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Color name
HEX #F7C176

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7C176 it is the complementary color #083E89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7C176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F7C176 shade: #FCC171, #FFD384, #FFE597, #FFF7AA and #FFFFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7C176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F7C176 shade: #F7C176, #E6AF63, #D59D50, #C48B3D and #B3792A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F7C176 shade: #F7C278, #F7A078, #F77D78 and #F77878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F7C176 shade: #F7C278, #F7E478, #E8F778, #C6F778 and #A3F778

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F7C176 shade matches the following richer shades: #F7C278

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F7C176 shade: #F7C278, #ECC084, #E0BE8F, #D4BC9B and #C9BAA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F7C176 shade: #F77C78, #F79E78, #F7C078, #F7E278 and #EAF778

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F7C176 shade: #F39F2A, #F5B051, #F7C278, #F9D49F and #FCE5C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F7C176 shade: #F7C176, #96F778 and #8D78F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F7C176 shade: #F7C176, #78F7C0 and #C078F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F7C176 shade: #F7C176, #96F778, #78AFF7 and #D978F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F7C176 shade: #F7C176, #78F781, #78AFF7 and #F778EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 52 / 3

HEX #F7C176

RGB 247 193 118

HSL 34.88, 0.89%, 0.72%

LAB 81.41, 10.69, 44.88

 

Complementary color

CMYK 94 / 55 / 0 / 46

HEX #083E89

RGB 8 62 137

HSL 214.88, 0.89%, 0.28%

LAB 27.58, 14.91, -46.27

 

CMYK 0 / 23 / 55 / 1

HEX #FCC171

RGB 252 193 113

HSL 34.53, 0.96%, 0.72%

LAB 81.85, 12.31, 48.01

 

CMYK 0 / 17 / 48 / 0

HEX #FFD384

RGB 255 211 132

HSL 38.54, 1%, 0.76%

LAB 86.76, 5.8, 44.72

 

CMYK 0 / 10 / 41 / 0

HEX #FFE597

RGB 255 229 151

HSL 45, 1%, 0.8%

LAB 91.47, -1.53, 41.25

 

CMYK 0 / 3 / 33 / 0

HEX #FFF7AA

RGB 255 247 170

HSL 54.35, 1%, 0.83%

LAB 96.28, -8.45, 38.04

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 0 / 22 / 52 / 3

HEX #F7C176

RGB 247 193 118

HSL 34.88, 0.89%, 0.72%

LAB 81.41, 10.69, 44.88

 

CMYK 0 / 24 / 57 / 10

HEX #E6AF63

RGB 230 175 99

HSL 34.81, 0.72%, 0.65%

LAB 75.07, 11.68, 46.24

 

CMYK 0 / 26 / 62 / 16

HEX #D59D50

RGB 213 157 80

HSL 34.74, 0.61%, 0.57%

LAB 68.63, 12.82, 47.62

 

CMYK 0 / 29 / 69 / 23

HEX #C48B3D

RGB 196 139 61

HSL 34.67, 0.53%, 0.5%

LAB 62.12, 14.15, 48.94

 

CMYK 0 / 32 / 77 / 30

HEX #B3792A

RGB 179 121 42

HSL 34.6, 0.62%, 0.43%

LAB 55.51, 15.71, 50.04

 

CMYK 0 / 21 / 51 / 3

HEX #F7C278

RGB 247 194 120

HSL 34.96, 0.89%, 0.72%

LAB 81.68, 10.34, 44.21

 

CMYK 0 / 35 / 51 / 3

HEX #F7A078

RGB 247 160 120

HSL 18.9, 0.89%, 0.72%

LAB 73.72, 28.2, 34.15

 

CMYK 0 / 49 / 51 / 3

HEX #F77D78

RGB 247 125 120

HSL 2.36, 0.89%, 0.72%

LAB 66.36, 46.12, 24.49

 

CMYK 0 / 51 / 51 / 3

HEX #F77878

RGB 247 120 120

HSL 0, 0.89%, 0.72%

LAB 65.41, 48.56, 23.2

 

CMYK 0 / 21 / 51 / 3

HEX #F7C278

RGB 247 194 120

HSL 34.96, 0.89%, 0.72%

LAB 81.68, 10.34, 44.21

 

CMYK 0 / 8 / 51 / 3

HEX #F7E478

RGB 247 228 120

HSL 51.02, 0.89%, 0.72%

LAB 90.15, -7.08, 54.48

 

CMYK 6 / 0 / 51 / 3

HEX #E8F778

RGB 232 247 120

HSL 67.09, 0.89%, 0.72%

LAB 93.9, -22.31, 58.62

 

CMYK 20 / 0 / 51 / 3

HEX #C6F778

RGB 198 247 120

HSL 83.15, 0.89%, 0.72%

LAB 91.63, -35.16, 55.39

 

CMYK 34 / 0 / 51 / 3

HEX #A3F778

RGB 163 247 120

HSL 99.69, 0.89%, 0.72%

LAB 89.7, -47.32, 52.62

 

CMYK 0 / 21 / 51 / 3

HEX #F7C278

RGB 247 194 120

HSL 34.96, 0.89%, 0.72%

LAB 81.68, 10.34, 44.21

 

CMYK 0 / 21 / 51 / 3

HEX #F7C278

RGB 247 194 120

HSL 34.96, 0.89%, 0.72%

LAB 81.68, 10.34, 44.21

 

CMYK 0 / 19 / 44 / 7

HEX #ECC084

RGB 236 192 132

HSL 34.62, 0.73%, 0.72%

LAB 80.29, 8.09, 36.12

 

