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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F670E3 it is the complementary color #098F1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F670E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F670E3 shade: #FB70DE, #FF82F1, #FF94FF, #FFA6FF and #FFB8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F670E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F670E3 shade: #F670E3, #E55ED0, #D44CBD, #C33AAA and #B22897

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F670E3 shade: #F66FE3, #F66FBE, #F66F9A, #F66F76 and #F66F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F670E3 shade: #F66FE3, #E56FF6, #C06FF6, #9C6FF6 and #786FF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F670E3 shade matches the following richer shades: #F66FE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F670E3 shade: #F66FE3, #E97CDA, #DD88D1, #D194C8 and #C4A1BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F670E3 shade: #C06FF6, #E46FF6, #F66FE4, #F66FC0 and #F66F9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F670E3 shade: #F122D3, #F348DB, #F66FE3, #F896EA and #FBBDF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F670E3 shade: #F670E3, #F69C6F and #6FF6D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F670E3 shade: #F670E3, #E4F66F and #6FE4F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F670E3 shade: #F670E3, #F69C6F, #6FF681 and #6FC9F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F670E3 shade: #F670E3, #F6C46F, #6FF681 and #6FA1F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 8 / 4

HEX #F670E3

RGB 246 112 227

HSL 308.51, 0.88%, 0.7%

LAB 67.07, 65.21, -34.74

 

Complementary color

CMYK 94 / 0 / 80 / 44

HEX #098F1C

RGB 9 143 28

HSL 128.51, 0.88%, 0.3%

LAB 51.6, -54.18, 48

 

CMYK 0 / 55 / 12 / 2

HEX #FB70DE

RGB 251 112 222

HSL 312.52, 0.95%, 0.71%

LAB 67.55, 65.8, -31.16

 

CMYK 0 / 49 / 5 / 0

HEX #FF82F1

RGB 255 130 241

HSL 306.72, 1%, 0.75%

LAB 71.94, 61.67, -34.81

 

CMYK 0 / 42 / 0 / 0

HEX #FF94FF

RGB 255 148 255

HSL 300, 1%, 0.79%

LAB 75.86, 55.33, -36.36

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 0 / 54 / 8 / 4

HEX #F670E3

RGB 246 112 227

HSL 308.51, 0.88%, 0.7%

LAB 67.07, 65.21, -34.74

 

CMYK 0 / 59 / 9 / 10

HEX #E55ED0

RGB 229 94 208

HSL 309.33, 0.72%, 0.63%

LAB 60.97, 65.56, -33.77

 

CMYK 0 / 64 / 11 / 17

HEX #D44CBD

RGB 212 76 189

HSL 310.15, 0.61%, 0.56%

LAB 54.91, 65.66, -32.56

 

CMYK 0 / 70 / 13 / 24

HEX #C33AAA

RGB 195 58 170

HSL 310.95, 0.54%, 0.5%

LAB 48.92, 65.35, -31.03

 

CMYK 0 / 78 / 15 / 30

HEX #B22897

RGB 178 40 151

HSL 311.74, 0.63%, 0.43%

LAB 43.09, 64.4, -29.02

 

CMYK 0 / 55 / 8 / 4

HEX #F66FE3

RGB 246 111 227

HSL 308.44, 0.88%, 0.7%

LAB 66.91, 65.66, -35

 

CMYK 0 / 55 / 23 / 4

HEX #F66FBE

RGB 246 111 190

HSL 324.89, 0.88%, 0.7%

LAB 65.5, 60.22, -16.43

 

CMYK 0 / 55 / 37 / 4

HEX #F66F9A

RGB 246 111 154

HSL 340.89, 0.88%, 0.7%

LAB 64.4, 55.79, 2.42

 

CMYK 0 / 55 / 52 / 4

HEX #F66F76

RGB 246 111 118

HSL 356.89, 0.88%, 0.7%

LAB 63.57, 52.32, 21.82

 

CMYK 0 / 55 / 55 / 4

HEX #F66F6F

RGB 246 111 111

HSL 0, 0.88%, 0.7%

LAB 63.43, 51.76, 25.62

 

CMYK 0 / 55 / 8 / 4

HEX #F66FE3

RGB 246 111 227

HSL 308.44, 0.88%, 0.7%

LAB 66.91, 65.66, -35

 

CMYK 7 / 55 / 0 / 4

HEX #E56FF6

RGB 229 111 246

HSL 292.44, 0.88%, 0.7%

LAB 65.5, 64.44, -47.88

 

CMYK 22 / 55 / 0 / 4

HEX #C06FF6

RGB 192 111 246

HSL 276, 0.88%, 0.7%

LAB 60.98, 55.13, -55.32

 

CMYK 37 / 55 / 0 / 4

HEX #9C6FF6

RGB 156 111 246

HSL 260, 0.88%, 0.7%

LAB 57.16, 46.5, -61.65

 

CMYK 51 / 55 / 0 / 4

HEX #786FF6

RGB 120 111 246

HSL 244, 0.88%, 0.7%

LAB 54.04, 38.76, -66.83

 

CMYK 0 / 55 / 8 / 4

HEX #F66FE3

RGB 246 111 227

HSL 308.44, 0.88%, 0.7%

LAB 66.91, 65.66, -35

 

CMYK 0 / 55 / 8 / 4

HEX #F66FE3

RGB 246 111 227

HSL 308.44, 0.88%, 0.7%

LAB 66.91, 65.66, -35

 

