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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F68220 it is the complementary color #097DDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F68220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F68220: #FB821B, #FF942E, #FFA641, #FFB854 and #FFCA67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F68220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F68220: #F68220, #E5700D, #D45E00, #C34C00 and #B23A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 87 / 4

HEX #F68220

RGB 246 130 32

HSL 27.48, 0.92%, 0.55%

LAB 66.26, 38.7, 66.52

 

Complementary color

CMYK 96 / 44 / 0 / 13

HEX #097DDF

RGB 9 125 223

HSL 207.48, 0.92%, 0.45%

LAB 51.9, 8.48, -57.65

 

CMYK 0 / 48 / 89 / 2

HEX #FB821B

RGB 251 130 27

HSL 27.59, 0.97%, 0.55%

LAB 66.94, 40.57, 68.78

 

CMYK 0 / 42 / 82 / 0

HEX #FF942E

RGB 255 148 46

HSL 29.28, 1%, 0.59%

LAB 71.31, 33.46, 66.57

 

CMYK 0 / 35 / 75 / 0

HEX #FFA641

RGB 255 166 65

HSL 31.89, 1%, 0.63%

LAB 75.4, 24.79, 63.04

 

CMYK 0 / 28 / 67 / 0

HEX #FFB854

RGB 255 184 84

HSL 35.09, 1%, 0.66%

LAB 79.72, 16.3, 59.33

 

CMYK 0 / 21 / 60 / 0

HEX #FFCA67

RGB 255 202 103

HSL 39.08, 1%, 0.7%

LAB 84.22, 8.12, 55.67

 

CMYK 0 / 47 / 87 / 4

HEX #F68220

RGB 246 130 32

HSL 27.48, 0.92%, 0.55%

LAB 66.26, 38.7, 66.52

 

CMYK 0 / 51 / 94 / 10

HEX #E5700D

RGB 229 112 13

HSL 27.5, 0.89%, 0.47%

LAB 60.14, 40.75, 65.76

 

CMYK 0 / 56 / 100 / 17

HEX #D45E00

RGB 212 94 0

HSL 26.6, 1%, 0.42%

LAB 54.03, 42.89, 63.11

 

CMYK 0 / 61 / 100 / 24

HEX #C34C00

RGB 195 76 0

HSL 23.38, 1%, 0.38%

LAB 47.97, 45.01, 58.28

 

CMYK 0 / 67 / 100 / 30

HEX #B23A00

RGB 178 58 0

HSL 19.55, 1%, 0.35%

LAB 41.99, 46.82, 53.53

 

CMYK 0 / 47 / 87 / 4

HEX #F68220

RGB 246 130 32

HSL 27.48, 0.92%, 0.55%

LAB 66.26, 38.7, 66.52

 

CMYK 0 / 33 / 86 / 4

HEX #F5A422

RGB 245 164 34

HSL 36.97, 0.91%, 0.55%

LAB 73.6, 20.69, 71.74

 

CMYK 0 / 18 / 86 / 4

HEX #F5C822

RGB 245 200 34

HSL 47.2, 0.91%, 0.55%

LAB 82.29, 1.89, 78.73

 

CMYK 0 / 4 / 86 / 4

HEX #F5EB22

RGB 245 235 34

HSL 57.16, 0.91%, 0.55%

LAB 91.21, -15.68, 85.9

 

CMYK 10 / 0 / 86 / 4

HEX #DDF522

RGB 221 245 34

HSL 66.82, 0.91%, 0.55%

LAB 92.04, -30.29, 85.81

 

CMYK 0 / 47 / 87 / 4

HEX #F68220

RGB 246 130 32

HSL 27.48, 0.92%, 0.55%

LAB 66.26, 38.7, 66.52

 

CMYK 0 / 48 / 88 / 84

HEX #2A1605

RGB 42 22 5

HSL 27.57, 0.79%, 0.09%

LAB 9.62, 8.2, 12.51

 

CMYK 0 / 47 / 87 / 64

HEX #5D310C

RGB 93 49 12

HSL 27.41, 0.77%, 0.21%

LAB 25.41, 16.96, 30.56

 

CMYK 0 / 47 / 87 / 44

HEX #904C13

RGB 144 76 19

HSL 27.36, 0.77%, 0.32%

LAB 39.82, 24.71, 43.31

 

CMYK 0 / 47 / 87 / 24

HEX #C36719

RGB 195 103 25

HSL 27.53, 0.77%, 0.43%

LAB 53.36, 31.88, 55.42

 

CMYK 0 / 47 / 87 / 4

HEX #F68220

RGB 246 130 32

HSL 27.48, 0.92%, 0.55%

LAB 66.26, 38.7, 66.52

 

CMYK 56 / 0 / 86 / 4

HEX #6CF522

RGB 108 245 34

HSL 98.96, 0.91%, 0.55%

LAB 86.31, -69.05, 78.69

 

CMYK 82 / 86 / 0 / 4

HEX #2D22F5

RGB 45 34 245

HSL 243.13, 0.91%, 0.55%

LAB 34.59, 69.8, -98.39

 

CMYK 0 / 47 / 87 / 4

HEX #F68220

RGB 246 130 32

HSL 27.48, 0.92%, 0.55%

LAB 66.26, 38.7, 66.52

 

CMYK 86 / 0 / 47 / 4

HEX #22F581

RGB 34 245 129

HSL 147.01, 0.91%, 0.55%

LAB 85.62, -72.03, 42.54

 

CMYK 47 / 86 / 0 / 4

HEX #8122F5

RGB 129 34 245

HSL 267.01, 0.91%, 0.55%

LAB 41.85, 75.66, -86.13

 

CMYK 0 / 47 / 87 / 4

HEX #F68220

RGB 246 130 32

HSL 27.48, 0.92%, 0.55%

LAB 66.26, 38.7, 66.52

 

CMYK 56 / 0 / 86 / 4

HEX #6CF522

RGB 108 245 34

HSL 98.96, 0.91%, 0.55%

LAB 86.31, -69.05, 78.69

 

CMYK 86 / 39 / 0 / 4

HEX #2296F5

RGB 34 150 245

HSL 207.01, 0.91%, 0.55%

LAB 60.56, 2.9, -56.02

 

CMYK 30 / 86 / 0 / 4

HEX #AB22F5

RGB 171 34 245

HSL 278.96, 0.91%, 0.55%

LAB 47.49, 80.75, -76.67

 

CMYK 0 / 47 / 87 / 4

HEX #F68220

RGB 246 130 32

HSL 27.48, 0.92%, 0.55%

LAB 66.26, 38.7, 66.52

 

CMYK 82 / 0 / 86 / 4

HEX #2DF522

RGB 45 245 34

HSL 116.87, 0.91%, 0.55%

LAB 84.99, -80.26, 77.03

 

CMYK 86 / 39 / 0 / 4

HEX #2296F5

RGB 34 150 245

HSL 207.01, 0.91%, 0.55%

LAB 60.56, 2.9, -56.02

 

CMYK 4 / 86 / 0 / 4

HEX #EB22F5

RGB 235 34 245

HSL 297.16, 0.91%, 0.55%

LAB 57.46, 90.49, -60.05

 

Description

Color code: HEX #F68220 | qconv.com Color code: HEX #F68220 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 130 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 130 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 87 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 87% 4% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

60% - Canada's NDP / NPD d...
Link: http://www.ndp.ca

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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