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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5E81E it is the complementary color #0A17E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5E81E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5E81E shade: #FAE819, #FFFA2C, #FFFF3F, #FFFF52 and #FFFF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5E81E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5E81E shade: #F5E81E, #E4D60B, #D3C400, #C2B200 and #B1A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5E81E shade: #F4E81F, #F4AE1F, #F4741F, #F43B1F and #F41F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5E81E shade: #F4E81F, #C8F41F, #8EF41F, #55F41F and #1FF423

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5E81E shade matches the following richer shades: #F4E81F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5E81E shade: #F4E81F, #E1D732, #CEC645, #BCB558 and #A9A56B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5E81E shade: #F4741F, #F4AD1F, #F4E61F, #CAF41F and #91F41F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5E81E shade: #B8AE09, #E0D30B, #F4E81F, #F6EC46 and #F8F06E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5E81E shade: #F5E81E, #1FF43B and #911FF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5E81E shade: #F5E81E, #1FF4E6 and #E61FF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5E81E shade: #F5E81E, #1FF43B, #1F2DF4 and #F41FD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5E81E shade: #F5E81E, #1FF47B, #1F2DF4 and #F41F98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 88 / 4

HEX #F5E81E

RGB 245 232 30

HSL 56.37, 0.91%, 0.54%

LAB 90.42, -14.29, 85.99

 

Complementary color

CMYK 96 / 90 / 0 / 12

HEX #0A17E1

RGB 10 23 225

HSL 236.37, 0.91%, 0.46%

LAB 29.7, 67.23, -95.19

 

CMYK 0 / 7 / 90 / 2

HEX #FAE819

RGB 250 232 25

HSL 55.2, 0.96%, 0.54%

LAB 90.83, -12.28, 87.28

 

CMYK 0 / 2 / 83 / 0

HEX #FFFA2C

RGB 255 250 44

HSL 58.58, 1%, 0.59%

LAB 95.92, -18.57, 88.05

 

CMYK 0 / 0 / 75 / 0

HEX #FFFF3F

RGB 255 255 63

HSL 60, 1%, 0.62%

LAB 97.28, -20.38, 84.4

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF52

RGB 255 255 82

HSL 60, 1%, 0.66%

LAB 97.39, -19.57, 78.36

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF65

RGB 255 255 101

HSL 60, 1%, 0.7%

LAB 97.52, -18.5, 71.29

 

CMYK 0 / 5 / 88 / 4

HEX #F5E81E

RGB 245 232 30

HSL 56.37, 0.91%, 0.54%

LAB 90.42, -14.29, 85.99

 

CMYK 0 / 6 / 95 / 11

HEX #E4D60B

RGB 228 214 11

HSL 56.13, 0.91%, 0.47%

LAB 84.28, -12.83, 83.18

 

CMYK 0 / 7 / 100 / 17

HEX #D3C400

RGB 211 196 0

HSL 55.73, 1%, 0.41%

LAB 78.07, -11.19, 78.99

 

CMYK 0 / 8 / 100 / 24

HEX #C2B200

RGB 194 178 0

HSL 55.05, 1%, 0.38%

LAB 71.76, -9.41, 73.77

 

CMYK 0 / 10 / 100 / 31

HEX #B1A000

RGB 177 160 0

HSL 54.24, 1%, 0.35%

LAB 65.35, -7.57, 68.45

 

CMYK 0 / 5 / 87 / 4

HEX #F4E81F

RGB 244 232 31

HSL 56.62, 0.91%, 0.54%

LAB 90.34, -14.69, 85.71

 

CMYK 0 / 29 / 87 / 4

HEX #F4AE1F

RGB 244 174 31

HSL 40.28, 0.91%, 0.54%

LAB 75.83, 14.94, 74.23

 

CMYK 0 / 52 / 87 / 4

HEX #F4741F

RGB 244 116 31

HSL 23.94, 0.91%, 0.54%

LAB 63.2, 44.84, 64.31

 

CMYK 0 / 76 / 87 / 4

HEX #F43B1F

RGB 244 59 31

HSL 7.89, 0.91%, 0.54%

LAB 54.51, 68, 57.56

 

CMYK 0 / 87 / 87 / 4

HEX #F41F1F

RGB 244 31 31

HSL 0, 0.91%, 0.54%

LAB 52.19, 74.58, 55.77

 

CMYK 0 / 5 / 87 / 4

HEX #F4E81F

RGB 244 232 31

HSL 56.62, 0.91%, 0.54%

LAB 90.34, -14.69, 85.71

 

CMYK 18 / 0 / 87 / 4

HEX #C8F41F

RGB 200 244 31

HSL 72.39, 0.91%, 0.54%

LAB 90.36, -38.24, 84.39

 

CMYK 42 / 0 / 87 / 4

HEX #8EF41F

RGB 142 244 31

HSL 88.73, 0.91%, 0.54%

LAB 87.27, -59.05, 80.56

 

CMYK 65 / 0 / 87 / 4

HEX #55F41F

RGB 85 244 31

HSL 104.79, 0.91%, 0.54%

LAB 85.37, -74.02, 78.19

 

CMYK 87 / 0 / 86 / 4

HEX #1FF423

RGB 31 244 35

HSL 121.13, 0.91%, 0.54%

LAB 84.54, -81.17, 76.39

 

CMYK 0 / 5 / 87 / 4

HEX #F4E81F

RGB 244 232 31

HSL 56.62, 0.91%, 0.54%

LAB 90.34, -14.69, 85.71

 

CMYK 0 / 5 / 87 / 4

HEX #F4E81F

RGB 244 232 31

HSL 56.62, 0.91%, 0.54%

LAB 90.34, -14.69, 85.71

 

