%

LAB 74.74, 28.25, 50.02

 

CMYK 0 / 54 / 64 / 0

HEX #FF765C

RGB 255 118 92

HSL 9.57, 1%, 0.68%

LAB 65.74, 50.35, 39.36

 

CMYK 0 / 64 / 64 / 0

HEX #FF5C5C

RGB 255 92 92

HSL 0, 1%, 0.68%

LAB 61.38, 61.84, 33.99

 

CMYK 0 / 19 / 64 / 0

HEX #FFCE5C

RGB 255 206 92

HSL 41.96, 1%, 0.68%

LAB 85.09, 5.35, 61.63

 

CMYK 0 / 2 / 64 / 0

HEX #FFFA5C

RGB 255 250 92

HSL 58.16, 1%, 0.68%

LAB 96.16, -16.64, 73.42

 

CMYK 15 / 0 / 64 / 0

HEX #D8FF5C

RGB 216 255 92

HSL 74.36, 1%, 0.68%

LAB 94.69, -34.33, 71.02

 

CMYK 33 / 0 / 64 / 0

HEX #ACFF5C

RGB 172 255 92

HSL 90.55, 1%, 0.68%

LAB 92.16, -50.3, 67.56

 

CMYK 50 / 0 / 64 / 0

HEX #80FF5C

RGB 128 255 92

HSL 106.75, 1%, 0.68%

LAB 90.27, -63.8, 64.96

 

CMYK 0 / 19 / 64 / 0

HEX #FFCE5C

RGB 255 206 92

HSL 41.96, 1%, 0.68%

LAB 85.09, 5.35, 61.63

 

CMYK 0 / 19 / 64 / 0

HEX #FFCE5C

RGB 255 206 92

HSL 41.96, 1%, 0.68%

LAB 85.09, 5.35, 61.63

 

CMYK 0 / 17 / 57 / 5

HEX #F2C969

RGB 242 201 105

HSL 42.04, 0.84%, 0.68%

LAB 82.74, 3.45, 52.7

 

CMYK 0 / 14 / 48 / 10

HEX #E5C476

RGB 229 196 118

HSL 42.16, 0.68%, 0.68%

LAB 80.43, 1.83, 43.28

 

CMYK 0 / 12 / 39 / 16

HEX #D7BE83

RGB 215 190 131

HSL 42.14, 0.51%, 0.68%

LAB 77.82, 0.65, 33.05

 

CMYK 0 / 8 / 28 / 21

HEX #CAB991

RGB 202 185 145

HSL 42.11, 0.35%, 0.68%

LAB 75.64, -0.11, 22.53

 

CMYK 0 / 53 / 64 / 0

HEX #FF775C

RGB 255 119 92

HSL 9.94, 1%, 0.68%

LAB 65.92, 49.88, 39.58

 

CMYK 0 / 36 / 64 / 0

HEX #FFA35C

RGB 255 163 92

HSL 26.13, 1%, 0.68%

LAB 74.97, 27.73, 50.28

 

CMYK 0 / 19 / 64 / 0

HEX #FFCE5C

RGB 255 206 92

HSL 41.96, 1%, 0.68%

LAB 85.09, 5.35, 61.63

 

CMYK 0 / 2 / 64 / 0

HEX #FFFA5C

RGB 255 250 92

HSL 58.16, 1%, 0.68%

LAB 96.16, -16.64, 73.42

 

CMYK 15 / 0 / 64 / 0

HEX #D9FF5C

RGB 217 255 92

HSL 73.99, 1%, 0.68%

LAB 94.76, -33.95, 71.11

 

CMYK 0 / 29 / 96 / 0

HEX #FFB609

RGB 255 182 9

HSL 42.2, 1%, 0.52%

LAB 78.89, 15.14, 80.66

 

CMYK 0 / 24 / 80 / 0

HEX #FFC233

RGB 255 194 51

HSL 42.06, 1%, 0.6%

LAB 81.88, 9.68, 74.21

 

CMYK 0 / 19 / 64 / 0

HEX #FFCE5C

RGB 255 206 92

HSL 41.96, 1%, 0.68%

LAB 85.09, 5.35, 61.63

 

CMYK 0 / 14 / 48 / 0

HEX #FFDB85

RGB 255 219 133

HSL 42.3, 1%, 0.76%

LAB 88.74, 1.79, 46.7

 

CMYK 0 / 9 / 32 / 0

HEX #FFE7AE

RGB 255 231 174

HSL 42.22, 1%, 0.84%

LAB 92.34, 0.05, 30.78

 

CMYK 0 / 19 / 63 / 0

HEX #FFCF5E

RGB 255 207 94

HSL 42.11, 1%, 0.68%

LAB 85.35, 4.96, 61.04

 

CMYK 58 / 0 / 64 / 0

HEX #6CFF5C

RGB 108 255 92

HSL 114.11, 1%, 0.68%

LAB 89.62, -68.82, 64.06

 

CMYK 45 / 64 / 0 / 0

HEX #8D5CFF

RGB 141 92 255

HSL 258.04, 1%, 0.68%

LAB 52.44, 55.93, -74.34

 

CMYK 0 / 19 / 63 / 0

HEX #FFCF5E

RGB 255 207 94

HSL 42.11, 1%, 0.68%

LAB 85.35, 4.96, 61.04

 

CMYK 64 / 0 / 19 / 0

HEX #5CFFCE

RGB 92 255 206

HSL 161.96, 1%, 0.68%

LAB 90.89, -53.62, 11.04

 

CMYK 19 / 64 / 0 / 0

HEX #CE5CFF

RGB 206 92 255

HSL 281.96, 1%, 0.68%

LAB 59.89, 69.22, -61.95

 

CMYK 0 / 19 / 63 / 0

HEX #FFCF5E

RGB 255 207 94

HSL 42.11, 1%, 0.68%

LAB 85.35, 4.96, 61.04

 

CMYK 58 / 0 / 64 / 0

HEX #6CFF5C

RGB 108 255 92

HSL 114.11, 1%, 0.68%

LAB 89.62, -68.82, 64.06

 

CMYK 64 / 45 / 0 / 0

HEX #5C8DFF

RGB 92 141 255

HSL 221.96, 1%, 0.68%

LAB 60.38, 18.58, -61.7

 

CMYK 6 / 64 / 0 / 0

HEX #EF5CFF

RGB 239 92 255

HSL 294.11, 1%, 0.68%

LAB 64.34, 76.51, -54.57

 

CMYK 0 / 19 / 63 / 0

HEX #FFCF5E

RGB 255 207 94

HSL 42.11, 1%, 0.68%

LAB 85.35, 4.96, 61.04

 

CMYK 64 / 0 / 51 / 0

HEX #5CFF7C

RGB 92 255 124

HSL 131.78, 1%, 0.68%

LAB 89.51, -68.55, 49.94

 

CMYK 64 / 45 / 0 / 0

HEX #5C8DFF

RGB 92 141 255

HSL 221.96, 1%, 0.68%

LAB 60.38, 18.58, -61.7

 

CMYK 0 / 64 / 13 / 0

HEX #FF5CDE

RGB 255 92 222

HSL 312.15, 1%, 0.68%

LAB 65.11, 75.09, -34.91

 

Description

Color code: HEX #FFCF5E | qconv.com Color code: HEX #FFCF5E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 207 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 207 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 63 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 63% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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