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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6BABB it is the complementary color #094544. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6BABB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F6BABB: #FBBAB6, #FFCCC9, #FFDEDC, #FFF0EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6BABB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F6BABB: #F6BABB, #E5A8A8, #D49695, #C38482 and #B2726F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 24 / 4

HEX #F6BABB

RGB 246 186 187

HSL 359, 0.77%, 0.85%

LAB 80.9, 21.77, 7.93

 

Complementary color

CMYK 87 / 0 / 1 / 73

HEX #094544

RGB 9 69 68

HSL 179, 0.77%, 0.15%

LAB 25.96, -17.99, -4.64

 

CMYK 0 / 26 / 27 / 2

HEX #FBBAB6

RGB 251 186 182

HSL 3.48, 0.9%, 0.85%

LAB 81.29, 22.91, 11.24

 

CMYK 0 / 20 / 21 / 0

HEX #FFCCC9

RGB 255 204 201

HSL 3.33, 1%, 0.89%

LAB 86.34, 17.57, 8.35

 

CMYK 0 / 13 / 14 / 0

HEX #FFDEDC

RGB 255 222 220

HSL 3.43, 1%, 0.93%

LAB 91.08, 11.06, 5.17

 

CMYK 0 / 6 / 6 / 0

HEX #FFF0EF

RGB 255 240 239

HSL 3.75, 1%, 0.97%

LAB 95.92, 4.88, 2.28

 

CMYK 0 / 24 / 24 / 4

HEX #F6BABB

RGB 246 186 187

HSL 359, 0.77%, 0.85%

LAB 80.9, 21.77, 7.93

 

CMYK 0 / 27 / 27 / 10

HEX #E5A8A8

RGB 229 168 168

HSL 0, 0.54%, 0.78%

LAB 74.5, 22.44, 8.85

 

CMYK 0 / 29 / 30 / 17

HEX #D49695

RGB 212 150 149

HSL 0.95, 0.42%, 0.71%

LAB 68.01, 23.17, 9.86

 

CMYK 0 / 32 / 33 / 24

HEX #C38482

RGB 195 132 130

HSL 1.85, 0.35%, 0.64%

LAB 61.41, 23.99, 10.96

 

CMYK 0 / 36 / 38 / 30

HEX #B2726F

RGB 178 114 111

HSL 2.69, 0.3%, 0.57%

LAB 54.71, 24.91, 12.2

 

CMYK 0 / 24 / 24 / 4

HEX #F6BABB

RGB 246 186 187

HSL 359, 0.77%, 0.85%

LAB 80.9, 21.77, 7.93

 

CMYK 0 / 20 / 24 / 4

HEX #F6C4BB

RGB 246 196 187

HSL 9.15, 0.77%, 0.85%

LAB 83.26, 16.5, 11.29

 

CMYK 0 / 17 / 24 / 4

HEX #F6CDBB

RGB 246 205 187

HSL 18.31, 0.77%, 0.85%

LAB 85.42, 11.78, 14.35

 

CMYK 0 / 13 / 24 / 4

HEX #F6D7BB

RGB 246 215 187

HSL 28.47, 0.77%, 0.85%

LAB 87.86, 6.57, 17.78

 

CMYK 0 / 9 / 24 / 4

HEX #F6E1BB

RGB 246 225 187

HSL 38.64, 0.77%, 0.85%

LAB 90.34, 1.43, 21.22

 

CMYK 0 / 24 / 24 / 4

HEX #F6BABB

RGB 246 186 187

HSL 359, 0.77%, 0.85%

LAB 80.9, 21.77, 7.93

 

CMYK 0 / 24 / 24 / 84

HEX #2A2020

RGB 42 32 32

HSL 0, 0.14%, 0.15%

LAB 13.41, 4.81, 1.82

 

CMYK 0 / 25 / 24 / 64

HEX #5D4647

RGB 93 70 71

HSL 357.39, 0.14%, 0.32%

LAB 32.17, 10.02, 3.2

 

CMYK 0 / 24 / 24 / 44

HEX #906D6D

RGB 144 109 109

HSL 0, 0.14%, 0.5%

LAB 49.46, 13.9, 5.39

 

CMYK 0 / 25 / 24 / 24

HEX #C39394

RGB 195 147 148

HSL 358.75, 0.29%, 0.67%

LAB 65.44, 18.22, 6.51

 

CMYK 0 / 24 / 24 / 4

HEX #F6BABB

RGB 246 186 187

HSL 359, 0.77%, 0.85%

LAB 80.9, 21.77, 7.93

 

CMYK 4 / 0 / 24 / 4

HEX #EBF6BB

RGB 235 246 187

HSL 71.19, 0.77%, 0.85%

LAB 94.81, -13.15, 27.24

 

CMYK 24 / 14 / 0 / 4

HEX #BBD3F6

RGB 187 211 246

HSL 215.59, 0.77%, 0.85%

LAB 83.87, -0.53, -19.81

 

CMYK 0 / 24 / 24 / 4

HEX #F6BABB

RGB 246 186 187

HSL 359, 0.77%, 0.85%

LAB 80.9, 21.77, 7.93

 

CMYK 24 / 0 / 24 / 4

HEX #BCF6BB

RGB 188 246 187

HSL 118.98, 0.77%, 0.85%

LAB 91.77, -29.35, 22.58

 

CMYK 24 / 24 / 0 / 4

HEX #BBBCF6

RGB 187 188 246

HSL 238.98, 0.77%, 0.85%

LAB 77.98, 11.83, -28.77

 

CMYK 0 / 24 / 24 / 4

HEX #F6BABB

RGB 246 186 187

HSL 359, 0.77%, 0.85%

LAB 80.9, 21.77, 7.93

 

CMYK 4 / 0 / 24 / 4

HEX #EBF6BB

RGB 235 246 187

HSL 71.19, 0.77%, 0.85%

LAB 94.81, -13.15, 27.24

 

CMYK 24 / 0 / 0 / 4

HEX #BBF6F5

RGB 187 246 245

HSL 178.98, 0.77%, 0.85%

LAB 93.04, -18.64, -5.57

 

CMYK 20 / 24 / 0 / 4

HEX #C6BBF6

RGB 198 187 246

HSL 251.19, 0.77%, 0.85%

LAB 78.58, 15.68, -27.78

 

CMYK 0 / 24 / 24 / 4

HEX #F6BABB

RGB 246 186 187

HSL 359, 0.77%, 0.85%

LAB 80.9, 21.77, 7.93

 

CMYK 12 / 0 / 24 / 4

HEX #D9F6BB

RGB 217 246 187

HSL 89.49, 0.77%, 0.85%

LAB 93.56, -19.55, 25.33

 

CMYK 24 / 0 / 0 / 4

HEX #BBF6F5

RGB 187 246 245

HSL 178.98, 0.77%, 0.85%

LAB 93.04, -18.64, -5.57

 

CMYK 13 / 24 / 0 / 4

HEX #D7BBF6

RGB 215 187 246

HSL 268.47, 0.77%, 0.85%

LAB 79.98, 20.93, -25.52

 

Description

Color code: HEX #F6BABB | qconv.com Color code: HEX #F6BABB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 186 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 186 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 24 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 24% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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