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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAF76E it is the complementary color #250891. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAF76E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAF76E shade: #DFF769, #F0FF7C, #FFFF8F, #FFFFA2 and #FFFFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAF76E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAF76E shade: #DAF76E, #C9E55B, #B8D348, #A7C135 and #96AF22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAF76E shade: #DAF76D, #F7EF6D, #F7CA6D, #F7A56D and #F77F6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAF76E shade: #DAF76D, #B5F76D, #8FF76D, #6DF770 and #6DF795

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAF76E shade matches the following richer shades: #DAF76D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAF76E shade: #DAF76D, #D3EA7A, #CBDE86, #C4D292 and #BDC59F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAF76E shade: #F7C96D, #F7EE6D, #DBF76D, #B7F76D and #92F76D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAF76E shade: #C6F31F, #D0F546, #DAF76D, #E4F994 and #EEFBBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAF76E shade: #DAF76E, #6DF7A4 and #DB6DF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAF76E shade: #DAF76E, #6DDBF7 and #F76DDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAF76E shade: #DAF76E, #6DF7A4, #896DF7 and #F76DC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAF76E shade: #DAF76E, #6DF7CE, #896DF7 and #F76D96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 55 / 3

HEX #DAF76E

RGB 218 247 110

HSL 72.7, 0.9%, 0.7%

LAB 92.82, -28.55, 61.56

 

Complementary color

CMYK 74 / 94 / 0 / 43

HEX #250891

RGB 37 8 145

HSL 252.7, 0.9%, 0.3%

LAB 18.41, 50.31, -66.28

 

CMYK 10 / 0 / 57 / 3

HEX #DFF769

RGB 223 247 105

HSL 70.14, 0.9%, 0.69%

LAB 93.11, -27.02, 64.15

 

CMYK 6 / 0 / 51 / 0

HEX #F0FF7C

RGB 240 255 124

HSL 66.87, 1%, 0.74%

LAB 96.62, -22.69, 60.15

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 12 / 0 / 55 / 3

HEX #DAF76E

RGB 218 247 110

HSL 72.7, 0.9%, 0.7%

LAB 92.82, -28.55, 61.56

 

CMYK 12 / 0 / 60 / 10

HEX #C9E55B

RGB 201 229 91

HSL 72.17, 0.73%, 0.63%

LAB 86.61, -28.18, 62.45

 

CMYK 13 / 0 / 66 / 17

HEX #B8D348

RGB 184 211 72

HSL 71.65, 0.61%, 0.55%

LAB 80.32, -27.7, 63.12

 

CMYK 13 / 0 / 73 / 24

HEX #A7C135

RGB 167 193 53

HSL 71.14, 0.57%, 0.48%

LAB 73.94, -27.09, 63.4

 

CMYK 14 / 0 / 81 / 31

HEX #96AF22

RGB 150 175 34

HSL 70.64, 0.67%, 0.41%

LAB 67.47, -26.32, 62.97

 

CMYK 12 / 0 / 56 / 3

HEX #DAF76D

RGB 218 247 109

HSL 72.61, 0.9%, 0.7%

LAB 92.81, -28.64, 61.99

 

CMYK 0 / 3 / 56 / 3

HEX #F7EF6D

RGB 247 239 109

HSL 56.52, 0.9%, 0.7%

LAB 92.84, -13.39, 62.6

 

CMYK 0 / 18 / 56 / 3

HEX #F7CA6D

RGB 247 202 109

HSL 40.43, 0.9%, 0.7%

LAB 83.51, 5.29, 51.81

 

CMYK 0 / 33 / 56 / 3

HEX #F7A56D

RGB 247 165 109

HSL 24.35, 0.9%, 0.7%

LAB 74.69, 24.66, 41.15

 

CMYK 0 / 49 / 56 / 3

HEX #F77F6D

RGB 247 127 109

HSL 7.83, 0.9%, 0.7%

LAB 66.56, 44.24, 30.86

 

CMYK 12 / 0 / 56 / 3

HEX #DAF76D

RGB 218 247 109

HSL 72.61, 0.9%, 0.7%

LAB 92.81, -28.64, 61.99

 

CMYK 27 / 0 / 56 / 3

HEX #B5F76D

RGB 181 247 109

HSL 88.7, 0.9%, 0.7%

LAB 90.53, -42.32, 58.78

 

CMYK 42 / 0 / 56 / 3

HEX #8FF76D

RGB 143 247 109

HSL 105.22, 0.9%, 0.7%

LAB 88.67, -54.8, 56.14

 

CMYK 56 / 0 / 55 / 3

HEX #6DF770

RGB 109 247 112

HSL 121.3, 0.9%, 0.7%

LAB 87.46, -63.62, 53.06

 

CMYK 56 / 0 / 40 / 3

HEX #6DF795

RGB 109 247 149

HSL 137.39, 0.9%, 0.7%

LAB 87.94, -58.35, 36.03

 

CMYK 12 / 0 / 56 / 3

HEX #DAF76D

RGB 218 247 109

HSL 72.61, 0.9%, 0.7%

LAB 92.81, -28.64, 61.99

 

CMYK 12 / 0 / 56 / 3

HEX #DAF76D

RGB 218 247 109

HSL 72.61, 0.9%, 0.7%

LAB 92.81, -28.64, 61.99

 

CMYK 10 / 0 / 48 / 8

HEX #D3EA7A

RGB 211 234 122

HSL 72.32, 0.73%, 0.7%

LAB 88.97, -24.01, 51.47

 

