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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F83CE5 it is the complementary color #07C31A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F83CE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F83CE5 shade: #FD3CE0, #FF4EF3, #FF60FF, #FF72FF and #FF84FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F83CE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F83CE5 shade: #F83CE5, #E72AD2, #D618BF, #C506AC and #B40099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F83CE5 shade: #F83AE5, #F83AB2, #F83A7E, #F83A4B and #F83A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F83CE5 shade: #F83AE5, #D83AF8, #A53AF8, #723AF8 and #3E3AF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F83CE5 shade matches the following richer shades: #F83AE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F83CE5 shade: #F83AE5, #E74BD8, #D75BCA, #C66CBD and #B67CB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F83CE5 shade: #A63AF8, #D83AF8, #F83AE5, #F83AB2 and #F83A80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F83CE5 shade: #D808C3, #F612DF, #F83AE5, #F962EA and #FB8AEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F83CE5 shade: #F83CE5, #F8733A and #3AF8BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F83CE5 shade: #F83CE5, #E5F83A and #3AE5F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F83CE5 shade: #F83CE5, #F8733A, #3AF84D and #3ABFF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F83CE5 shade: #F83CE5, #F8AC3A, #3AF84D and #3A86F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 8 / 3

HEX #F83CE5

RGB 248 60 229

HSL 306.06, 0.93%, 0.6%

LAB 60.64, 84.95, -45.9

 

Complementary color

CMYK 96 / 0 / 87 / 24

HEX #07C31A

RGB 7 195 26

HSL 126.06, 0.93%, 0.4%

LAB 68.86, -69.43, 64.36

 

CMYK 0 / 76 / 11 / 1

HEX #FD3CE0

RGB 253 60 224

HSL 309.02, 0.98%, 0.61%

LAB 61.22, 85.28, -42.14

 

CMYK 0 / 69 / 5 / 0

HEX #FF4EF3

RGB 255 78 243

HSL 304.07, 1%, 0.65%

LAB 64.31, 83.11, -47.86

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 0 / 76 / 8 / 3

HEX #F83CE5

RGB 248 60 229

HSL 306.06, 0.93%, 0.6%

LAB 60.64, 84.95, -45.9

 

CMYK 0 / 82 / 9 / 9

HEX #E72AD2

RGB 231 42 210

HSL 306.67, 0.8%, 0.54%

LAB 55.38, 83.23, -43.66

 

CMYK 0 / 89 / 11 / 16

HEX #D618BF

RGB 214 24 191

HSL 307.26, 0.8%, 0.47%

LAB 50.35, 80.62, -40.86

 

CMYK 0 / 97 / 13 / 23

HEX #C506AC

RGB 197 6 172

HSL 307.85, 0.94%, 0.4%

LAB 45.61, 76.91, -37.39

 

CMYK 0 / 100 / 15 / 29

HEX #B40099

RGB 180 0 153

HSL 309, 1%, 0.35%

LAB 41.22, 71.88, -33.14

 

CMYK 0 / 77 / 8 / 3

HEX #F83AE5

RGB 248 58 229

HSL 306, 0.93%, 0.6%

LAB 60.46, 85.47, -46.19

 

CMYK 0 / 77 / 28 / 3

HEX #F83AB2

RGB 248 58 178

HSL 322.11, 0.93%, 0.6%

LAB 58.22, 78.96, -20.6

 

CMYK 0 / 77 / 49 / 3

HEX #F83A7E

RGB 248 58 126

HSL 338.53, 0.93%, 0.6%

LAB 56.57, 73.94, 7.51

 

CMYK 0 / 77 / 70 / 3

HEX #F83A4B

RGB 248 58 75

HSL 354.63, 0.93%, 0.6%

LAB 55.57, 70.79, 36.27

 

CMYK 0 / 77 / 77 / 3

HEX #F83A3A

RGB 248 58 58

HSL 0, 0.93%, 0.6%

LAB 55.37, 70.13, 45.54

 

CMYK 0 / 77 / 8 / 3

HEX #F83AE5

RGB 248 58 229

HSL 306, 0.93%, 0.6%

LAB 60.46, 85.47, -46.19

 

CMYK 13 / 77 / 0 / 3

HEX #D83AF8

RGB 216 58 248

HSL 289.89, 0.93%, 0.6%

LAB 56.49, 82.31, -63.45

 

CMYK 33 / 77 / 0 / 3

HEX #A53AF8

RGB 165 58 248

HSL 273.79, 0.93%, 0.6%

LAB 49.26, 73.57, -75.5

 

CMYK 54 / 77 / 0 / 3

HEX #723AF8

RGB 114 58 248

HSL 257.68, 0.93%, 0.6%

LAB 43.33, 66.3, -85.44

 

CMYK 75 / 77 / 0 / 3

HEX #3E3AF8

RGB 62 58 248

HSL 241.26, 0.93%, 0.6%

LAB 39.29, 61.26, -92.25

 

CMYK 0 / 77 / 8 / 3

HEX #F83AE5

RGB 248 58 229

HSL 306, 0.93%, 0.6%

LAB 60.46, 85.47, -46.19

 

CMYK 0 / 77 / 8 / 3

HEX #F83AE5

RGB 248 58 229

HSL 306, 0.93%, 0.6%

LAB 60.46, 85.47, -46.19

 

CMYK 0 / 68 / 6 / 9

HEX #E74BD8

RGB 231 75 216

HSL 305.77, 0.76%, 0.6%

LAB 58.95, 74.72, -41.43

 

