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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6D5CF it is the complementary color #092A30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6D5CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F6D5CF: #FBD5CA, #FFE7DD, #FFF9F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6D5CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F6D5CF: #F6D5CF, #E5C3BC, #D4B1A9, #C39F96 and #B28D83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 16 / 4

HEX #F6D5CF

RGB 246 213 207

HSL 9.23, 0.68%, 0.89%

LAB 87.82, 10.54, 7.19

 

Complementary color

CMYK 81 / 13 / 0 / 81

HEX #092A30

RGB 9 42 48

HSL 189.23, 0.68%, 0.11%

LAB 15.1, -9.37, -7.39

 

CMYK 0 / 15 / 20 / 2

HEX #FBD5CA

RGB 251 213 202

HSL 13.47, 0.86%, 0.89%

LAB 88.14, 11.58, 10.35

 

CMYK 0 / 9 / 13 / 0

HEX #FFE7DD

RGB 255 231 221

HSL 17.65, 1%, 0.93%

LAB 93.29, 6.58, 7.82

 

CMYK 0 / 2 / 6 / 0

HEX #FFF9F0

RGB 255 249 240

HSL 36, 1%, 0.97%

LAB 98.15, 0.47, 5.01

 

CMYK 0 / 13 / 16 / 4

HEX #F6D5CF

RGB 246 213 207

HSL 9.23, 0.68%, 0.89%

LAB 87.82, 10.54, 7.19

 

CMYK 0 / 15 / 18 / 10

HEX #E5C3BC

RGB 229 195 188

HSL 10.24, 0.44%, 0.82%

LAB 81.47, 10.95, 7.98

 

CMYK 0 / 17 / 20 / 17

HEX #D4B1A9

RGB 212 177 169

HSL 11.16, 0.33%, 0.75%

LAB 75.02, 11.4, 8.81

 

CMYK 0 / 18 / 23 / 24

HEX #C39F96

RGB 195 159 150

HSL 12, 0.27%, 0.68%

LAB 68.46, 11.91, 9.7

 

CMYK 0 / 21 / 26 / 30

HEX #B28D83

RGB 178 141 131

HSL 12.77, 0.23%, 0.61%

LAB 61.79, 12.48, 10.66

 

CMYK 0 / 13 / 16 / 4

HEX #F6D5CF

RGB 246 213 207

HSL 9.23, 0.68%, 0.89%

LAB 87.82, 10.54, 7.19

 

CMYK 0 / 11 / 16 / 4

HEX #F6DBCF

RGB 246 219 207

HSL 18.46, 0.68%, 0.89%

LAB 89.28, 7.42, 9.29

 

CMYK 0 / 8 / 16 / 4

HEX #F6E2CF

RGB 246 226 207

HSL 29.23, 0.68%, 0.89%

LAB 91, 3.81, 11.75

 

CMYK 0 / 6 / 16 / 4

HEX #F6E8CF

RGB 246 232 207

HSL 38.46, 0.68%, 0.89%

LAB 92.49, 0.73, 13.86

 

CMYK 0 / 3 / 16 / 4

HEX #F6EFCF

RGB 246 239 207

HSL 49.23, 0.68%, 0.89%

LAB 94.24, -2.82, 16.33

 

CMYK 0 / 13 / 16 / 4

HEX #F6D5CF

RGB 246 213 207

HSL 9.23, 0.68%, 0.89%

LAB 87.82, 10.54, 7.19

 

CMYK 0 / 14 / 17 / 84

HEX #2A2423

RGB 42 36 35

HSL 8.57, 0.09%, 0.15%

LAB 14.82, 2.6, 1.7

 

CMYK 0 / 13 / 16 / 64

HEX #5D514E

RGB 93 81 78

HSL 12, 0.09%, 0.34%

LAB 35.52, 4.39, 3.58

 

CMYK 0 / 13 / 16 / 44

HEX #907D79

RGB 144 125 121

HSL 10.43, 0.09%, 0.52%

LAB 54, 6.59, 4.85

 

CMYK 0 / 13 / 16 / 24

HEX #C3A9A4

RGB 195 169 164

HSL 9.68, 0.21%, 0.7%

LAB 71.32, 8.62, 6.05

 

CMYK 0 / 13 / 16 / 4

HEX #F6D5CF

RGB 246 213 207

HSL 9.23, 0.68%, 0.89%

LAB 87.82, 10.54, 7.19

 

CMYK 6 / 0 / 16 / 4

HEX #E8F6CF

RGB 232 246 207

HSL 81.54, 0.68%, 0.89%

LAB 94.98, -11.25, 17.22

 

CMYK 16 / 12 / 0 / 4

HEX #CFD9F6

RGB 207 217 246

HSL 224.62, 0.68%, 0.89%

LAB 86.77, 2.4, -15.29

 

CMYK 0 / 13 / 16 / 4

HEX #F6D5CF

RGB 246 213 207

HSL 9.23, 0.68%, 0.89%

LAB 87.82, 10.54, 7.19

 

CMYK 16 / 0 / 13 / 4

HEX #CFF6D5

RGB 207 246 213

HSL 129.23, 0.68%, 0.89%

LAB 93.44, -18.7, 11.72

 

CMYK 13 / 16 / 0 / 4

HEX #D5CFF6

RGB 213 207 246

HSL 249.23, 0.68%, 0.89%

LAB 84.7, 9.57, -18.37

 

CMYK 0 / 13 / 16 / 4

HEX #F6D5CF

RGB 246 213 207

HSL 9.23, 0.68%, 0.89%

LAB 87.82, 10.54, 7.19

 

CMYK 6 / 0 / 16 / 4

HEX #E8F6CF

RGB 232 246 207

HSL 81.54, 0.68%, 0.89%

LAB 94.98, -11.25, 17.22

 

CMYK 16 / 2 / 0 / 4

HEX #CFF0F6

RGB 207 240 246

HSL 189.23, 0.68%, 0.89%

LAB 92.68, -9.46, -6.5

 

CMYK 10 / 16 / 0 / 4

HEX #DDCFF6

RGB 221 207 246

HSL 261.54, 0.68%, 0.89%

LAB 85.33, 12.11, -17.36

 

CMYK 0 / 13 / 16 / 4

HEX #F6D5CF

RGB 246 213 207

HSL 9.23, 0.68%, 0.89%

LAB 87.82, 10.54, 7.19

 

CMYK 10 / 0 / 16 / 4

HEX #DDF6CF

RGB 221 246 207

HSL 98.46, 0.68%, 0.89%

LAB 94.22, -15.04, 16.05

 

CMYK 16 / 2 / 0 / 4

HEX #CFF0F6

RGB 207 240 246

HSL 189.23, 0.68%, 0.89%

LAB 92.68, -9.46, -6.5

 

CMYK 6 / 16 / 0 / 4

HEX #E8CFF6

RGB 232 207 246

HSL 278.46, 0.68%, 0.89%

LAB 86.22, 15.65, -15.92

 

Description

Color code: HEX #F6D5CF | qconv.com Color code: HEX #F6D5CF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 213 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 213 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 16 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 16% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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