CMYK 0 / 4 / 78 / 12

HEX #E1D732

RGB 225 215 50

HSL 56.57, 0.74%, 0.54%

LAB 84.4, -13.78, 75.68

 

CMYK 0 / 4 / 67 / 19

HEX #CEC645

RGB 206 198 69

HSL 56.5, 0.58%, 0.54%

LAB 78.43, -12.4, 62.88

 

CMYK 0 / 4 / 53 / 26

HEX #BCB558

RGB 188 181 88

HSL 55.8, 0.43%, 0.54%

LAB 72.52, -9.95, 47.63

 

CMYK 0 / 2 / 37 / 34

HEX #A9A56B

RGB 169 165 107

HSL 56.13, 0.26%, 0.54%

LAB 66.83, -7.49, 30.61

 

CMYK 0 / 52 / 87 / 4

HEX #F4741F

RGB 244 116 31

HSL 23.94, 0.91%, 0.54%

LAB 63.2, 44.84, 64.31

 

CMYK 0 / 29 / 87 / 4

HEX #F4AD1F

RGB 244 173 31

HSL 40, 0.91%, 0.54%

LAB 75.59, 15.47, 74.04

 

CMYK 0 / 6 / 87 / 4

HEX #F4E61F

RGB 244 230 31

HSL 56.06, 0.91%, 0.54%

LAB 89.82, -13.71, 85.3

 

CMYK 17 / 0 / 87 / 4

HEX #CAF41F

RGB 202 244 31

HSL 71.83, 0.91%, 0.54%

LAB 90.49, -37.45, 84.55

 

CMYK 41 / 0 / 87 / 4

HEX #91F41F

RGB 145 244 31

HSL 87.89, 0.91%, 0.54%

LAB 87.4, -58.08, 80.73

 

CMYK 0 / 5 / 95 / 28

HEX #B8AE09

RGB 184 174 9

HSL 56.57, 0.91%, 0.38%

LAB 69.81, -11.66, 70.88

 

CMYK 0 / 6 / 95 / 12

HEX #E0D30B

RGB 224 211 11

HSL 56.34, 0.91%, 0.46%

LAB 83.16, -13.04, 82.19

 

CMYK 0 / 5 / 87 / 4

HEX #F4E81F

RGB 244 232 31

HSL 56.62, 0.91%, 0.54%

LAB 90.34, -14.69, 85.71

 

CMYK 0 / 4 / 72 / 4

HEX #F6EC46

RGB 246 236 70

HSL 56.59, 0.91%, 0.62%

LAB 91.7, -14.6, 76.74

 

CMYK 0 / 3 / 56 / 3

HEX #F8F06E

RGB 248 240 110

HSL 56.52, 0.91%, 0.7%

LAB 93.19, -13.41, 62.58

 

CMYK 0 / 5 / 88 / 4

HEX #F5E81E

RGB 245 232 30

HSL 56.37, 0.91%, 0.54%

LAB 90.42, -14.29, 85.99

 

CMYK 87 / 0 / 76 / 4

HEX #1FF43B

RGB 31 244 59

HSL 127.89, 0.91%, 0.54%

LAB 84.64, -79.9, 70.3

 

CMYK 41 / 87 / 0 / 4

HEX #911FF4

RGB 145 31 244

HSL 272.11, 0.91%, 0.54%

LAB 43.55, 77.95, -82.69

 

CMYK 0 / 5 / 88 / 4

HEX #F5E81E

RGB 245 232 30

HSL 56.37, 0.91%, 0.54%

LAB 90.42, -14.29, 85.99

 

CMYK 87 / 0 / 6 / 4

HEX #1FF4E6

RGB 31 244 230

HSL 176.06, 0.91%, 0.54%

LAB 87.34, -49.5, -6.71

 

CMYK 6 / 87 / 0 / 4

HEX #E61FF4

RGB 230 31 244

HSL 296.06, 0.91%, 0.54%

LAB 56.42, 89.99, -61.2

 

CMYK 0 / 5 / 88 / 4

HEX #F5E81E

RGB 245 232 30

HSL 56.37, 0.91%, 0.54%

LAB 90.42, -14.29, 85.99

 

CMYK 87 / 0 / 76 / 4

HEX #1FF43B

RGB 31 244 59

HSL 127.89, 0.91%, 0.54%

LAB 84.64, -79.9, 70.3

 

CMYK 87 / 82 / 0 / 4

HEX #1F2DF4

RGB 31 45 244

HSL 236.06, 0.91%, 0.54%

LAB 35.4, 64.69, -96.49

 

CMYK 0 / 87 / 11 / 4

HEX #F41FD8

RGB 244 31 216

HSL 307.89, 0.91%, 0.54%

LAB 57.24, 88.45, -43.98

 

CMYK 0 / 5 / 88 / 4

HEX #F5E81E

RGB 245 232 30

HSL 56.37, 0.91%, 0.54%

LAB 90.42, -14.29, 85.99

 

CMYK 87 / 0 / 50 / 4

HEX #1FF47B

RGB 31 244 123

HSL 145.92, 0.91%, 0.54%

LAB 85.21, -72.86, 44.89

 

CMYK 87 / 82 / 0 / 4

HEX #1F2DF4

RGB 31 45 244

HSL 236.06, 0.91%, 0.54%

LAB 35.4, 64.69, -96.49

 

CMYK 0 / 87 / 38 / 4

HEX #F41F98

RGB 244 31 152

HSL 325.92, 0.91%, 0.54%

LAB 54.53, 81.2, -11.02

 

Description

Color code: HEX #F5E81E | qconv.com Color code: HEX #F5E81E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 232 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 232 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 88 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 88% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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