CMYK 0 / 47 / 6 / 9

HEX #E97CDA

RGB 233 124 218

HSL 308.26, 0.71%, 0.7%

LAB 67.13, 54.44, -29.79

 

CMYK 0 / 38 / 5 / 13

HEX #DD88D1

RGB 221 136 209

HSL 308.47, 0.56%, 0.7%

LAB 67.71, 43.15, -24.01

 

CMYK 0 / 29 / 4 / 18

HEX #D194C8

RGB 209 148 200

HSL 308.85, 0.4%, 0.7%

LAB 68.68, 31.24, -17.65

 

CMYK 0 / 18 / 3 / 23

HEX #C4A1BF

RGB 196 161 191

HSL 308.57, 0.23%, 0.7%

LAB 70.17, 18.04, -10.56

 

CMYK 22 / 55 / 0 / 4

HEX #C06FF6

RGB 192 111 246

HSL 276, 0.88%, 0.7%

LAB 60.98, 55.13, -55.32

 

CMYK 7 / 55 / 0 / 4

HEX #E46FF6

RGB 228 111 246

HSL 292, 0.88%, 0.7%

LAB 65.37, 64.18, -48.09

 

CMYK 0 / 55 / 7 / 4

HEX #F66FE4

RGB 246 111 228

HSL 308, 0.88%, 0.7%

LAB 66.95, 65.82, -35.49

 

CMYK 0 / 55 / 22 / 4

HEX #F66FC0

RGB 246 111 192

HSL 324, 0.88%, 0.7%

LAB 65.57, 60.49, -17.46

 

CMYK 0 / 55 / 37 / 4

HEX #F66F9C

RGB 246 111 156

HSL 340, 0.88%, 0.7%

LAB 64.45, 56.01, 1.35

 

CMYK 0 / 86 / 12 / 5

HEX #F122D3

RGB 241 34 211

HSL 308.7, 0.88%, 0.54%

LAB 56.63, 86.77, -42.14

 

CMYK 0 / 70 / 10 / 5

HEX #F348DB

RGB 243 72 219

HSL 308.42, 0.88%, 0.62%

LAB 60.61, 78.9, -40.39

 

CMYK 0 / 55 / 8 / 4

HEX #F66FE3

RGB 246 111 227

HSL 308.44, 0.88%, 0.7%

LAB 66.91, 65.66, -35

 

CMYK 0 / 40 / 6 / 3

HEX #F896EA

RGB 248 150 234

HSL 308.57, 0.88%, 0.78%

LAB 74.64, 48.62, -26.9

 

CMYK 0 / 25 / 4 / 2

HEX #FBBDF2

RGB 251 189 242

HSL 308.71, 0.89%, 0.86%

LAB 83.61, 30.65, -17.56

 

CMYK 0 / 54 / 8 / 4

HEX #F670E3

RGB 246 112 227

HSL 308.51, 0.88%, 0.7%

LAB 67.07, 65.21, -34.74

 

CMYK 0 / 37 / 55 / 4

HEX #F69C6F

RGB 246 156 111

HSL 20, 0.88%, 0.7%

LAB 72.57, 29.15, 37.43

 

CMYK 55 / 0 / 15 / 4

HEX #6FF6D2

RGB 111 246 210

HSL 164, 0.88%, 0.7%

LAB 88.9, -45.46, 6.17

 

CMYK 0 / 54 / 8 / 4

HEX #F670E3

RGB 246 112 227

HSL 308.51, 0.88%, 0.7%

LAB 67.07, 65.21, -34.74

 

CMYK 7 / 0 / 55 / 4

HEX #E4F66F

RGB 228 246 111

HSL 68, 0.88%, 0.7%

LAB 93.26, -24.14, 61.81

 

CMYK 55 / 7 / 0 / 4

HEX #6FE4F6

RGB 111 228 246

HSL 188, 0.88%, 0.7%

LAB 84.75, -28.15, -18.83

 

CMYK 0 / 54 / 8 / 4

HEX #F670E3

RGB 246 112 227

HSL 308.51, 0.88%, 0.7%

LAB 67.07, 65.21, -34.74

 

CMYK 0 / 37 / 55 / 4

HEX #F69C6F

RGB 246 156 111

HSL 20, 0.88%, 0.7%

LAB 72.57, 29.15, 37.43

 

CMYK 55 / 0 / 48 / 4

HEX #6FF681

RGB 111 246 129

HSL 128, 0.88%, 0.7%

LAB 87.42, -60.55, 45.13

 

CMYK 55 / 18 / 0 / 4

HEX #6FC9F6

RGB 111 201 246

HSL 200, 0.88%, 0.7%

LAB 77.17, -14.56, -30.39

 

CMYK 0 / 54 / 8 / 4

HEX #F670E3

RGB 246 112 227

HSL 308.51, 0.88%, 0.7%

LAB 67.07, 65.21, -34.74

 

CMYK 0 / 20 / 55 / 4

HEX #F6C46F

RGB 246 196 111

HSL 37.78, 0.88%, 0.7%

LAB 81.96, 8.15, 48.98

 

CMYK 55 / 0 / 48 / 4

HEX #6FF681

RGB 111 246 129

HSL 128, 0.88%, 0.7%

LAB 87.42, -60.55, 45.13

 

CMYK 55 / 35 / 0 / 4

HEX #6FA1F6

RGB 111 161 246

HSL 217.78, 0.88%, 0.7%

LAB 66.15, 7.43, -47.54

 

Description

Color code: HEX #F670E3 | qconv.com Color code: HEX #F670E3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 112 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 112 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 8 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 8% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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