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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F986BB it is the complementary color #067944. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F986BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F986BB shade: #FE86B6, #FF98C9, #FFAADC, #FFBCEF and #FFCEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F986BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F986BB shade: #F986BB, #E874A8, #D76295, #C65082 and #B53E6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F986BB shade: #F985BB, #F9859B and #F98585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F986BB shade: #F985BB, #F985DA, #F985F9, #DA85F9 and #BB85F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F986BB shade matches the following richer shades: #F985BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F986BB shade: #F985BB, #EF90BC, #E59ABC, #DAA4BD and #D0AEBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F986BB shade: #F985F9, #F985DA, #F985BB, #F9859C and #F98D85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F986BB shade: #F6368F, #F75EA5, #F985BB, #FBADD1 and #FDD4E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F986BB shade: #F986BB, #F9DA85 and #85EAF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F986BB shade: #F986BB, #BBF985 and #85BBF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F986BB shade: #F986BB, #F9DA85, #85F9C3 and #85A4F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F986BB shade: #F986BB, #F5F985, #85F9C3 and #8985F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 25 / 2

HEX #F986BB

RGB 249 134 187

HSL 332.35, 0.91%, 0.75%

LAB 70.02, 49.79, -7.92

 

Complementary color

CMYK 95 / 0 / 44 / 53

HEX #067944

RGB 6 121 68

HSL 152.35, 0.91%, 0.25%

LAB 44.42, -41.71, 21.19

 

CMYK 0 / 47 / 28 / 0

HEX #FE86B6

RGB 254 134 182

HSL 336, 0.98%, 0.76%

LAB 70.52, 50.76, -4.31

 

CMYK 0 / 40 / 21 / 0

HEX #FF98C9

RGB 255 152 201

HSL 331.46, 1%, 0.8%

LAB 74.78, 44.67, -8.52

 

CMYK 0 / 33 / 14 / 0

HEX #FFAADC

RGB 255 170 220

HSL 324.71, 1%, 0.83%

LAB 79.14, 38.26, -12.39

 

CMYK 0 / 26 / 6 / 0

HEX #FFBCEF

RGB 255 188 239

HSL 314.33, 1%, 0.87%

LAB 83.68, 31.97, -15.81

 

CMYK 0 / 19 / 0 / 0

HEX #FFCEFF

RGB 255 206 255

HSL 300, 1%, 0.9%

LAB 88.27, 25.32, -17.41

 

CMYK 0 / 46 / 25 / 2

HEX #F986BB

RGB 249 134 187

HSL 332.35, 0.91%, 0.75%

LAB 70.02, 49.79, -7.92

 

CMYK 0 / 50 / 28 / 9

HEX #E874A8

RGB 232 116 168

HSL 333.1, 0.72%, 0.68%

LAB 63.73, 50.57, -6.79

 

CMYK 0 / 54 / 31 / 16

HEX #D76295

RGB 215 98 149

HSL 333.85, 0.59%, 0.61%

LAB 57.42, 51.3, -5.46

 

CMYK 0 / 60 / 34 / 22

HEX #C65082

RGB 198 80 130

HSL 334.58, 0.51%, 0.55%

LAB 51.1, 51.91, -3.88

 

CMYK 0 / 66 / 39 / 29

HEX #B53E6F

RGB 181 62 111

HSL 335.29, 0.49%, 0.48%

LAB 44.82, 52.3, -1.92

 

CMYK 0 / 47 / 25 / 2

HEX #F985BB

RGB 249 133 187

HSL 332.07, 0.91%, 0.75%

LAB 69.83, 50.28, -8.21

 

CMYK 0 / 47 / 38 / 2

HEX #F9859B

RGB 249 133 155

HSL 348.62, 0.91%, 0.75%

LAB 68.95, 46.32, 8.46

 

CMYK 0 / 47 / 47 / 2

HEX #F98585

RGB 249 133 133

HSL 0, 0.91%, 0.75%

LAB 68.47, 44.04, 20.11

 

CMYK 0 / 47 / 25 / 2

HEX #F985BB

RGB 249 133 187

HSL 332.07, 0.91%, 0.75%

LAB 69.83, 50.28, -8.21

 

CMYK 0 / 47 / 12 / 2

HEX #F985DA

RGB 249 133 218

HSL 316.03, 0.91%, 0.75%

LAB 70.85, 54.8, -23.9

 

CMYK 0 / 47 / 0 / 2

HEX #F985F9

RGB 249 133 249

HSL 300, 0.91%, 0.75%

LAB 72.06, 59.92, -39.05

 

CMYK 12 / 47 / 0 / 2

HEX #DA85F9

RGB 218 133 249

HSL 283.97, 0.91%, 0.75%

LAB 68.4, 51.33, -45.05

 

CMYK 25 / 47 / 0 / 2

HEX #BB85F9

RGB 187 133 249

HSL 267.93, 0.91%, 0.75%

LAB 65.1, 42.92, -50.46

 

CMYK 0 / 47 / 25 / 2

HEX #F985BB

RGB 249 133 187

HSL 332.07, 0.91%, 0.75%

LAB 69.83, 50.28, -8.21

 

CMYK 0 / 47 / 25 / 2

HEX #F985BB

RGB 249 133 187

HSL 332.07, 0.91%, 0.75%

LAB 69.83, 50.28, -8.21

 

CMYK 0 / 40 / 21 / 6

HEX #EF90BC

RGB 239 144 188

HSL 332.21, 0.75%, 0.75%

LAB 70.82, 41.53, -7.43

 

