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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F76F6C it is the complementary color #089093. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F76F6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F76F6C shade: #FC6F67, #FF817A, #FF938D, #FFA5A0 and #FFB7B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F76F6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F76F6C shade: #F76F6C, #E65D59, #D54B46, #C43933 and #B32720

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F76F6C shade: #F7716E and #F76E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F76F6C shade: #F7716E, #F7966E, #F7BB6E, #F7E06E and #EAF76E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F76F6C shade matches the following richer shades: #F7716E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F76F6C shade: #F7716E, #EB7C7A, #DF8886, #D29493 and #C6A09F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F76F6C shade: #F76EB5, #F76E90, #F7706E, #F7956E and #F7B96E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F76F6C shade: #F3241F, #F54A46, #F7716E, #F99795 and #FBBDBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F76F6C shade: #F76F6C, #DAF76E and #6EA2F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F76F6C shade: #F76F6C, #6EF770 and #706EF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F76F6C shade: #F76F6C, #DAF76E, #6EF5F7 and #8B6EF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F76F6C shade: #F76F6C, #B0F76E, #6EF5F7 and #B56EF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 56 / 3

HEX #F76F6C

RGB 247 111 108

HSL 1.29, 0.9%, 0.7%

LAB 63.53, 51.89, 27.47

 

Complementary color

CMYK 95 / 2 / 0 / 42

HEX #089093

RGB 8 144 147

HSL 181.29, 0.9%, 0.3%

LAB 54.14, -30.09, -10.73

 

CMYK 0 / 56 / 59 / 1

HEX #FC6F67

RGB 252 111 103

HSL 3.22, 0.96%, 0.7%

LAB 64.2, 53.26, 31.29

 

CMYK 0 / 49 / 52 / 0

HEX #FF817A

RGB 255 129 122

HSL 3.16, 1%, 0.74%

LAB 68.29, 47.2, 26.14

 

CMYK 0 / 42 / 45 / 0

HEX #FF938D

RGB 255 147 141

HSL 3.16, 1%, 0.78%

LAB 72.26, 39.92, 20.99

 

CMYK 0 / 35 / 37 / 0

HEX #FFA5A0

RGB 255 165 160

HSL 3.16, 1%, 0.81%

LAB 76.5, 32.67, 16.45

 

CMYK 0 / 28 / 30 / 0

HEX #FFB7B3

RGB 255 183 179

HSL 3.16, 1%, 0.85%

LAB 80.95, 25.57, 12.42

 

CMYK 0 / 55 / 56 / 3

HEX #F76F6C

RGB 247 111 108

HSL 1.29, 0.9%, 0.7%

LAB 63.53, 51.89, 27.47

 

CMYK 0 / 60 / 61 / 10

HEX #E65D59

RGB 230 93 89

HSL 1.7, 0.74%, 0.63%

LAB 57.44, 52.93, 29.86

 

CMYK 0 / 65 / 67 / 16

HEX #D54B46

RGB 213 75 70

HSL 2.1, 0.63%, 0.55%

LAB 51.41, 53.86, 32.64

 

CMYK 0 / 71 / 74 / 23

HEX #C43933

RGB 196 57 51

HSL 2.48, 0.59%, 0.48%

LAB 45.5, 54.53, 35.88

 

CMYK 0 / 78 / 82 / 30

HEX #B32720

RGB 179 39 32

HSL 2.86, 0.7%, 0.41%

LAB 39.81, 54.71, 39.5

 

CMYK 0 / 54 / 55 / 3

HEX #F7716E

RGB 247 113 110

HSL 1.31, 0.9%, 0.7%

LAB 63.93, 51.1, 26.86

 

CMYK 0 / 55 / 55 / 3

HEX #F76E6E

RGB 247 110 110

HSL 0, 0.9%, 0.7%

LAB 63.39, 52.5, 26.15

 

CMYK 0 / 54 / 55 / 3

HEX #F7716E

RGB 247 113 110

HSL 1.31, 0.9%, 0.7%

LAB 63.93, 51.1, 26.86

 

CMYK 0 / 39 / 55 / 3

HEX #F7966E

RGB 247 150 110

HSL 17.52, 0.9%, 0.7%

LAB 71.36, 32.6, 36.46

 

CMYK 0 / 24 / 55 / 3

HEX #F7BB6E

RGB 247 187 110

HSL 33.72, 0.9%, 0.7%

LAB 79.86, 13.18, 46.97

 

CMYK 0 / 9 / 55 / 3

HEX #F7E06E

RGB 247 224 110

HSL 49.93, 0.9%, 0.7%

LAB 89.02, -5.87, 57.79

 

CMYK 5 / 0 / 55 / 3

HEX #EAF76E

RGB 234 247 110

HSL 65.69, 0.9%, 0.7%

LAB 93.94, -22.35, 63.14

 

CMYK 0 / 54 / 55 / 3

HEX #F7716E

RGB 247 113 110

HSL 1.31, 0.9%, 0.7%

LAB 63.93, 51.1, 26.86

 

CMYK 0 / 54 / 55 / 3

HEX #F7716E

RGB 247 113 110

HSL 1.31, 0.9%, 0.7%

LAB 63.93, 51.1, 26.86

 

CMYK 0 / 47 / 48 / 8

HEX #EB7C7A

RGB 235 124 122

HSL 1.06, 0.74%, 0.7%

LAB 64.55, 42.45, 20.63

 