CMYK 0 / 58 / 6 / 16

HEX #D75BCA

RGB 215 91 202

HSL 306.29, 0.61%, 0.6%

LAB 58.22, 62.21, -34.81

 

CMYK 0 / 45 / 5 / 22

HEX #C66CBD

RGB 198 108 189

HSL 306, 0.44%, 0.6%

LAB 58.42, 47.04, -27.26

 

CMYK 0 / 32 / 3 / 29

HEX #B67CB0

RGB 182 124 176

HSL 306.21, 0.28%, 0.6%

LAB 59.43, 30.97, -18.45

 

CMYK 33 / 77 / 0 / 3

HEX #A63AF8

RGB 166 58 248

HSL 274.11, 0.93%, 0.6%

LAB 49.39, 73.73, -75.28

 

CMYK 13 / 77 / 0 / 3

HEX #D83AF8

RGB 216 58 248

HSL 289.89, 0.93%, 0.6%

LAB 56.49, 82.31, -63.45

 

CMYK 0 / 77 / 8 / 3

HEX #F83AE5

RGB 248 58 229

HSL 306, 0.93%, 0.6%

LAB 60.46, 85.47, -46.19

 

CMYK 0 / 77 / 28 / 3

HEX #F83AB2

RGB 248 58 178

HSL 322.11, 0.93%, 0.6%

LAB 58.22, 78.96, -20.6

 

CMYK 0 / 77 / 48 / 3

HEX #F83A80

RGB 248 58 128

HSL 337.89, 0.93%, 0.6%

LAB 56.63, 74.1, 6.39

 

CMYK 0 / 96 / 10 / 15

HEX #D808C3

RGB 216 8 195

HSL 306.06, 0.93%, 0.44%

LAB 50.35, 83.18, -43.15

 

CMYK 0 / 93 / 9 / 4

HEX #F612DF

RGB 246 18 223

HSL 306.05, 0.93%, 0.52%

LAB 57.42, 91.28, -47.65

 

CMYK 0 / 77 / 8 / 3

HEX #F83AE5

RGB 248 58 229

HSL 306, 0.93%, 0.6%

LAB 60.46, 85.47, -46.19

 

CMYK 0 / 61 / 6 / 2

HEX #F962EA

RGB 249 98 234

HSL 305.96, 0.93%, 0.68%

LAB 65.6, 73.05, -40.89

 

CMYK 0 / 45 / 5 / 2

HEX #FB8AEF

RGB 251 138 239

HSL 306.37, 0.93%, 0.76%

LAB 72.84, 56.35, -32.37

 

CMYK 0 / 76 / 8 / 3

HEX #F83CE5

RGB 248 60 229

HSL 306.06, 0.93%, 0.6%

LAB 60.64, 84.95, -45.9

 

CMYK 0 / 54 / 77 / 3

HEX #F8733A

RGB 248 115 58

HSL 18, 0.93%, 0.6%

LAB 63.77, 47.59, 54.2

 

CMYK 77 / 0 / 23 / 3

HEX #3AF8BF

RGB 58 248 191

HSL 162, 0.93%, 0.6%

LAB 87.87, -58.84, 14.4

 

CMYK 0 / 76 / 8 / 3

HEX #F83CE5

RGB 248 60 229

HSL 306.06, 0.93%, 0.6%

LAB 60.64, 84.95, -45.9

 

CMYK 8 / 0 / 77 / 3

HEX #E5F83A

RGB 229 248 58

HSL 66, 0.93%, 0.6%

LAB 93.49, -27.75, 81.67

 

CMYK 77 / 8 / 0 / 3

HEX #3AE5F8

RGB 58 229 248

HSL 186, 0.93%, 0.6%

LAB 83.82, -35.68, -21.42

 

CMYK 0 / 76 / 8 / 3

HEX #F83CE5

RGB 248 60 229

HSL 306.06, 0.93%, 0.6%

LAB 60.64, 84.95, -45.9

 

CMYK 0 / 54 / 77 / 3

HEX #F8733A

RGB 248 115 58

HSL 18, 0.93%, 0.6%

LAB 63.77, 47.59, 54.2

 

CMYK 77 / 0 / 69 / 3

HEX #3AF84D

RGB 58 248 77

HSL 126, 0.93%, 0.6%

LAB 86.29, -76.97, 65.94

 

CMYK 77 / 23 / 0 / 3

HEX #3ABFF8

RGB 58 191 248

HSL 198, 0.93%, 0.6%

LAB 72.85, -16.85, -38.26

 

CMYK 0 / 76 / 8 / 3

HEX #F83CE5

RGB 248 60 229

HSL 306.06, 0.93%, 0.6%

LAB 60.64, 84.95, -45.9

 

CMYK 0 / 31 / 77 / 3

HEX #F8AC3A

RGB 248 172 58

HSL 36, 0.93%, 0.6%

LAB 75.93, 18.46, 66.05

 

CMYK 77 / 0 / 69 / 3

HEX #3AF84D

RGB 58 248 77

HSL 126, 0.93%, 0.6%

LAB 86.29, -76.97, 65.94

 

CMYK 77 / 46 / 0 / 3

HEX #3A86F8

RGB 58 134 248

HSL 216, 0.93%, 0.6%

LAB 56.81, 15.72, -63.64

 

Description

Color code: HEX #F83CE5 | qconv.com Color code: HEX #F83CE5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 60 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 60 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 8 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 8% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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