CMYK 0 / 33 / 18 / 10

HEX #E59ABC

RGB 229 154 188

HSL 332.8, 0.59%, 0.75%

LAB 71.83, 32.84, -6.06

 

CMYK 0 / 25 / 13 / 15

HEX #DAA4BD

RGB 218 164 189

HSL 332.22, 0.42%, 0.75%

LAB 72.98, 23.77, -5.04

 

CMYK 0 / 16 / 9 / 18

HEX #D0AEBE

RGB 208 174 190

HSL 331.76, 0.27%, 0.75%

LAB 74.44, 14.97, -3.54

 

CMYK 0 / 47 / 0 / 2

HEX #F985F9

RGB 249 133 249

HSL 300, 0.91%, 0.75%

LAB 72.06, 59.92, -39.05

 

CMYK 0 / 47 / 12 / 2

HEX #F985DA

RGB 249 133 218

HSL 316.03, 0.91%, 0.75%

LAB 70.85, 54.8, -23.9

 

CMYK 0 / 47 / 25 / 2

HEX #F985BB

RGB 249 133 187

HSL 332.07, 0.91%, 0.75%

LAB 69.83, 50.28, -8.21

 

CMYK 0 / 47 / 37 / 2

HEX #F9859C

RGB 249 133 156

HSL 348.1, 0.91%, 0.75%

LAB 68.98, 46.43, 7.93

 

CMYK 0 / 43 / 47 / 2

HEX #F98D85

RGB 249 141 133

HSL 4.14, 0.91%, 0.75%

LAB 70.09, 40, 22.33

 

CMYK 0 / 78 / 42 / 4

HEX #F6368F

RGB 246 54 143

HSL 332.19, 0.91%, 0.59%

LAB 56.3, 75.97, -3.02

 

CMYK 0 / 62 / 33 / 3

HEX #F75EA5

RGB 247 94 165

HSL 332.16, 0.91%, 0.67%

LAB 62.08, 64.78, -7.29

 

CMYK 0 / 47 / 25 / 2

HEX #F985BB

RGB 249 133 187

HSL 332.07, 0.91%, 0.75%

LAB 69.83, 50.28, -8.21

 

CMYK 0 / 31 / 17 / 2

HEX #FBADD1

RGB 251 173 209

HSL 332.31, 0.91%, 0.83%

LAB 79.04, 33.63, -6.63

 

CMYK 0 / 16 / 9 / 1

HEX #FDD4E7

RGB 253 212 231

HSL 332.2, 0.91%, 0.91%

LAB 88.8, 17.35, -3.97

 

CMYK 0 / 46 / 25 / 2

HEX #F986BB

RGB 249 134 187

HSL 332.35, 0.91%, 0.75%

LAB 70.02, 49.79, -7.92

 

CMYK 0 / 12 / 47 / 2

HEX #F9DA85

RGB 249 218 133

HSL 43.97, 0.91%, 0.75%

LAB 87.96, -0.09, 45.6

 

CMYK 47 / 6 / 0 / 2

HEX #85EAF9

RGB 133 234 249

HSL 187.76, 0.91%, 0.75%

LAB 87.33, -25.72, -16.45

 

CMYK 0 / 46 / 25 / 2

HEX #F986BB

RGB 249 134 187

HSL 332.35, 0.91%, 0.75%

LAB 70.02, 49.79, -7.92

 

CMYK 25 / 0 / 47 / 2

HEX #BBF985

RGB 187 249 133

HSL 92.07, 0.91%, 0.75%

LAB 91.69, -38.61, 49.26

 

CMYK 47 / 25 / 0 / 2

HEX #85BBF9

RGB 133 187 249

HSL 212.07, 0.91%, 0.75%

LAB 74.42, -1.39, -36.15

 

CMYK 0 / 46 / 25 / 2

HEX #F986BB

RGB 249 134 187

HSL 332.35, 0.91%, 0.75%

LAB 70.02, 49.79, -7.92

 

CMYK 0 / 12 / 47 / 2

HEX #F9DA85

RGB 249 218 133

HSL 43.97, 0.91%, 0.75%

LAB 87.96, -0.09, 45.6

 

CMYK 47 / 0 / 22 / 2

HEX #85F9C3

RGB 133 249 195

HSL 152.07, 0.91%, 0.75%

LAB 90.17, -45.07, 15.86

 

CMYK 47 / 34 / 0 / 2

HEX #85A4F9

RGB 133 164 249

HSL 223.97, 0.91%, 0.75%

LAB 68.3, 11.49, -45.72

 

CMYK 0 / 46 / 25 / 2

HEX #F986BB

RGB 249 134 187

HSL 332.35, 0.91%, 0.75%

LAB 70.02, 49.79, -7.92

 

CMYK 2 / 0 / 47 / 2

HEX #F5F985

RGB 245 249 133

HSL 62.07, 0.91%, 0.75%

LAB 95.52, -17.09, 54.82

 

CMYK 47 / 0 / 22 / 2

HEX #85F9C3

RGB 133 249 195

HSL 152.07, 0.91%, 0.75%

LAB 90.17, -45.07, 15.86

 

CMYK 45 / 47 / 0 / 2

HEX #8985F9

RGB 137 133 249

HSL 242.07, 0.91%, 0.75%

LAB 60.72, 30.4, -57.7

 

Description

Color code: HEX #F986BB | qconv.com Color code: HEX #F986BB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 134 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 134 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 25 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 25% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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