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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6A190 it is the complementary color #095E6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6A190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F6A190: #FBA18B, #FFB39E, #FFC5B1, #FFD7C4 and #FFE9D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6A190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F6A190: #F6A190, #E58F7D, #D47D6A, #C36B57 and #B25944

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 41 / 4

HEX #F6A190

RGB 246 161 144

HSL 10, 0.85%, 0.76%

LAB 74.25, 29.62, 21.9

 

Complementary color

CMYK 92 / 15 / 0 / 56

HEX #095E6F

RGB 9 94 111

HSL 190, 0.85%, 0.24%

LAB 36.39, -16.38, -16.19

 

CMYK 0 / 36 / 45 / 2

HEX #FBA18B

RGB 251 161 139

HSL 11.79, 0.93%, 0.76%

LAB 74.74, 31, 25.37

 

CMYK 0 / 30 / 38 / 0

HEX #FFB39E

RGB 255 179 158

HSL 12.99, 1%, 0.81%

LAB 79.6, 25.12, 21.82

 

CMYK 0 / 23 / 31 / 0

HEX #FFC5B1

RGB 255 197 177

HSL 15.38, 1%, 0.85%

LAB 84.16, 17.97, 18

 

CMYK 0 / 16 / 23 / 0

HEX #FFD7C4

RGB 255 215 196

HSL 19.32, 1%, 0.88%

LAB 88.85, 11.13, 14.56

 

CMYK 0 / 9 / 16 / 0

HEX #FFE9D7

RGB 255 233 215

HSL 27, 1%, 0.92%

LAB 93.64, 4.63, 11.45

 

CMYK 0 / 35 / 41 / 4

HEX #F6A190

RGB 246 161 144

HSL 10, 0.85%, 0.76%

LAB 74.25, 29.62, 21.9

 

CMYK 0 / 38 / 45 / 10

HEX #E58F7D

RGB 229 143 125

HSL 10.38, 0.67%, 0.69%

LAB 67.86, 30.63, 23.31

 

CMYK 0 / 41 / 50 / 17

HEX #D47D6A

RGB 212 125 106

HSL 10.75, 0.55%, 0.62%

LAB 61.4, 31.75, 24.88

 

CMYK 0 / 45 / 55 / 24

HEX #C36B57

RGB 195 107 87

HSL 11.11, 0.47%, 0.55%

LAB 54.87, 32.99, 26.66

 

CMYK 0 / 50 / 62 / 30

HEX #B25944

RGB 178 89 68

HSL 11.45, 0.45%, 0.48%

LAB 48.29, 34.34, 28.71

 

CMYK 0 / 35 / 41 / 4

HEX #F6A190

RGB 246 161 144

HSL 10, 0.85%, 0.76%

LAB 74.25, 29.62, 21.9

 

CMYK 0 / 28 / 42 / 4

HEX #F5B08D

RGB 245 176 141

HSL 20.19, 0.84%, 0.76%

LAB 77.51, 21.01, 27.9

 

CMYK 0 / 21 / 42 / 4

HEX #F5C18D

RGB 245 193 141

HSL 30, 0.84%, 0.76%

LAB 81.55, 12.06, 33.26

 

CMYK 0 / 14 / 42 / 4

HEX #F5D38D

RGB 245 211 141

HSL 40.38, 0.84%, 0.76%

LAB 85.97, 2.7, 39.01

 

CMYK 0 / 7 / 42 / 4

HEX #F5E48D

RGB 245 228 141

HSL 50.19, 0.84%, 0.76%

LAB 90.24, -5.95, 44.46

 

CMYK 0 / 35 / 41 / 4

HEX #F6A190

RGB 246 161 144

HSL 10, 0.85%, 0.76%

LAB 74.25, 29.62, 21.9

 

CMYK 0 / 36 / 40 / 84

HEX #2A1B19

RGB 42 27 25

HSL 7.06, 0.25%, 0.13%

LAB 11.6, 7.09, 4.35

 

CMYK 0 / 34 / 42 / 64

HEX #5D3D36

RGB 93 61 54

HSL 10.77, 0.27%, 0.29%

LAB 29.24, 13.07, 10.03

 

CMYK 0 / 35 / 42 / 44

HEX #905E54

RGB 144 94 84

HSL 10, 0.26%, 0.45%

LAB 45.05, 19.16, 14.13

 

CMYK 0 / 34 / 42 / 24

HEX #C38072

RGB 195 128 114

HSL 10.37, 0.4%, 0.61%

LAB 60.12, 24.25, 18.27

 

CMYK 0 / 35 / 41 / 4

HEX #F6A190

RGB 246 161 144

HSL 10, 0.85%, 0.76%

LAB 74.25, 29.62, 21.9

 

CMYK 16 / 0 / 42 / 4

HEX #CFF58D

RGB 207 245 141

HSL 81.92, 0.84%, 0.76%

LAB 91.91, -28.72, 45.97

 

CMYK 42 / 32 / 0 / 4

HEX #8DA6F5

RGB 141 166 245

HSL 225.58, 0.84%, 0.76%

LAB 69.13, 11.16, -42.2

 

CMYK 0 / 35 / 41 / 4

HEX #F6A190

RGB 246 161 144

HSL 10, 0.85%, 0.76%

LAB 74.25, 29.62, 21.9

 

CMYK 42 / 0 / 35 / 4

HEX #8DF59F

RGB 141 245 159

HSL 130.38, 0.84%, 0.76%

LAB 88.67, -47.83, 32.21

 

CMYK 35 / 42 / 0 / 4

HEX #9F8DF5

RGB 159 141 245

HSL 250.38, 0.84%, 0.76%

LAB 64.17, 30.08, -49.91

 

CMYK 0 / 35 / 41 / 4

HEX #F6A190

RGB 246 161 144

HSL 10, 0.85%, 0.76%

LAB 74.25, 29.62, 21.9

 

CMYK 16 / 0 / 42 / 4

HEX #CFF58D

RGB 207 245 141

HSL 81.92, 0.84%, 0.76%

LAB 91.91, -28.72, 45.97

 

CMYK 42 / 7 / 0 / 4

HEX #8DE4F5

RGB 141 228 245

HSL 189.81, 0.84%, 0.76%

LAB 85.88, -21.94, -16.49

 

CMYK 27 / 42 / 0 / 4

HEX #B38DF5

RGB 179 141 245

HSL 261.92, 0.84%, 0.76%

LAB 65.92, 35.41, -47.03

 

CMYK 0 / 35 / 41 / 4

HEX #F6A190

RGB 246 161 144

HSL 10, 0.85%, 0.76%

LAB 74.25, 29.62, 21.9

 

CMYK 28 / 0 / 42 / 4

HEX #B0F58D

RGB 176 245 141

HSL 99.81, 0.84%, 0.76%

LAB 90.07, -39.63, 43.27

 

CMYK 42 / 7 / 0 / 4

HEX #8DE4F5

RGB 141 228 245

HSL 189.81, 0.84%, 0.76%

LAB 85.88, -21.94, -16.49

 

CMYK 14 / 42 / 0 / 4

HEX #D38DF5

RGB 211 141 245

HSL 280.38, 0.84%, 0.76%

LAB 69.11, 44.37, -41.81

 

Description

Color code: HEX #F6A190 | qconv.com Color code: HEX #F6A190 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 161 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 161 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 41 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 41% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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