CMYK 9 / 0 / 40 / 13

HEX #CBDE86

RGB 203 222 134

HSL 72.95, 0.57%, 0.7%

LAB 85.33, -19.99, 41.02

 

CMYK 7 / 0 / 30 / 18

HEX #C4D292

RGB 196 210 146

HSL 73.13, 0.42%, 0.7%

LAB 81.79, -15.19, 30.21

 

CMYK 4 / 0 / 19 / 23

HEX #BDC59F

RGB 189 197 159

HSL 72.63, 0.25%, 0.7%

LAB 78.03, -9.3, 18.17

 

CMYK 0 / 19 / 56 / 3

HEX #F7C96D

RGB 247 201 109

HSL 40, 0.9%, 0.7%

LAB 83.26, 5.8, 51.52

 

CMYK 0 / 4 / 56 / 3

HEX #F7EE6D

RGB 247 238 109

HSL 56.09, 0.9%, 0.7%

LAB 92.59, -12.9, 62.31

 

CMYK 11 / 0 / 56 / 3

HEX #DBF76D

RGB 219 247 109

HSL 72.17, 0.9%, 0.7%

LAB 92.88, -28.25, 62.08

 

CMYK 26 / 0 / 56 / 3

HEX #B7F76D

RGB 183 247 109

HSL 87.83, 0.9%, 0.7%

LAB 90.64, -41.61, 58.93

 

CMYK 41 / 0 / 56 / 3

HEX #92F76D

RGB 146 247 109

HSL 103.91, 0.9%, 0.7%

LAB 88.8, -53.89, 56.32

 

CMYK 19 / 0 / 87 / 5

HEX #C6F31F

RGB 198 243 31

HSL 72.74, 0.9%, 0.54%

LAB 89.95, -38.57, 84.01

 

CMYK 15 / 0 / 71 / 4

HEX #D0F546

RGB 208 245 70

HSL 72.69, 0.9%, 0.62%

LAB 91.31, -34.15, 75.4

 

CMYK 12 / 0 / 56 / 3

HEX #DAF76D

RGB 218 247 109

HSL 72.61, 0.9%, 0.7%

LAB 92.81, -28.64, 61.99

 

CMYK 8 / 0 / 41 / 2

HEX #E4F994

RGB 228 249 148

HSL 72.48, 0.89%, 0.78%

LAB 94.48, -22.06, 46.13

 

CMYK 5 / 0 / 25 / 2

HEX #EEFBBC

RGB 238 251 188

HSL 72.38, 0.89%, 0.86%

LAB 96.33, -14.39, 28.84

 

CMYK 12 / 0 / 55 / 3

HEX #DAF76E

RGB 218 247 110

HSL 72.7, 0.9%, 0.7%

LAB 92.82, -28.55, 61.56

 

CMYK 56 / 0 / 34 / 3

HEX #6DF7A4

RGB 109 247 164

HSL 143.91, 0.9%, 0.7%

LAB 88.19, -55.75, 28.84

 

CMYK 11 / 56 / 0 / 3

HEX #DB6DF7

RGB 219 109 247

HSL 287.83, 0.9%, 0.7%

LAB 63.93, 63.03, -50.99

 

CMYK 12 / 0 / 55 / 3

HEX #DAF76E

RGB 218 247 110

HSL 72.7, 0.9%, 0.7%

LAB 92.82, -28.55, 61.56

 

CMYK 56 / 11 / 0 / 3

HEX #6DDBF7

RGB 109 219 247

HSL 192.17, 0.9%, 0.7%

LAB 82.18, -23.84, -23.26

 

CMYK 0 / 56 / 11 / 3

HEX #F76DDB

RGB 247 109 219

HSL 312.17, 0.9%, 0.7%

LAB 66.39, 65.57, -31.34

 

CMYK 12 / 0 / 55 / 3

HEX #DAF76E

RGB 218 247 110

HSL 72.7, 0.9%, 0.7%

LAB 92.82, -28.55, 61.56

 

CMYK 56 / 0 / 34 / 3

HEX #6DF7A4

RGB 109 247 164

HSL 143.91, 0.9%, 0.7%

LAB 88.19, -55.75, 28.84

 

CMYK 45 / 56 / 0 / 3

HEX #896DF7

RGB 137 109 247

HSL 252.17, 0.9%, 0.7%

LAB 55.04, 43.68, -65.7

 

CMYK 0 / 56 / 22 / 3

HEX #F76DC0

RGB 247 109 192

HSL 323.91, 0.9%, 0.7%

LAB 65.37, 61.69, -17.74

 

CMYK 12 / 0 / 55 / 3

HEX #DAF76E

RGB 218 247 110

HSL 72.7, 0.9%, 0.7%

LAB 92.82, -28.55, 61.56

 

CMYK 56 / 0 / 17 / 3

HEX #6DF7CE

RGB 109 247 206

HSL 162.17, 0.9%, 0.7%

LAB 89.03, -47.19, 8.43

 

CMYK 45 / 56 / 0 / 3

HEX #896DF7

RGB 137 109 247

HSL 252.17, 0.9%, 0.7%

LAB 55.04, 43.68, -65.7

 

CMYK 0 / 56 / 39 / 3

HEX #F76D96

RGB 247 109 150

HSL 342.17, 0.9%, 0.7%

LAB 64.09, 56.6, 4.28

 

Description

Color code: HEX #DAF76E | qconv.com Color code: HEX #DAF76E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 247 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 247 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 55 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 55% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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