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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E72AD2 it is the complementary color #18D52D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E72AD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E72AD2 shade: #EC2ACD, #FD3CE0, #FF4EF3, #FF60FF and #FF72FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E72AD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E72AD2 shade: #E72AD2, #D618BF, #C506AC, #B40099 and #A30086

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E72AD2 shade: #E82CD3, #E82CA0, #E82C6D, #E82C3B and #E82C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E72AD2 shade: #E82CD3, #CA2CE8, #972CE8, #652CE8 and #322CE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E72AD2 shade matches the following richer shades: #E82CD3 and #FB19E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E72AD2 shade: #E82CD3, #D53FC4, #C252B5, #AF65A6 and #9C7898

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E72AD2 shade: #962CE8, #C82CE8, #E82CD5, #E82CA3 and #E82C71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E72AD2 shade: #AE139C, #D317BE, #E82CD3, #EC51DA and #F076E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E72AD2 shade: #E72AD2, #E8642C and #2CE8AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E72AD2 shade: #E72AD2, #D5E82C and #2CD5E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E72AD2 shade: #E72AD2, #E8642C, #2CE83F and #2CAFE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E72AD2 shade: #E72AD2, #E89C2C, #2CE83F and #2C77E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 9 / 9

HEX #E72AD2

RGB 231 42 210

HSL 306.67, 0.8%, 0.54%

LAB 55.38, 83.23, -43.66

 

Complementary color

CMYK 89 / 0 / 79 / 16

HEX #18D52D

RGB 24 213 45

HSL 126.67, 0.8%, 0.46%

LAB 74.81, -72.58, 65.02

 

CMYK 0 / 82 / 13 / 7

HEX #EC2ACD

RGB 236 42 205

HSL 309.59, 0.84%, 0.55%

LAB 55.98, 83.53, -39.79

 

CMYK 0 / 76 / 11 / 1

HEX #FD3CE0

RGB 253 60 224

HSL 309.02, 0.98%, 0.61%

LAB 61.22, 85.28, -42.14

 

CMYK 0 / 69 / 5 / 0

HEX #FF4EF3

RGB 255 78 243

HSL 304.07, 1%, 0.65%

LAB 64.31, 83.11, -47.86

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 82 / 9 / 9

HEX #E72AD2

RGB 231 42 210

HSL 306.67, 0.8%, 0.54%

LAB 55.38, 83.23, -43.66

 

CMYK 0 / 89 / 11 / 16

HEX #D618BF

RGB 214 24 191

HSL 307.26, 0.8%, 0.47%

LAB 50.35, 80.62, -40.86

 

CMYK 0 / 97 / 13 / 23

HEX #C506AC

RGB 197 6 172

HSL 307.85, 0.94%, 0.4%

LAB 45.61, 76.91, -37.39

 

CMYK 0 / 100 / 15 / 29

HEX #B40099

RGB 180 0 153

HSL 309, 1%, 0.35%

LAB 41.22, 71.88, -33.14

 

CMYK 0 / 100 / 18 / 36

HEX #A30086

RGB 163 0 134

HSL 310.67, 1%, 0.32%

LAB 36.94, 66.22, -28.46

 

CMYK 0 / 81 / 9 / 9

HEX #E82CD3

RGB 232 44 211

HSL 306.7, 0.8%, 0.54%

LAB 55.75, 83.13, -43.64

 

CMYK 0 / 81 / 31 / 9

HEX #E82CA0

RGB 232 44 160

HSL 322.98, 0.8%, 0.54%

LAB 53.49, 76.81, -17.55

 

CMYK 0 / 81 / 53 / 9

HEX #E82C6D

RGB 232 44 109

HSL 339.26, 0.8%, 0.54%

LAB 51.91, 72.18, 10.68

 

CMYK 0 / 81 / 75 / 9

HEX #E82C3B

RGB 232 44 59

HSL 355.21, 0.8%, 0.54%

LAB 51.01, 69.46, 39.36

 

CMYK 0 / 81 / 81 / 9

HEX #E82C2C

RGB 232 44 44

HSL 0, 0.8%, 0.54%

LAB 50.85, 68.98, 47.41

 

CMYK 0 / 81 / 9 / 9

HEX #E82CD3

RGB 232 44 211

HSL 306.7, 0.8%, 0.54%

LAB 55.75, 83.13, -43.64

 

CMYK 13 / 81 / 0 / 9

HEX #CA2CE8

RGB 202 44 232

HSL 290.43, 0.8%, 0.54%

LAB 52.04, 80.85, -61.74

 

CMYK 35 / 81 / 0 / 9

HEX #972CE8

RGB 151 44 232

HSL 274.15, 0.8%, 0.54%

LAB 44.53, 72.7, -74.29

 

CMYK 56 / 81 / 0 / 9

HEX #652CE8

RGB 101 44 232

HSL 258.19, 0.8%, 0.54%

LAB 38.54, 66.38, -84.34

 

CMYK 78 / 81 / 0 / 9

HEX #322CE8

RGB 50 44 232

HSL 241.91, 0.8%, 0.54%

LAB 34.61, 62.35, -90.97

 

CMYK 0 / 81 / 9 / 9

HEX #E82CD3

RGB 232 44 211

HSL 306.7, 0.8%, 0.54%

LAB 55.75, 83.13, -43.64

 

CMYK 0 / 90 / 10 / 2

HEX #FB19E1

RGB 251 25 225

HSL 306.9, 0.97%, 0.54%

LAB 58.64, 91.68, -46.79

 

CMYK 0 / 81 / 9 / 9

HEX #E82CD3

RGB 232 44 211

HSL 306.7, 0.8%, 0.54%

LAB 55.75, 83.13, -43.64

 