CMYK 0 / 39 / 40 / 13

HEX #DF8886

RGB 223 136 134

HSL 1.35, 0.58%, 0.7%

LAB 65.76, 33.01, 15.29

 

CMYK 0 / 30 / 30 / 18

HEX #D29493

RGB 210 148 147

HSL 0.95, 0.41%, 0.7%

LAB 67.27, 23.23, 9.9

 

CMYK 0 / 19 / 20 / 22

HEX #C6A09F

RGB 198 160 159

HSL 1.54, 0.25%, 0.7%

LAB 69.22, 13.87, 5.83

 

CMYK 0 / 55 / 27 / 3

HEX #F76EB5

RGB 247 110 181

HSL 328.91, 0.9%, 0.7%

LAB 65.17, 59.78, -11.81

 

CMYK 0 / 55 / 42 / 3

HEX #F76E90

RGB 247 110 144

HSL 345.11, 0.9%, 0.7%

LAB 64.11, 55.52, 7.75

 

CMYK 0 / 55 / 55 / 3

HEX #F7706E

RGB 247 112 110

HSL 0.88, 0.9%, 0.7%

LAB 63.74, 51.57, 26.62

 

CMYK 0 / 40 / 55 / 3

HEX #F7956E

RGB 247 149 110

HSL 17.08, 0.9%, 0.7%

LAB 71.14, 33.11, 36.18

 

CMYK 0 / 25 / 55 / 3

HEX #F7B96E

RGB 247 185 110

HSL 32.85, 0.9%, 0.7%

LAB 79.38, 14.23, 46.39

 

CMYK 0 / 85 / 87 / 5

HEX #F3241F

RGB 243 36 31

HSL 1.42, 0.9%, 0.54%

LAB 52.3, 73.41, 55.77

 

CMYK 0 / 70 / 71 / 4

HEX #F54A46

RGB 245 74 70

HSL 1.37, 0.9%, 0.62%

LAB 56.83, 64.5, 40.43

 

CMYK 0 / 54 / 55 / 3

HEX #F7716E

RGB 247 113 110

HSL 1.31, 0.9%, 0.7%

LAB 63.93, 51.1, 26.86

 

CMYK 0 / 39 / 40 / 2

HEX #F99795

RGB 249 151 149

HSL 1.2, 0.89%, 0.78%

LAB 72.52, 36.49, 16.83

 

CMYK 0 / 25 / 25 / 2

HEX #FBBDBC

RGB 251 189 188

HSL 0.95, 0.89%, 0.86%

LAB 82.13, 22.15, 9.21

 

CMYK 0 / 55 / 56 / 3

HEX #F76F6C

RGB 247 111 108

HSL 1.29, 0.9%, 0.7%

LAB 63.53, 51.89, 27.47

 

CMYK 12 / 0 / 55 / 3

HEX #DAF76E

RGB 218 247 110

HSL 72.7, 0.9%, 0.7%

LAB 92.82, -28.55, 61.56

 

CMYK 55 / 34 / 0 / 3

HEX #6EA2F7

RGB 110 162 247

HSL 217.23, 0.9%, 0.7%

LAB 66.42, 6.97, -47.66

 

CMYK 0 / 55 / 56 / 3

HEX #F76F6C

RGB 247 111 108

HSL 1.29, 0.9%, 0.7%

LAB 63.53, 51.89, 27.47

 

CMYK 55 / 0 / 55 / 3

HEX #6EF770

RGB 110 247 112

HSL 120.88, 0.9%, 0.7%

LAB 87.49, -63.38, 53.11

 

CMYK 55 / 55 / 0 / 3

HEX #706EF7

RGB 112 110 247

HSL 240.88, 0.9%, 0.7%

LAB 53.29, 38.13, -68.63

 

CMYK 0 / 55 / 56 / 3

HEX #F76F6C

RGB 247 111 108

HSL 1.29, 0.9%, 0.7%

LAB 63.53, 51.89, 27.47

 

CMYK 12 / 0 / 55 / 3

HEX #DAF76E

RGB 218 247 110

HSL 72.7, 0.9%, 0.7%

LAB 92.82, -28.55, 61.56

 

CMYK 55 / 1 / 0 / 3

HEX #6EF5F7

RGB 110 245 247

HSL 180.88, 0.9%, 0.7%

LAB 89.55, -36.11, -12.16

 

CMYK 44 / 55 / 0 / 3

HEX #8B6EF7

RGB 139 110 247

HSL 252.7, 0.9%, 0.7%

LAB 55.44, 43.54, -65.06

 

CMYK 0 / 55 / 56 / 3

HEX #F76F6C

RGB 247 111 108

HSL 1.29, 0.9%, 0.7%

LAB 63.53, 51.89, 27.47

 

CMYK 29 / 0 / 55 / 3

HEX #B0F76E

RGB 176 247 110

HSL 91.09, 0.9%, 0.7%

LAB 90.27, -43.98, 57.96

 

CMYK 55 / 1 / 0 / 3

HEX #6EF5F7

RGB 110 245 247

HSL 180.88, 0.9%, 0.7%

LAB 89.55, -36.11, -12.16

 

CMYK 27 / 55 / 0 / 3

HEX #B56EF7

RGB 181 110 247

HSL 271.09, 0.9%, 0.7%

LAB 59.61, 53.18, -58.14

 

Description

Color code: HEX #F76F6C | qconv.com Color code: HEX #F76F6C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 111 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 111 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 56 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 56% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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