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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6AEC1 it is the complementary color #09513E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6AEC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F6AEC1: #FBAEBC, #FFC0CF, #FFD2E2, #FFE4F5 and #FFF6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6AEC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F6AEC1: #F6AEC1, #E59CAE, #D48A9B, #C37888 and #B26675

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 22 / 4

HEX #F6AEC1

RGB 246 174 193

HSL 344.17, 0.8%, 0.82%

LAB 78.3, 28.97, 0.91

 

Complementary color

CMYK 89 / 0 / 23 / 68

HEX #09513E

RGB 9 81 62

HSL 164.17, 0.8%, 0.18%

LAB 30.13, -26.04, 5.32

 

CMYK 0 / 31 / 25 / 2

HEX #FBAEBC

RGB 251 174 188

HSL 349.09, 0.91%, 0.83%

LAB 78.7, 30.04, 4.28

 

CMYK 0 / 25 / 19 / 0

HEX #FFC0CF

RGB 255 192 207

HSL 345.71, 1%, 0.88%

LAB 83.69, 24.74, 1.32

 

CMYK 0 / 18 / 11 / 0

HEX #FFD2E2

RGB 255 210 226

HSL 338.67, 1%, 0.91%

LAB 88.37, 18.26, -1.93

 

CMYK 0 / 11 / 4 / 0

HEX #FFE4F5

RGB 255 228 245

HSL 322.22, 1%, 0.95%

LAB 93.16, 12.07, -4.87

 

CMYK 0 / 4 / 0 / 0

HEX #FFF6FF

RGB 255 246 255

HSL 300, 1%, 0.98%

LAB 97.79, 4.57, -3.25

 

CMYK 0 / 29 / 22 / 4

HEX #F6AEC1

RGB 246 174 193

HSL 344.17, 0.8%, 0.82%

LAB 78.3, 28.97, 0.91

 

CMYK 0 / 32 / 24 / 10

HEX #E59CAE

RGB 229 156 174

HSL 345.21, 0.58%, 0.75%

LAB 71.89, 29.7, 1.78

 

CMYK 0 / 35 / 27 / 17

HEX #D48A9B

RGB 212 138 155

HSL 346.22, 0.46%, 0.69%

LAB 65.39, 30.49, 2.73

 

CMYK 0 / 38 / 30 / 24

HEX #C37888

RGB 195 120 136

HSL 347.2, 0.38%, 0.62%

LAB 58.8, 31.35, 3.79

 

CMYK 0 / 43 / 34 / 30

HEX #B26675

RGB 178 102 117

HSL 348.16, 0.33%, 0.55%

LAB 52.12, 32.29, 5

 

CMYK 0 / 29 / 22 / 4

HEX #F6AEC1

RGB 246 174 193

HSL 344.17, 0.8%, 0.82%

LAB 78.3, 28.97, 0.91

 

CMYK 0 / 30 / 27 / 4

HEX #F5ACB3

RGB 245 172 179

HSL 354.25, 0.78%, 0.82%

LAB 77.38, 27.7, 7.19

 

CMYK 0 / 28 / 30 / 4

HEX #F5B1AC

RGB 245 177 172

HSL 4.11, 0.78%, 0.82%

LAB 78.37, 24.13, 12.39

 

CMYK 0 / 23 / 30 / 4

HEX #F5BDAC

RGB 245 189 172

HSL 13.97, 0.78%, 0.82%

LAB 81.17, 17.79, 16.35

 

CMYK 0 / 18 / 30 / 4

HEX #F5C9AC

RGB 245 201 172

HSL 23.84, 0.78%, 0.82%

LAB 84.05, 11.48, 20.35

 

CMYK 0 / 29 / 22 / 4

HEX #F6AEC1

RGB 246 174 193

HSL 344.17, 0.8%, 0.82%

LAB 78.3, 28.97, 0.91

 

CMYK 0 / 29 / 21 / 84

HEX #2A1E21

RGB 42 30 33

HSL 345, 0.17%, 0.14%

LAB 12.8, 6.45, 0.21

 

CMYK 0 / 29 / 22 / 64

HEX #5D4249

RGB 93 66 73

HSL 344.44, 0.17%, 0.31%

LAB 31.12, 12.9, 0.4

 

CMYK 0 / 29 / 22 / 44

HEX #906671

RGB 144 102 113

HSL 344.29, 0.17%, 0.48%

LAB 47.78, 18.62, 0.58

 

CMYK 0 / 29 / 22 / 24

HEX #C38A99

RGB 195 138 153

HSL 344.21, 0.32%, 0.65%

LAB 63.41, 23.93, 0.75

 

CMYK 0 / 29 / 22 / 4

HEX #F6AEC1

RGB 246 174 193

HSL 344.17, 0.8%, 0.82%

LAB 78.3, 28.97, 0.91

 

CMYK 0 / 2 / 30 / 4

HEX #F5F0AC

RGB 245 240 172

HSL 55.89, 0.78%, 0.82%

LAB 93.76, -8.48, 33.55

 

CMYK 30 / 10 / 0 / 4

HEX #ACDDF5

RGB 172 221 245

HSL 199.73, 0.78%, 0.82%

LAB 85.54, -10.32, -16.84

 

CMYK 0 / 29 / 22 / 4

HEX #F6AEC1

RGB 246 174 193

HSL 344.17, 0.8%, 0.82%

LAB 78.3, 28.97, 0.91

 

CMYK 22 / 0 / 30 / 4

HEX #BFF5AC

RGB 191 245 172

HSL 104.38, 0.78%, 0.82%

LAB 91.4, -30.26, 29.74

 

CMYK 30 / 22 / 0 / 4

HEX #ACBFF5

RGB 172 191 245

HSL 224.38, 0.78%, 0.82%

LAB 77.65, 5.59, -28.83

 

CMYK 0 / 29 / 22 / 4

HEX #F6AEC1

RGB 246 174 193

HSL 344.17, 0.8%, 0.82%

LAB 78.3, 28.97, 0.91

 

CMYK 0 / 2 / 30 / 4

HEX #F5F0AC

RGB 245 240 172

HSL 55.89, 0.78%, 0.82%

LAB 93.76, -8.48, 33.55

 

CMYK 30 / 0 / 8 / 4

HEX #ACF5E2

RGB 172 245 226

HSL 164.38, 0.78%, 0.82%

LAB 91.49, -26.46, 1.92

 

CMYK 30 / 28 / 0 / 4

HEX #ACB1F5

RGB 172 177 245

HSL 235.89, 0.78%, 0.82%

LAB 74.07, 13.29, -34.36

 

CMYK 0 / 29 / 22 / 4

HEX #F6AEC1

RGB 246 174 193

HSL 344.17, 0.8%, 0.82%

LAB 78.3, 28.97, 0.91

 

CMYK 7 / 0 / 30 / 4

HEX #E4F5AC

RGB 228 245 172

HSL 73.97, 0.78%, 0.82%

LAB 93.79, -17.23, 33.37

 

CMYK 30 / 0 / 8 / 4

HEX #ACF5E2

RGB 172 245 226

HSL 164.38, 0.78%, 0.82%

LAB 91.49, -26.46, 1.92

 

CMYK 23 / 30 / 0 / 4

HEX #BDACF5

RGB 189 172 245

HSL 253.97, 0.78%, 0.82%

LAB 74.14, 21, -34.14

 

Description

Color code: HEX #F6AEC1 | qconv.com Color code: HEX #F6AEC1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 174 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 174 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 22 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 22% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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