CMYK 0 / 70 / 8 / 16

HEX #D53FC4

RGB 213 63 196

HSL 306.8, 0.64%, 0.54%

LAB 53.69, 71.72, -38.49

 

CMYK 0 / 58 / 7 / 24

HEX #C252B5

RGB 194 82 181

HSL 306.96, 0.48%, 0.54%

LAB 52.77, 57.12, -31.46

 

CMYK 0 / 42 / 5 / 31

HEX #AF65A6

RGB 175 101 166

HSL 307.3, 0.32%, 0.54%

LAB 53.14, 39.42, -22.37

 

CMYK 0 / 23 / 3 / 39

HEX #9C7898

RGB 156 120 152

HSL 306.67, 0.15%, 0.54%

LAB 54.83, 19.65, -11.84

 

CMYK 35 / 81 / 0 / 9

HEX #962CE8

RGB 150 44 232

HSL 273.83, 0.8%, 0.54%

LAB 44.39, 72.55, -74.51

 

CMYK 14 / 81 / 0 / 9

HEX #C82CE8

RGB 200 44 232

HSL 289.79, 0.8%, 0.54%

LAB 51.73, 80.5, -62.26

 

CMYK 0 / 81 / 8 / 9

HEX #E82CD5

RGB 232 44 213

HSL 306.06, 0.8%, 0.54%

LAB 55.85, 83.41, -44.62

 

CMYK 0 / 81 / 30 / 9

HEX #E82CA3

RGB 232 44 163

HSL 322.02, 0.8%, 0.54%

LAB 53.6, 77.14, -19.15

 

CMYK 0 / 81 / 51 / 9

HEX #E82C71

RGB 232 44 113

HSL 337.98, 0.8%, 0.54%

LAB 52.01, 72.48, 8.4

 

CMYK 0 / 89 / 10 / 32

HEX #AE139C

RGB 174 19 156

HSL 306.97, 0.8%, 0.38%

LAB 41, 68.97, -35.38

 

CMYK 0 / 89 / 10 / 17

HEX #D317BE

RGB 211 23 190

HSL 306.7, 0.8%, 0.46%

LAB 49.71, 80.07, -41.31

 

CMYK 0 / 81 / 9 / 9

HEX #E82CD3

RGB 232 44 211

HSL 306.7, 0.8%, 0.54%

LAB 55.75, 83.13, -43.64

 

CMYK 0 / 66 / 8 / 7

HEX #EC51DA

RGB 236 81 218

HSL 306.97, 0.8%, 0.62%

LAB 60.59, 74.02, -39.94

 

CMYK 0 / 51 / 6 / 6

HEX #F076E2

RGB 240 118 226

HSL 306.89, 0.8%, 0.7%

LAB 67.26, 60.65, -33.97

 

CMYK 0 / 82 / 9 / 9

HEX #E72AD2

RGB 231 42 210

HSL 306.67, 0.8%, 0.54%

LAB 55.38, 83.23, -43.66

 

CMYK 0 / 57 / 81 / 9

HEX #E8642C

RGB 232 100 44

HSL 17.87, 0.8%, 0.54%

LAB 58.46, 48.31, 54.59

 

CMYK 81 / 0 / 25 / 9

HEX #2CE8AF

RGB 44 232 175

HSL 161.81, 0.8%, 0.54%

LAB 82.56, -57.69, 15.21

 

CMYK 0 / 82 / 9 / 9

HEX #E72AD2

RGB 231 42 210

HSL 306.67, 0.8%, 0.54%

LAB 55.38, 83.23, -43.66

 

CMYK 8 / 0 / 81 / 9

HEX #D5E82C

RGB 213 232 44

HSL 66.06, 0.8%, 0.54%

LAB 87.99, -27.19, 80.06

 

CMYK 81 / 8 / 0 / 9

HEX #2CD5E8

RGB 44 213 232

HSL 186.06, 0.8%, 0.54%

LAB 78.43, -34.23, -21.11

 

CMYK 0 / 82 / 9 / 9

HEX #E72AD2

RGB 231 42 210

HSL 306.67, 0.8%, 0.54%

LAB 55.38, 83.23, -43.66

 

CMYK 0 / 57 / 81 / 9

HEX #E8642C

RGB 232 100 44

HSL 17.87, 0.8%, 0.54%

LAB 58.46, 48.31, 54.59

 

CMYK 81 / 0 / 73 / 9

HEX #2CE83F

RGB 44 232 63

HSL 126.06, 0.8%, 0.54%

LAB 81.08, -75.02, 65.49

 

CMYK 81 / 25 / 0 / 9

HEX #2CAFE8

RGB 44 175 232

HSL 198.19, 0.8%, 0.54%

LAB 67.29, -15.09, -38.25

 

CMYK 0 / 82 / 9 / 9

HEX #E72AD2

RGB 231 42 210

HSL 306.67, 0.8%, 0.54%

LAB 55.38, 83.23, -43.66

 

CMYK 0 / 33 / 81 / 9

HEX #E89C2C

RGB 232 156 44

HSL 35.74, 0.8%, 0.54%

LAB 70.26, 19.69, 65.25

 

CMYK 81 / 0 / 73 / 9

HEX #2CE83F

RGB 44 232 63

HSL 126.06, 0.8%, 0.54%

LAB 81.08, -75.02, 65.49

 

CMYK 81 / 49 / 0 / 9

HEX #2C77E8

RGB 44 119 232

HSL 216.06, 0.8%, 0.54%

LAB 51.33, 17.71, -63.59

 

Description

Color code: HEX #E72AD2 | qconv.com Color code: HEX #E72AD2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 42 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 42 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 9 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 9% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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