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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F760A6 it is the complementary color #089F59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F760A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F760A6 shade: #FC60A1, #FF72B4, #FF84C7, #FF96DA and #FFA8ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F760A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F760A6 shade: #F760A6, #E64E93, #D53C80, #C42A6D and #B3185A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F760A6 shade: #F75FA5, #F75F7C and #F75F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F760A6 shade: #F75FA5, #F75FCE, #F65FF7, #CD5FF7 and #A45FF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F760A6 shade matches the following richer shades: #F75FA5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F760A6 shade: #F75FA5, #E96DA6, #DB7AA7, #CE88A8 and #C096A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F760A6 shade: #F75FF7, #F75FCE, #F75FA6, #F75F7D and #F7695F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F760A6 shade: #F21179, #F5388F, #F75FA5, #F986BB and #FBAED1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F760A6 shade: #F760A6, #F7CE5F and #5FE2F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F760A6 shade: #F760A6, #A6F75F and #5FA6F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F760A6 shade: #F760A6, #F7CE5F, #5FF7B0 and #5F88F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F760A6 shade: #F760A6, #F2F75F, #5FF7B0 and #645FF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 33 / 3

HEX #F760A6

RGB 247 96 166

HSL 332.19, 0.9%, 0.67%

LAB 62.42, 64.06, -7.36

 

Complementary color

CMYK 95 / 0 / 44 / 38

HEX #089F59

RGB 8 159 89

HSL 152.19, 0.9%, 0.33%

LAB 57.63, -51.41, 26.89

 

CMYK 0 / 62 / 36 / 1

HEX #FC60A1

RGB 252 96 161

HSL 335, 0.96%, 0.68%

LAB 63.04, 64.98, -3.48

 

CMYK 0 / 55 / 29 / 0

HEX #FF72B4

RGB 255 114 180

HSL 331.91, 1%, 0.72%

LAB 66.97, 60.28, -8.44

 

CMYK 0 / 48 / 22 / 0

HEX #FF84C7

RGB 255 132 199

HSL 327.32, 1%, 0.76%

LAB 70.79, 54.34, -13.38

 

CMYK 0 / 41 / 15 / 0

HEX #FF96DA

RGB 255 150 218

HSL 321.14, 1%, 0.79%

LAB 74.91, 48.21, -17.67

 

CMYK 0 / 34 / 7 / 0

HEX #FFA8ED

RGB 255 168 237

HSL 312.41, 1%, 0.83%

LAB 79.26, 42.07, -21.41

 

CMYK 0 / 61 / 33 / 3

HEX #F760A6

RGB 247 96 166

HSL 332.19, 0.9%, 0.67%

LAB 62.42, 64.06, -7.36

 

CMYK 0 / 66 / 36 / 10

HEX #E64E93

RGB 230 78 147

HSL 332.76, 0.75%, 0.6%

LAB 56.46, 64.29, -5.45

 

CMYK 0 / 72 / 40 / 16

HEX #D53C80

RGB 213 60 128

HSL 333.33, 0.65%, 0.54%

LAB 50.61, 64.13, -3.11

 

CMYK 0 / 79 / 44 / 23

HEX #C42A6D

RGB 196 42 109

HSL 333.9, 0.65%, 0.47%

LAB 44.94, 63.38, -0.21

 

CMYK 0 / 87 / 50 / 30

HEX #B3185A

RGB 179 24 90

HSL 334.45, 0.76%, 0.4%

LAB 39.54, 61.74, 3.47

 

CMYK 0 / 62 / 33 / 3

HEX #F75FA5

RGB 247 95 165

HSL 332.37, 0.9%, 0.67%

LAB 62.23, 64.37, -7.06

 

CMYK 0 / 62 / 50 / 3

HEX #F75F7C

RGB 247 95 124

HSL 348.55, 0.9%, 0.67%

LAB 61.15, 60.29, 15.09

 

CMYK 0 / 62 / 62 / 3

HEX #F75F5F

RGB 247 95 95

HSL 0, 0.9%, 0.67%

LAB 60.59, 58.16, 31.02

 

CMYK 0 / 62 / 33 / 3

HEX #F75FA5

RGB 247 95 165

HSL 332.37, 0.9%, 0.67%

LAB 62.23, 64.37, -7.06

 

CMYK 0 / 62 / 17 / 3

HEX #F75FCE

RGB 247 95 206

HSL 316.18, 0.9%, 0.67%

LAB 63.68, 69.6, -28.23

 

CMYK 0 / 62 / 0 / 3

HEX #F65FF7

RGB 246 95 247

HSL 299.61, 0.9%, 0.67%

LAB 65.35, 75.59, -48.51

 

CMYK 17 / 62 / 0 / 3

HEX #CD5FF7

RGB 205 95 247

HSL 283.42, 0.9%, 0.67%

LAB 59.78, 66.09, -57.7

 

CMYK 34 / 62 / 0 / 3

HEX #A45FF7

RGB 164 95 247

HSL 267.24, 0.9%, 0.67%

LAB 54.86, 56.98, -65.87

 

CMYK 0 / 62 / 33 / 3

HEX #F75FA5

RGB 247 95 165

HSL 332.37, 0.9%, 0.67%

LAB 62.23, 64.37, -7.06

 

CMYK 0 / 62 / 33 / 3

HEX #F75FA5

RGB 247 95 165

HSL 332.37, 0.9%, 0.67%

LAB 62.23, 64.37, -7.06

 

CMYK 0 / 53 / 29 / 9

HEX #E96DA6

RGB 233 109 166

HSL 332.42, 0.74%, 0.67%

LAB 62.52, 53.99, -7.43

 

