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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7CD56 it is the complementary color #0832A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7CD56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F7CD56: #FCCD51, #FFDF64, #FFF177, #FFFF8A and #FFFF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7CD56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F7CD56: #F7CD56, #E6BB43, #D5A930, #C4971D and #B3850A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 65 / 3

HEX #F7CD56

RGB 247 205 86

HSL 44.35, 0.91%, 0.65%

LAB 84.02, 2.19, 62.85

 

Complementary color

CMYK 95 / 70 / 0 / 34

HEX #0832A9

RGB 8 50 169

HSL 224.35, 0.91%, 0.35%

LAB 27.29, 36.14, -66.29

 

CMYK 0 / 19 / 68 / 1

HEX #FCCD51

RGB 252 205 81

HSL 43.51, 0.97%, 0.65%

LAB 84.46, 4, 65.56

 

CMYK 0 / 13 / 61 / 0

HEX #FFDF64

RGB 255 223 100

HSL 47.61, 1%, 0.7%

LAB 89.37, -2.81, 62.84

 

CMYK 0 / 5 / 53 / 0

HEX #FFF177

RGB 255 241 119

HSL 53.82, 1%, 0.73%

LAB 94.1, -10.43, 59.76

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF8A

RGB 255 255 138

HSL 60, 1%, 0.77%

LAB 97.88, -15.67, 55.52

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9D

RGB 255 255 157

HSL 60, 1%, 0.81%

LAB 98.12, -13.81, 46.8

 

CMYK 0 / 17 / 65 / 3

HEX #F7CD56

RGB 247 205 86

HSL 44.35, 0.91%, 0.65%

LAB 84.02, 2.19, 62.85

 

CMYK 0 / 19 / 71 / 10

HEX #E6BB43

RGB 230 187 67

HSL 44.17, 0.77%, 0.58%

LAB 77.74, 3.36, 63.68

 

CMYK 0 / 21 / 77 / 16

HEX #D5A930

RGB 213 169 48

HSL 44, 0.66%, 0.51%

LAB 71.38, 4.71, 64.1

 

CMYK 0 / 23 / 85 / 23

HEX #C4971D

RGB 196 151 29

HSL 43.83, 0.74%, 0.44%

LAB 64.93, 6.29, 63.76

 

CMYK 0 / 26 / 94 / 30

HEX #B3850A

RGB 179 133 10

HSL 43.67, 0.89%, 0.37%

LAB 58.4, 8.14, 62.04

 

CMYK 0 / 17 / 65 / 3

HEX #F7CD56

RGB 247 205 86

HSL 44.35, 0.91%, 0.65%

LAB 84.02, 2.19, 62.85

 

CMYK 0 / 7 / 66 / 4

HEX #F6E654

RGB 246 230 84

HSL 54.07, 0.9%, 0.65%

LAB 90.24, -10.96, 70.18

 

CMYK 4 / 0 / 66 / 4

HEX #ECF654

RGB 236 246 84

HSL 63.7, 0.9%, 0.65%

LAB 93.62, -22.79, 73.39

 

CMYK 15 / 0 / 66 / 4

HEX #D1F654

RGB 209 246 84

HSL 73.7, 0.9%, 0.65%

LAB 91.73, -33.43, 70.85

 

CMYK 26 / 0 / 66 / 4

HEX #B5F654

RGB 181 246 84

HSL 84.07, 0.9%, 0.65%

LAB 90.03, -43.92, 68.55

 

CMYK 0 / 17 / 65 / 3

HEX #F7CD56

RGB 247 205 86

HSL 44.35, 0.91%, 0.65%

LAB 84.02, 2.19, 62.85

 

CMYK 0 / 16 / 65 / 83

HEX #2B240F

RGB 43 36 15

HSL 45, 0.48%, 0.11%

LAB 14.46, -0.17, 14.75

 

CMYK 0 / 17 / 65 / 63

HEX #5E4E21

RGB 94 78 33

HSL 44.26, 0.48%, 0.25%

LAB 33.85, 0.66, 28.59

 

CMYK 0 / 17 / 66 / 43

HEX #917832

RGB 145 120 50

HSL 44.21, 0.49%, 0.38%

LAB 51.48, 1.35, 41.01

 

CMYK 0 / 17 / 65 / 23

HEX #C4A344

RGB 196 163 68

HSL 44.53, 0.52%, 0.52%

LAB 68.28, 1.51, 52.37

 

CMYK 0 / 17 / 65 / 3

HEX #F7CD56

RGB 247 205 86

HSL 44.35, 0.91%, 0.65%

LAB 84.02, 2.19, 62.85

 

CMYK 61 / 0 / 66 / 4

HEX #5FF654

RGB 95 246 84

HSL 115.93, 0.9%, 0.65%

LAB 86.5, -69.38, 63.73

 

CMYK 44 / 66 / 0 / 4

HEX #8A54F6

RGB 138 84 246

HSL 260, 0.9%, 0.65%

LAB 49.98, 57.14, -73.35

 

CMYK 0 / 17 / 65 / 3

HEX #F7CD56

RGB 247 205 86

HSL 44.35, 0.91%, 0.65%

LAB 84.02, 2.19, 62.85

 

CMYK 66 / 0 / 17 / 4

HEX #54F6CB

RGB 84 246 203

HSL 164.07, 0.9%, 0.65%

LAB 88.02, -51.88, 8.46

 

CMYK 17 / 66 / 0 / 4

HEX #CB54F6

RGB 203 84 246

HSL 284.07, 0.9%, 0.65%

LAB 57.74, 70.2, -60.42

 

CMYK 0 / 17 / 65 / 3

HEX #F7CD56

RGB 247 205 86

HSL 44.35, 0.91%, 0.65%

LAB 84.02, 2.19, 62.85

 

CMYK 61 / 0 / 66 / 4

HEX #5FF654

RGB 95 246 84

HSL 115.93, 0.9%, 0.65%

LAB 86.5, -69.38, 63.73

 

CMYK 66 / 48 / 0 / 4

HEX #547FF6

RGB 84 127 246

HSL 224.07, 0.9%, 0.65%

LAB 55.8, 22.72, -64.1

 

CMYK 4 / 66 / 0 / 4

HEX #EC54F6

RGB 236 84 246

HSL 296.3, 0.9%, 0.65%

LAB 62.36, 77.36, -52.78

 

CMYK 0 / 17 / 65 / 3

HEX #F7CD56

RGB 247 205 86

HSL 44.35, 0.91%, 0.65%

LAB 84.02, 2.19, 62.85

 

CMYK 66 / 0 / 50 / 4

HEX #54F67A

RGB 84 246 122

HSL 134.07, 0.9%, 0.65%

LAB 86.6, -67.17, 47.26

 

CMYK 66 / 48 / 0 / 4

HEX #547FF6

RGB 84 127 246

HSL 224.07, 0.9%, 0.65%

LAB 55.8, 22.72, -64.1

 

CMYK 0 / 66 / 15 / 4

HEX #F654D1

RGB 246 84 209

HSL 313.7, 0.9%, 0.65%

LAB 62.11, 74.03, -32.36

 

Description

Color code: HEX #F7CD56 | qconv.com Color code: HEX #F7CD56 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 205 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 205 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 65 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 65% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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