CMYK 0 / 15 / 36 / 12

HEX #E0BE8F

RGB 224 190 143

HSL 34.81, 0.57%, 0.72%

LAB 78.84, 5.59, 28.26

 

CMYK 0 / 11 / 27 / 17

HEX #D4BC9B

RGB 212 188 155

HSL 34.74, 0.4%, 0.72%

LAB 77.48, 3.51, 19.84

 

CMYK 0 / 7 / 17 / 21

HEX #C9BAA6

RGB 201 186 166

HSL 34.29, 0.24%, 0.72%

LAB 76.25, 2.02, 12.05

 

CMYK 0 / 50 / 51 / 3

HEX #F77C78

RGB 247 124 120

HSL 1.89, 0.89%, 0.72%

LAB 66.17, 46.61, 24.23

 

CMYK 0 / 36 / 51 / 3

HEX #F79E78

RGB 247 158 120

HSL 17.95, 0.89%, 0.72%

LAB 73.27, 29.25, 33.58

 

CMYK 0 / 22 / 51 / 3

HEX #F7C078

RGB 247 192 120

HSL 34.02, 0.89%, 0.72%

LAB 81.2, 11.38, 43.61

 

CMYK 0 / 9 / 51 / 3

HEX #F7E278

RGB 247 226 120

HSL 50.08, 0.89%, 0.72%

LAB 89.64, -6.08, 53.88

 

CMYK 5 / 0 / 51 / 3

HEX #EAF778

RGB 234 247 120

HSL 66.14, 0.89%, 0.72%

LAB 94.04, -21.54, 58.83

 

CMYK 0 / 35 / 83 / 5

HEX #F39F2A

RGB 243 159 42

HSL 34.93, 0.89%, 0.56%

LAB 72.24, 22.68, 68.15

 

CMYK 0 / 28 / 67 / 4

HEX #F5B051

RGB 245 176 81

HSL 34.76, 0.89%, 0.64%

LAB 76.71, 16.19, 57.12

 

CMYK 0 / 21 / 51 / 3

HEX #F7C278

RGB 247 194 120

HSL 34.96, 0.89%, 0.72%

LAB 81.68, 10.34, 44.21

 

CMYK 0 / 15 / 36 / 2

HEX #F9D49F

RGB 249 212 159

HSL 35.33, 0.88%, 0.8%

LAB 86.86, 5.71, 31.04

 

CMYK 0 / 9 / 21 / 1

HEX #FCE5C6

RGB 252 229 198

HSL 34.44, 0.9%, 0.88%

LAB 92.05, 3.11, 17.98

 

CMYK 0 / 22 / 52 / 3

HEX #F7C176

RGB 247 193 118

HSL 34.88, 0.89%, 0.72%

LAB 81.41, 10.69, 44.88

 

CMYK 39 / 0 / 51 / 3

HEX #96F778

RGB 150 247 120

HSL 105.83, 0.89%, 0.72%

LAB 89.09, -51.45, 51.74

 

CMYK 43 / 51 / 0 / 3

HEX #8D78F7

RGB 141 120 247

HSL 249.92, 0.89%, 0.72%

LAB 57.86, 38.28, -61.16

 

CMYK 0 / 22 / 52 / 3

HEX #F7C176

RGB 247 193 118

HSL 34.88, 0.89%, 0.72%

LAB 81.41, 10.69, 44.88

 

CMYK 51 / 0 / 22 / 3

HEX #78F7C0

RGB 120 247 192

HSL 154.02, 0.89%, 0.72%

LAB 89.07, -47.88, 15.79

 

CMYK 22 / 51 / 0 / 3

HEX #C078F7

RGB 192 120 247

HSL 274.02, 0.89%, 0.72%

LAB 62.81, 50.72, -52.97

 

CMYK 0 / 22 / 52 / 3

HEX #F7C176

RGB 247 193 118

HSL 34.88, 0.89%, 0.72%

LAB 81.41, 10.69, 44.88

 

CMYK 39 / 0 / 51 / 3

HEX #96F778

RGB 150 247 120

HSL 105.83, 0.89%, 0.72%

LAB 89.09, -51.45, 51.74

 

CMYK 51 / 29 / 0 / 3

HEX #78AFF7

RGB 120 175 247

HSL 214.02, 0.89%, 0.72%

LAB 70.43, 1.71, -41.33

 

CMYK 12 / 51 / 0 / 3

HEX #D978F7

RGB 217 120 247

HSL 285.83, 0.89%, 0.72%

LAB 65.67, 57.22, -48.26

 

CMYK 0 / 22 / 52 / 3

HEX #F7C176

RGB 247 193 118

HSL 34.88, 0.89%, 0.72%

LAB 81.41, 10.69, 44.88

 

CMYK 51 / 0 / 48 / 3

HEX #78F781

RGB 120 247 129

HSL 124.25, 0.89%, 0.72%

LAB 88.02, -58.74, 45.93

 

CMYK 51 / 29 / 0 / 3

HEX #78AFF7

RGB 120 175 247

HSL 214.02, 0.89%, 0.72%

LAB 70.43, 1.71, -41.33

 

CMYK 0 / 51 / 3 / 3

HEX #F778EF

RGB 247 120 239

HSL 303.78, 0.89%, 0.72%

LAB 69.07, 63.8, -38.26

 

Description

Color code: HEX #F7C176 | qconv.com Color code: HEX #F7C176 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 193 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 193 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 52 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 52% 3% C M Y K

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Provide designers and agencies with accurate color values.

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