CMYK 0 / 44 / 24 / 14

HEX #DB7AA7

RGB 219 122 167

HSL 332.16, 0.57%, 0.67%

LAB 63.15, 43.11, -7.27

 

CMYK 0 / 34 / 18 / 19

HEX #CE88A8

RGB 206 136 168

HSL 332.57, 0.42%, 0.67%

LAB 64.61, 31.33, -5.85

 

CMYK 0 / 22 / 12 / 25

HEX #C096A9

RGB 192 150 169

HSL 332.86, 0.25%, 0.67%

LAB 66.43, 18.78, -3.89

 

CMYK 0 / 62 / 0 / 3

HEX #F75FF7

RGB 247 95 247

HSL 300, 0.9%, 0.67%

LAB 65.49, 75.83, -48.27

 

CMYK 0 / 62 / 17 / 3

HEX #F75FCE

RGB 247 95 206

HSL 316.18, 0.9%, 0.67%

LAB 63.68, 69.6, -28.23

 

CMYK 0 / 62 / 33 / 3

HEX #F75FA6

RGB 247 95 166

HSL 331.97, 0.9%, 0.67%

LAB 62.26, 64.48, -7.59

 

CMYK 0 / 62 / 49 / 3

HEX #F75F7D

RGB 247 95 125

HSL 348.16, 0.9%, 0.67%

LAB 61.17, 60.38, 14.54

 

CMYK 0 / 57 / 62 / 3

HEX #F7695F

RGB 247 105 95

HSL 3.95, 0.9%, 0.67%

LAB 62.26, 53.75, 33.13

 

CMYK 0 / 93 / 50 / 5

HEX #F21179

RGB 242 17 121

HSL 332.27, 0.9%, 0.51%

LAB 52.57, 79.96, 4.63

 

CMYK 0 / 77 / 42 / 4

HEX #F5388F

RGB 245 56 143

HSL 332.38, 0.9%, 0.59%

LAB 56.31, 75.19, -3.02

 

CMYK 0 / 62 / 33 / 3

HEX #F75FA5

RGB 247 95 165

HSL 332.37, 0.9%, 0.67%

LAB 62.23, 64.37, -7.06

 

CMYK 0 / 46 / 25 / 2

HEX #F986BB

RGB 249 134 187

HSL 332.35, 0.91%, 0.75%

LAB 70.02, 49.79, -7.92

 

CMYK 0 / 31 / 17 / 2

HEX #FBAED1

RGB 251 174 209

HSL 332.73, 0.91%, 0.83%

LAB 79.26, 33.11, -6.3

 

CMYK 0 / 61 / 33 / 3

HEX #F760A6

RGB 247 96 166

HSL 332.19, 0.9%, 0.67%

LAB 62.42, 64.06, -7.36

 

CMYK 0 / 17 / 62 / 3

HEX #F7CE5F

RGB 247 206 95

HSL 43.82, 0.9%, 0.67%

LAB 84.35, 2.23, 59.27

 

CMYK 62 / 9 / 0 / 3

HEX #5FE2F7

RGB 95 226 247

HSL 188.29, 0.9%, 0.67%

LAB 83.73, -29.74, -20.96

 

CMYK 0 / 61 / 33 / 3

HEX #F760A6

RGB 247 96 166

HSL 332.19, 0.9%, 0.67%

LAB 62.42, 64.06, -7.36

 

CMYK 33 / 0 / 62 / 3

HEX #A6F75F

RGB 166 247 95

HSL 91.97, 0.9%, 0.67%

LAB 89.61, -48.76, 63.49

 

CMYK 62 / 33 / 0 / 3

HEX #5FA6F7

RGB 95 166 247

HSL 211.97, 0.9%, 0.67%

LAB 66.84, 1.8, -47.05

 

CMYK 0 / 61 / 33 / 3

HEX #F760A6

RGB 247 96 166

HSL 332.19, 0.9%, 0.67%

LAB 62.42, 64.06, -7.36

 

CMYK 0 / 17 / 62 / 3

HEX #F7CE5F

RGB 247 206 95

HSL 43.82, 0.9%, 0.67%

LAB 84.35, 2.23, 59.27

 

CMYK 62 / 0 / 29 / 3

HEX #5FF7B0

RGB 95 247 176

HSL 151.97, 0.9%, 0.67%

LAB 88.01, -56.28, 22.43

 

CMYK 62 / 45 / 0 / 3

HEX #5F88F7

RGB 95 136 247

HSL 223.82, 0.9%, 0.67%

LAB 58.75, 19.42, -59.9

 

CMYK 0 / 61 / 33 / 3

HEX #F760A6

RGB 247 96 166

HSL 332.19, 0.9%, 0.67%

LAB 62.42, 64.06, -7.36

 

CMYK 2 / 0 / 62 / 3

HEX #F2F75F

RGB 242 247 95

HSL 61.97, 0.9%, 0.67%

LAB 94.41, -20.22, 70.09

 

CMYK 62 / 0 / 29 / 3

HEX #5FF7B0

RGB 95 247 176

HSL 151.97, 0.9%, 0.67%

LAB 88.01, -56.28, 22.43

 

CMYK 60 / 62 / 0 / 3

HEX #645FF7

RGB 100 95 247

HSL 241.97, 0.9%, 0.67%

LAB 49.02, 44.89, -75.61

 

Description

Color code: HEX #F760A6 | qconv.com Color code: HEX #F760A6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 96 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 96 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 33 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 33% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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